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My opinion on the book though... I think Wiggins is a skilled writer and storyteller. I enjoyed the book enough that I couldn't put it down the night I finished it, despite knowing that it would give me nightmares. The comparisons to Lord of the Flies are inevitable, but it is it's own work. Some complain of being bored or confused by the first half. I felt the first half established her writing prowess. Overall, I consider this book to be creepy, moralistic fun.
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The text is overly long, and some concepts in the book are more complicated than needed, such as specifying that "the Department of Interior of the United States invited Marian" and "teachers ... marched ... in front of the Board of Education" to an age group which is grappling with the concept that our country is the United States of America. The report of the actual concert at the Memorial is short. There's no discussion of how the concert, the controversy surrounding it, and Anderson herself may have influenced the country's views on civil rights. The author uses the word "Negro" to refer to Anderson's race; that term was appropriate in 1939, but not now.
The afterword by the illustrator is just silly, since he spends much of his time telling us how his uncle knew both Eleanor Roosevelt and Marian Anderson, until he gets to the end of his afterword and says, paraphrased, "just kidding -- my uncle made it up!" The illustrator continues this joke at our expense by making his absent, lying uncle a primary character in the drawing of the audience at the Lincoln Memorial.
The afterword ("Encore") by the author is helpful, as are the suggestions for further reading and viewing.
The theme of Ryan's book is that Anderson fulfills her girlhood dream of singing at the Met, and is the first African American to do so. Everything else is essentially an incident along that road. There's more to Anderson's life than that.
The main flaw of this book is that the text uses too-complex terms to convey a story which is paradoxically too simple. It leaves out important parts of Anderson's life, such as her first "flopped" concert in New York, and her life after the Met. There are other books which provide more reality, and/or a more child-oriented text (such as Patricia and Fredrick McKissack's _Marian Anderson: A Great Singer_). Click on "see more about me" above for a review of and link to McKissack's book.
WHEN MARIAN SANG is an inspirational and educational biography of a great performer. The book gives details in a poignant, yet simplistic way that people of all ages will be able to appreciate. The illustrations are truly breathtaking. I enjoyed the fact that verses of songs that Marian sang were intertwined within the text to add depth to the story. I was also impressed with the detailed information about Marian's life and the fact that her discography was included in the back of the book. Pam Munoz Ryan and Brian Selznick have done an excellent job in telling the story of Marian Anderson. I look forward to future works from this dynamic duo...
The conceit of this beautiful book is that it is a musical performance, with Ryan providing the Libertto and Selznick the staging. This actually works, because Ryan tries to provide a lyricism to the story, working in verses from the songs Marian Anderson sang, to reflect her spirituality and culture; she might have been a symbol of equal rights, but we are also talking about one of the class acts of 20th century America. The exquisite artwork by Caldecott Honor Medalist Selznick is done with Liquitex Acrylics in lush Sepia tones. I especially liked the early sequences where Marian has the same beatific expression on her angelic face as she sings for three consecutive paintings, the wall of pictures behind Anderson as she sings for Giusepe Boghetti, and strategic infusion of bright colors into the final painting of her ultimate triumph. More importantly, I like where Ryan and Selznick end her story, 16 years after that first appearance at the Lincoln Memorial. Young readers might never have heard of Marian Anderson, but after reading "When Marian Sang: The True Recital of Marian Anderson," they will never forget her story.
The back of the volume includes "Encore" information about the author and artist and "Ovations" that provide addition information about Anderson's life and career, including the other times she performed at the Lincoln Memorial and Constitution Hall, along with a Selected Discography. If reading the inspiring story of Marian Anderson does not compel you to go and find an album or video of her in performance, then you are missing out on a true appreciation of the woman, her music, and her place in history. Just listen to Marian Anderson singing "Were You There When They Crucified My Lord?" and all shall be revealed to you.
