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The images are detailed but not fussy. They are highly evocative of German Romanticism -- very moody, dreamy, somewhat melancholy, with an emphasis on the grandeur of Nature. If you enjoy the illustrations of Maurice Sendak, Edward Gorey, Arthur Rackham, et al., you will like this book.
Like Barrett's artwork, Poole's text tells the classic tale soberly, including the queen's botched attempts to strangle Snow White with silken laces and prick her with a poison comb. There is also more mention of Snow White's mother and father than in many retellings. This version is certainly more in line with magical/mystical/matriarchal imagery than Disney's.
Some of the images -- e.g., drops of blood -- and the story itself may be too intense for very young readers. For me, this book is a contemporary gem and is worth seeking out.
If you like this, also check out the same author/illustrator team's collaboration on "Joan of Arc."
The illustrations are beautiful without being frou-frou, serious without being creepy. Highly recommended for ages 4-8.
The reason I enjoyed this version of Snow White more than others that I have read was that is was not as much of a fairy tail like story and more of a darker approach to it. The seven dwarfs, for example, are not shown as happy little creatures that sing and dance all day long. They are merely shown as small, kind men. The illustrations in this book are so beautiful even though they are not the bright colors that would usually go along with this story.
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"Rags to riches" is another common adage; but the route to getting there is what distinguishes the daring from the rest. But the most important factor that has made these great achievers who changed and paved the course of business history is the strong desire to excel against all odds. What else can explain the rise of Andrew Carnegie from the drudgery of working in a dirty shop floor to being the master of one of America's greatest steel company.
Do not read this book in a hurry. Brands has an excellent command on the English language and his style of narration matches the true values that one can derive from the 25 great persons described in this book.
I have recommended this book as the first assignment to my daughter during her summer vacation.
Your search for human excellence ends here.
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It also includes a wonderful web directory, index of every known maker's address etc..
The only problem is with listed prices, some of them are little above average (I assume these are the manufacturer's suggested retail prices), While other prices listed are True market prices, which may confuse you a little.
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All 399 (up to November 2000) covers are in this well designed and printed book Mostly one or two covers to a page sometimes with Frank Jacobs' commentary and with a lot of the latter covers you get to see the preliminary cover roughs. As the years go by you can see how the covers changed from simple visual gags into ones that are much more graphic and busy because they have to work harder on the newsstand. The ideas are still very funny after all these years though. My favorite is issue 35 (October 1957) a wraparound that celebrated the fifth anniversary with a great painting from Norman Mingo showing a few dozen very famous American merchandising characters seated round a dining table, Alfred's at one end grinning. I would love this as a poster.
I think it is worth mentioning for Mad fans the seven CD-ROM 'Totally Mad' set, every page from the issue one thru to December 1998, the interface is very user friendly and the discs have a lot of additional aural and visual surprises.
BTW, Robert Silver's photmosaic book cover, made up from the magazines covers, is stunning.
Most of the covers feature Alfred E. Neuman, the goofy red-haired kid who, as the symbol of "Mad" magazine, has become an instantly recognizable (and, dare I say, beloved?) cultural icon in his own right. We see, over the years, the many crazy incarnations of Alfred: on Mount Rushmore, as Baby New Year, as Batman's Robin, as Uncle Sam, as Michael Jackson, as a Teenaged Mutant Ninja Turtle, etc.
The running commentary offers fascinating glimpses behind the scenes of "Mad." Particularly interesting is the story of the long-suppressed cover depicting the first President Bush burning a flag; with the outbreak of the Persian Gulf War, the "Mad" team decided that the incendiary cover was inappropriate for the time.
This is truly a marvelous book, full of color, laughs, and memories. Even if you're not a regular reader of "Mad," you may find this book to be a fascinating mirror on American fads and foibles.
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This little poetic story lead us to a place where we can have perfect peace of mind. The reason why Human Being are Human Being is we can better utilize our thinking power.
Jacob is a humble yet great influencer.
Each of the little stories inside the book sounds or looks very simple, but there are always great thoughts behind.
A must have for the ones who embrace life and humanity.
Noah Ben Shea is a thinker who knows how to use the word and combine them back smoothly. The book splits into many small sesstions and leave the space for the reader to think along.
I would say this is a kind of simplified-philosophy book. But it ain't heavy at all. In contrast, it's ready for reader to digest.
