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If you're stateside - write down the author's name and keep it in your wallet - start searching used bookstores near you - good luck, and keep on sharing books!
The Green King to this day remains my favorite book of all time, although Frank Herbert's Dune series comes in a close second. After chancing upon the book here on amazon and refreshing my memory of it I definitely want to get hold of a copy and read it again.
Aamir
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What I do find remarkable is the durability of this particular edition. My copy is ancient, dating back to my college days. At frequent intervals it seems to come to hand and I will peruse it again and enjoy the clarity of this translation by Gia-Fu Feng and Jane English. They have carefully chosen a simple, accessible style which I feel completely captures the nature of the Tao. "What is a good man? A teacher of a bad man.
What is a bad man? A good man's charge."
Accompanying the text are many fine examples of Gia-Fu Feng's calligraphy and Jane English's photographs. While I like Chinese calligraphy, I lack the understanding to make any judgement. I can only report that it shows flow and grace, and works perfectly with English's photographs. These latter capture, most often with natural images, a play of contrast which often is as calligraphic as the accompanying handwriting. Thus, the book itself is a careful balance between content and form.
At the end of the day, or in an otherwise tense moment, this volume has often been the source of the tiny bit of sanity that makes the next day possible. There is much to meditate on here and this edition is a precious resource for the seeking mind.
So begins this version of the Tao Te Ching. This book provides an experience of the Tao like few others. First, there is the blank page. Lots of white space. The absence, the void.
"The Tao is an empty vessel; it is used, but never filled."
"Profit comes from what is there, / Usefulness from what is not there."
Emptiness is the vessel which contains the words and images of this experience. Each chapter is written in both English and Chinese. I don't even pretend read Chinese, but the characters evoke a sense of something beyond ...
"The form of the formless / the image of the imageless / it is called indefinable and beyond imagination."
The English translation reads smoothly. This is not the awkward prose frequently stumbled over when a scholar attempts to reproduce the ambiguities of the original in a foreign tongue. These words play smoothly together. The text does
"not tinkle like jade / or clatter like stone chimes."
The final element in this alchemy is the photographs:
"Less and less is done / until non-action is achieved. / When nothing is done, nothing is left undone."
Absent in this volume are the reams of footnotes which clutter most Taos I've read. Absent, too, are chapters on historical background and the relationship to Confucianism. If you seek these things, seek elsewhere.
For me, this book has opened a way to the Tao.
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This book has all the information you need in order to develop a healthy sleep pattern that will inevitably improve the quality of your life if not save it. If you depend on sleeping pills or tranquilizers to sleep, this book will show you how to get off them and to stay off them for good.
Finally, I would recommend this book not only for the desperate insomniacs out there, but for EVERYONE, since it contains lots of useful and expert information that we ALL can use from time to time.
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The epic spans eras- from the foundations of the Garden City movement in the late 19th century to Jacobs' contemporary 1961. Through this time period she describes how the loathing of urbanism by planners and their subsequent divorce from the realm of public opinion gave rise to the forces of suburbanisation and destruction battering American cities of the mid-20th century. This lays the fundamental groundwork for Jacobs' criticism of contemporary planning methods, especially in her home of New York. Jacobs emanates thoughtful analysis on what works and what does not in regards to the massive projects envisaged and in many cases wrought upon the cityscape.
But perhaps the heart of the book are the chapters in which Jacobs describes how a city works at its most ideal. She chooses only the most exemplary neighbourhoods, those which persevere and spite statistical analysis despite the conventional wisdom of planners. Her own Greenwich Village serves as the book's centrepiece, but Boston's North End and Philadelphia's Rittenhouse Square are also featured prominently. Jacobs' arguments for the necessity of density, history, and, above all, diversity in all forms (architectural, street, human, retail, age) are as poignant as they are eloquent. Those pragmatists not immediately taken to heart by Jacobs' paen to urbanity take solace in her intimate and empirical knowledge of economics. Indeed, what makes Jacobs' book so revolutionary is that it does not follow from knowledge handed down by established theory or intellectualism, but from experience, observation, and wisdom, the foundation for her usurpment and subversion of the fallacious atrocities being waged against America's cities.