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The kitties do play a supporting role, a duo named Had-I and But-Known, owned by cozy writer Lucinda Lucas, and Roscoe, by Macho Magee (formerly known as Lancelot Dalrymple). But they act as cats, not as characters on a par with their owners, as seen in Rita Mae Brown's series, nor do they offer hints as to who done it, as in Lillian Jackson Braun.
No, like the cats, Babson wants to play with the English literary scene, so her authors are beset by the neighborhood's new arrivals: the venomous critic Plantagenet Sutton, a college professor who collects writers like some collect butterflies, and a husband-and-wife duo seeking to record in camera and prose a year in the life of a charming English village. Not only that, but the characters in Lucinda and Macho's books seem to be acting up as well, resenting their creators' plans to replace them with other series.
Babson is a writer with a long track record, and she capably serves up in "Canapes for the Kitties" a charming, breezy cozy laced with some tart darts thrown at some tempting targets.
Babson has her cats and they figure in some way (generally quite funny)in each of her mysteries.
This book, like all of Ms. Babson's, is short, a fast read, excellently written and quite funny. She draws her characters quite well and describes the surroundings with such broad strokes that you can almost see it.
While others fall down on the job, with each new title Marian Babson holds onto the title of champion.
It has a great introduction and then postive, thought provoking statements at the top of the page to keep me motivated to write about what I feel instead of numbing out what I feel with food.
I love this journal!!!
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This book is a for relaxing. Its almost like a birds eye view of a psychics life from the inside out. How a psychic feels, how they think, how they love. Probably not too interesting to the general public. But nice to read when you can relate! And certainly worth the $5 or $6 bucks!
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Bridgit Cleary, the wife of a barrel maker was suspected by her friends and relatives of "conversing" with the fairies. Many of the rural people somewhat believed in spirits and thought that the fairies convened in a wood near the Cleary "residence". When Bridgit returns one night and does not look herself, they suspect she has been possessed by the fairies and is a changeling. Various herbs are tried in an attempt to "exorcise" Bridgit. When these fail the last resort is fire and Bridgit is held into the fireplace. She expires and all those present at the "exorcism" are put on trial. Indirectly, the Catholic Church is also "on trial" being held responsible for the superstitious nature of the Irish population. The whole experience becomes somewhat of an international news item propagated by the British for the aforementioned purpose. The group is found guilty and given various sentences. The most severe, ten years in prision, is placed on her husband
This book is a wonderful review of the Irish struggle for independence. Irish patriots and sympathetic British statesman are depicted. The harshness of the British during famines is also underlined. On the lighter site, several fanciful tales regarding the faries are related.
At the back of the book there is a very complete set of notes for anyone wishing to pursue topics in greater detail
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The strong suit was an interesting story line. The story line was well put together, easy to follow, interesting, and the conclusion was satisfactory.
On the down side, the actual sub/dom and bdsm exploration was shallow and poorly done. This book is not really about lesbian bdsm, even in exploration. It is a vehicle for "vanilla" lesbian sex (with no condemnation of that!), and there is a superabundance of that. If you are looking for bdsm fiction, however, you will find this book very disappointing.
As far as the lesbian sex goes, there is variety in the numbers of players (one, two, three), but the descriptions largely sound like carbon copies.
Another difficulty rests with the shallowness of her characterizations. There is a flatness to them which is disappointing. This work would be greatly improved with more fully drawn characters.
Perhaps I have been spoiled by authors such as Pat Califia, but unless you want the lightest of lightweight lesbian bdsm, this book is not one I would recommend.
Unlike many other books of its type, it is possible to read No Angel and enjoy it, even if you prefer not to read the sex scenes. It is well structured, complex and above all highly readable. Not that I am suggesting that you do leave out the sex! Marian Malone writes some of the best, most exciting, varied sex scenes I have ever read.
Thoroughly entertaining!
I couldn't put this book down and was disappointed when I had finished it. I am sure I will be dipping into it again, often!
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