Used price: $12.95
Collectible price: $26.47
Buy one from zShops for: $35.00
Used price: $160.00
Used price: $55.00
Buy one from zShops for: $84.50
to this book. Secondly, I found these authors through another of
their books, "Precalculus With Limits - A Graphing Approach". That book was just as well written. Truth be told, I would buy any of their books, sight unseen. They are a students
teacher and a teachers teacher. They don't sacrifice rigor, nor do they forget the mathematical maturity of their student audience. Using their books alone, and self-study (no classes,
tutors, or the intellectual diet pill category of "Calculus Made
Simple" or "Calculus The Easy Way" silver bullets I filled a forty year gap in math studies in 1-1/2 years to the point of
acing the AP Calculus and AP Physics Exams. Knowing calculus prior to beginning physics with calculus is an absolute necessity. I am no genuis. I do not have exceptional ability. I simply had the advantage of two textbooks written by teachers who
really care and take a mentoring approach to writing. All of this
has really been a long-winded way of saying that with this book
and a healthy dose of strong motivation and perserverance you will succeed in your calculus courses.
Used price: $58.96
Buy one from zShops for: $58.96
Dr. Michael Beitler
Author of "Strategic Organizational Change"
Dr. Michael Beitler
Author of "Strategic Organizational Change"
List price: $25.95 (that's 30% off!)
Used price: $13.50
Collectible price: $29.49
Used price: $3.00
Collectible price: $4.99
Buy one from zShops for: $75.00
If you are going to selfstudy calculus, i have some advices:
1 Not every section is necessary. Some sections are mainly about applications in mechanical engineerings(actually, most applications). If you are not interested in ME, just skip them.
2 Don't go too fast. If you don't have time, just skip some sections of the end of each chapters. Especially at the end of the book. Chapter 14 is quite confusing. Read them slowly, understand piece by piece.
If you are a math major, particularly pure math, this is not a book for you. You need a book that talks more about theory.
The exercise problems at the end of each section are never huge surprises. As for their difficulty, they tend to start out easy and end with the more challenging word problems. When I was confused or frustrated, it helped to go back and re-read the examples. The Thomas text's examples were extremely difficult (for us non-MIT level math students) and unrelated/inconsistent with the exercises.
The editing of Larson's text is fantastic, because there are relatively few errors (whereas Thomas' was full of them). And I especially liked the photographs and brief biographies of the famous mathematicians sprinkled throughout each chapter, because they humanize this mysterious and feared subject.
I'd say that this book made calculus less scary and much more manageable. I still had to study really hard to ace the class, but at least it wasn't because the book was overly confusing.
Larson's approach is practical, logical, thorough, and most importantly, CLEAR!!!!
Used price: $7.00
Collectible price: $50.00
Although the book is ostensibly about Barthes' attempt to work out why he is moved by some photographs and not by others, it soon reveals itself to be a meditation on the absence inherent in photography. Barthes wrote before radical manipulation of the image had become a standard practice in photography, but even if he hadn't it would make no difference, as he is only interested in photographs insofar as they depict something that was there at that particular time, and is now (presumably) gone. He is particularly eloquent on a photograph - deliberately unreproduced here - of his beloved mother, who'd died shortly before he began to write the book. He doesn't even try to elaborate a grand theory of photography; this is unashamedly a book about himself and the loss he has suffered, which he finds echoed and prefigured in the photographs that he holds dear. This being the case, he is able to write as movingly and beautifully about a 19th century photograph of a condemned man ("I observe with horror an anterior future of which death is the stake") as he can about the cherished Winter Garden photograph of his mother (which he doesn't reproduce in the book because, he says with heartbreaking discreetness, "it exists only for me").
Barthes wouldn't feel much at home in the digital age. For all his academic reputation as a whip-cracking avant-gardist, his most powerful and convincing writing is always yearning back to the past. He almost manages to make nostalgia seem not merely respectable but essential. But his generosity prevents him from imposing this point of view on the rest of us. That's what made him a great writer.
Frequently as I read through the brief, but provocative, Camera Lucida I would turn to the author photograph of Barthes on the back of the book. The further I got into Barthes' book the more I wondered just what he would have thought of the photo of himself. You see, in the pages of Camera Lucida Barthes explains how he sees most portraits as mere images that are far separated from the true identity, much less the soul, of the subject. And so I wondered, did Barthes ever see this portrait of himself? Was he the one who chose it for the back cover? Are the subtleties of this photograph effects Barthes consciously created as he posed for the camera?
These questions that arouse in my mind went to the heart of, indeed were a product of my reading of, Camera Lucida. In this book Barthes explores the nature of photography, what sets it apart from other arts, what are its benefits, its liabilities. He also wonders what exactly a photograph is, what that cold image on paper truly captures.
The book opens with Barthes wondering what is that one thing that a photograph, out of all other forms of art, possesses. While contemplating this he also muses that a photograph is forever linked to the object of which it is taken. That is to say that a photograph of a girl is always linked to that girl whereas a painting of a girl might very well be the construction of the author's mind and have no real world analog. Barthes does well to open with these two thoughts because they become the central insights on which he hangs the rest of his theories.
Barthes is also concerned with how a photograph can exist, that is to say how it can become more than simply a sign pointing as a real world object, how it can come to embody that object on its own, how it can achieve, in a word, transparency. He sees photographs as dead objects, indeed at times is obsessed with this Death that he claims photographs confer on their subjects. It seems that somewhere inside Barthes is a desire to discover photographs that are not shadowed by Death; this is the transparent photograph he seeks.
As Barthes investigates these theoretical propositions he beautifully blends blend cold theory and personal reflection. For instance, when Barthes recounts his experiences as the camera's subject, and we discover a shy, even vulnerable personality. Similarly Barthes evokes tender feelings when he recounts the touching effects of discovering what he believes to be the one true photograph of his mother. In Camera Lucida we see that the author is a man for whom ideas are not theoretical abstractions, but deeply felt concerns whose resolution is central to his well being. This organic blend of personal and professional reflection makes Camera Lucida a work of much intellect and much beauty.
Camera Lucida is a slim book that carries a great deal of weight. It is a book that is highly recommended to anyone who is concerned with what separates a good photograph from a great one, as Barthes points a way past the proliferation of mediocre photographs to the truly great ones.
List price: $14.00 (that's 30% off!)
Used price: $6.75
Collectible price: $8.99
Buy one from zShops for: $7.24
List price: $19.95 (that's 30% off!)
You can TASTE the cocobread...and sugarcane...
Buy it!
A great gift for you or someone you love.
The book is superb. But I would love it if the authors made me feel more at home by including jokes, quotes or stories. Or included some real life situations. I intend to get another book to go with this.