Liberal at some points, libertarian at others, Jacobs' work must be comprehended not as a work of political ideology but of scientific method. Her opinions are based on but one bias- an innate love for the city. And all who wish to truly understand it in all its objectivity- its trials, mistakes, and triumphs, and her premonitions for our future, are urged to read this. For "Death and Life" is not merely historical perspective on a fleeting problem, but truly a prophecy as well.
Jacobs begins her book with a brief history of where modern city planning came from. According to the author, the mess we call cities today emerged from Utopian visionaries from Europe and America beginning in the 19th century. Figures such as Ebenezer Howard, Lewis Mumford, Le Corbusier, and Daniel Burnham all had a significantly dreadful impact on how urban areas are built and rebuilt. These men all envisioned the city as a dreadful place, full of overcrowding, crime, disease, and ugliness. Howard wished to destroy big cities completely in order to replace them with small towns, or "Garden Cities," made up of small populations. Similar in thought to Howard, Mumford argued for a decentralization of cities into thinned out areas resembling towns. Le Corbusier, says Jacobs, inaugurated yet another harmful plan for cities: the "Radiant City." A radiant city consists of skyscrapers surrounded by wide swaths of parks where vast concentrations of people herded into one area could live and work. Burnham's contribution to planning was "City Monumental," where all of the grand buildings (libraries, government buildings, concert halls, landmarks) of a city could be clustered in one agglomeration separated from the dirty, bad city. Jacobs writes that all of these ideas continue to exert influence on the modern city, and that all of these ideas do not work.
For Jacobs, the key to a successful city rests on one word: diversity. This is not specifically an ethnic diversity, although Jacobs does vaguely include this in her arguments. Rather, diversity means different buildings, different residences, different businesses, and different amounts of people in an area at different times. The antithesis of diversity is what we see today on a stroll through downtown: a bland uniformity of office buildings, apartment dwellings, and houses that stretch as far the eyes can see. In the author's view, this lack of diversification leads to economic stagnation, slums, crime, and a host of other horrors that are all too familiar to viewers of the evening news. Especially egregious to Jacobs is the tendency to isolate low-income people in towering projects surrounded by empty space. The lack of embedded businesses in these areas, along with closed in hallways and elevators (which Jacobs calls "interior sidewalks and streets") creates a breeding ground for criminal elements and bad morale among the residents. Cities that work best employ a wide range of diverse interests that attract, not repel, people. Unfortunately, bureaucrats and social planners always believe top down planning is better than bottom up initiative. Jacobs tries to show the fallacy of social planning.
The amount of ground covered in this book is amazing. The author examines the role and practicality of parks, sidewalks, business interests, city government, streets, automobiles versus pedestrians, and boundaries. Repeatedly, Jacobs discovered fatal errors in how planners build cities. She found parks placed in the sunless shadows of skyscrapers or at the end of dead end streets, narrow sidewalks incapable of carrying heavy foot traffic, city blocks so long that people avoided walking down them, and city governments too fragmented to carry on effective management. All of these things eventually led to abandonment and degradation. Even worse, when a planned section of the city failed the planners came back and razed it to the ground in order to replace it with yet more failure.
One of Jacobs's failings in the book is that she never seems to make the connection between urban planning and social control. The housing projects are a great example. By isolating the poor, blacks as well as whites and other ethnic minorities, the state practices an effective control over these people's lives. This book inspired me to check into the fate of Cabrini-Green, Chicago's notorious housing projects that served as a role model for the abject uselessness of urban planning. These projects are in the process of being razed and replaced by mixed-income houses that, if Jacobs is accurate, may thrive due to the nearby presence of shopping areas and businesses. Of course, the planners are still in the game because they are sending most of the poor residents to other areas of the city.
I am probably not the best person to judge the merits of this book because I have never been to one of Jacobs's "Great Cities." I had difficulty imagining some of the layouts she mentioned in the book due to the simple fact that I have never seen them. Despite this small problem, there is still plenty of information in this book that does make perfect sense. You do not need to live in New York City or Philadelphia to recognize that parks with no sunlight will not be a big hit with the city denizens, or that older buildings are necessary to a neighborhood because they allow small businesses to exist with low overhead costs. "The Death and Life of Great Cities," despite its age, is still a relevant book well worth reading.