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While the forefathers of the Jewish and Christian faiths are more wholesome and generally better behaved than their contemporaries, they often misinterpret the meaning of God's words, leading to bad decisions and dysfunction. Jacob ends up married to two squabbling sisters, siring children by his servants, and watching his older sons sell his favorite son into slavery. In fact, when you think about it, Jacob makes very few good decisions and leads a troubled life no one would envy. Yet, out of the turmoil, he becomes a "hero of the faith" and changes the course of history forever.
Buechner has a gift for direct, strong, image-laden prose that moves his story forward without too much analysis or "preaching". His voice is at times sorrowful, humorous, or downright cranky. His account embellishes on the Biblical versions without contradicting them. He relishes in showing us his characters' flaws and mistakes, all the while highlighting the work of "the Fear" in their lives. I urge you to read this book; you'll never look at Genesis the same way again.
Jacob was not a perfect man -- but his yearning toward God was earnest and all-consuming, at the very core of his being. Buechner shines the light of his talent on Jacob's life, on the right and wrong decisions and actions, on the joy and sorrow, on the good times and the difficult -- and he does so with a loving hand, making no judgements, illuminating the whole and allowing the reader a multitude of aspects upon which to meditate and ponder, drawing parallels to our own lives and times as we do so.
The novel depicts a time during which people struggled within themselves -- and with their traditions -- to make the transition from worshipping many gods to worshipping one, and that transition was not an easy one. We can see the same struggle going on within our world today -- if we blur and expand the meaning of the word 'worship', we can see too many things that we value and allow to control our lives that should be peripheral to our journey, such as money, power, &c. Early in the book, Jacob makes reference to this transition (from p. 7), speaking of the 'old gods': 'When I say that I have forgotten their names, I mean that I cannot remember their names without trying. Maybe they also remember me. Who knows about gods? Maybe they have seen every step I have taken ever since. Maybe they are still waiting for me to capp once again on their queer and terrible names.'
The question of the Name of God is addressed in several places in this wonderful novel. He is referred to as 'The Fear', as 'The Sheild' -- but not given a name in the true sense of the word. He is never referred to as 'Elohim' or 'Jehovah'. On p. 161, during a physical struggle with God on the bank of the river Jabbok, God gives Jacob a new name: '"(Your name) is Jacob no longer...Now you are Israel. You have wrestled with God and with men. You have prevailed. That is the meaning of the name Israel" I was no longer Jacob. I was no longer myself. Israel was who I was.'
The question of the Name of God is burning within Jacob's soul. From the same passage: 'He was too close to me to see. I could only see the curve of his shoulders above me. I saw the first glimmer of dawn on his shoulders like a wound. I said, "What is your name?" I could only whisper it. (God replies:) "Why do you ask my name?" We were both whispering. He did not wait for my answer. He blessed me as I had asked him.'
On p. 184, Jacob experiences a bit of an epiphany on this subject: '(God) refused me his when I asked it, and a god named is a god summoned. The Fear comes when he comes. It is the Fear who summons.'
There is love, loss, spirituality, adventure, struggle, life and meaning within the pages of this book -- it has been written with talent and understanding and seeking, and it is a story that may be enjoyed and appreciated on many, many levels, as entertainment and as inspiration. I can wholeheartedly recommend ALL of Patrick Buechner's fiction as a rewarding literary experience.
The well known stories of his relationships with his parents and twin brother Esau are here, as well as his two wives and sons and the famous ladder dream and wrestling match with the angel.
Jacob is no saint (for instance, the fact that he barely sees Bilhah and Zilpah as people when he thinks of them at all subtly brings the point home of what being a slaveowner really means), but he has spoken to Mr. Buechner through the ages about why he was justified in doing what he did to Esau and preferred Joseph to such an extent over his other sons (Joseph, incidentally, is the most loveable character in the book, finally breaking the cycle of pain as the embodiment of the reconciliation of Jacob's mind to Esau's heart, and Jacob's retelling of Joseph's story - presumably from what his son told him after their reunion - is beautiful and one of the highlights of the novel). Through his life there is only one constant - God - and their relationship reminds us how frightening the Lord must have seemed at times to the patriarchs and matriarchs long before the Good News.
Buechner's voice for Jacob is utterly compelling, and the novel is biblically sound with one major exception. Like many before him and doubtless many who will follow, he doesn't deal with the thorny Biblical fact that Dinah was raped and Jacob wasn't all that concerned about it (the issue is skirted by theorizing that Jacob knew Dinah loved Sheckem and what happened between them was consentual).
This will eventually become a classic. Please note that at times it is rather sexually explicit - definitely an R rating.