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I, also, prefer the hardback version of this book. It is out of print but I found that it is still available at the distributor (msmsupplement.com as mentioned by someone in another review).
I hope that there is a new, updated version of this book on the horizon, because I know that MSM is helping so many people with a variety of problems (e.g. Arthritis, Allergies, Energy, Joint and Muscle & Nerve Pain, Skin Conditions ...). I even give it to my dogs and cats now!
By the way, Dr. Lawrence (on of the authors) is the doctor of the famous actor James Coburn. Mr. Coburn now attributes his recovery from crippling arthritis pain to benefits derived from MSM.
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Meeting a Christan man name Alex Roslan one day. Alex helped out Jacob by being his new uncle. Since he is moving in with the Roslan he has to leave the rest of his family behind. He might never see them agian. But now he has to live with danger everywhere he goes. To find out if he can managed to stay alive with the Roslan's read this excellent book about Jacob's Rescue, a Holocaust Story.
I would recomend this book to kids of all ages. This is a really good book, it has loads of action in it, and has a very good storyline. I liked this book because you learn lots about the past and how life was in 1939. But I hope that you enjoy this wonderful book.
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I picked up this book after reading Mrs Dalloway. I loved Dalloway. It was the first Woolf book I had read and it blew me away. In comparison, reading The Waves was like taking a sandblaster to my eyeballs. She uses stream of consciousness as a medium to delve as deep as she possibly can into the intricacy of existence. Not much happens on a specific and literal level outside of the rising of the sun, but the endless poetry pouring forth from the perceptive cores (I'd say "minds" but I think it goes a bit beyond even that) of these six characters speaks volumes on the fearsome intensity of beauty, the vast complexity of sadness, and the endless endless isolation of the human soul.
It is at times so deep and so personal that I felt more than a bit uncomfortable reading it. The effort is well worth it however. Woolf more than any other author I have read, struggles to communicate the hidden message contained in all stories and books... A message forever clouded in meanings and phrases... Lost in its own words.
No one speaks in this book. You follow the characters' lives from childhood to adulthood by entering their minds and listening to their thoughts. At first it is difficult to figure out what is going on. There is no narration except short poetic passages about the sea and the sun's placement over it preceding each section of the book (and each period of the characters' lives). By the middle of the book, you know who is speaking without reading the name of the character. You know how they think.
I strongly encourage anyone who is even slightly curious to buy this book. This small investment can change how you view the world. The Waves takes much longer to get through than some whodunit, but that's the beauty of it. My husband and I read a passage at night before going to bed. It's best when read slowly, with time to reflect after a small amount of pages. You'll be highlighting sentences that make great quotes as you go. What a glorious book!
I consider this to be Woolf's greatest work. Mrs. Dalloway may be a more pleasurable read and more consistently a "masterpiece", but the Waves is often so intense and beautiful that it's devastating. In fact, there are times that one is a bit overwhelmed by the surfeit of emotion, poetic words, unremitting interiority.
My Woolf pix in order: 1. Waves 2. Dalloway 3. Jacob's Room 4. A Room of One's Own 5. Orlando
I personally feel that To the Lighthouse is more of a work to be appreciated than liked--it's simply too refined. And I couldn't make it through Between the Acts--too many upper class English people sitting around a table in the country sipping tea and performing their subtle, boring manners.
Wait, I can't end on a sour note: Woolf is a bloody delight!
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This cookbook does not contain and "quick" recipes and is therefore not for someone who wishes to whip up dishes in a hurry. Instead, each dish takes some effort to prepare (from planning to shopping for each item to actually making the meal), but that almost comes with the understanding the effort will pay off with the grand reward of an authentic, delicious Vietnamese meal. I highly recommend this book to anyone even thinking of trying Vietnamese cuisine. All you need to do is open the book - you will instantly be compelled to start planning a menu and making out a shopping list!!!