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This is what chess is all about! Amazing games. Glorious conclusions. A couple end in remarkable draws. Most finish with the inevitable threat of checkmate.
FEATURES
+ Digestible format. Each game looks like its own chapter, though it's only 2-3 pages. The brevity of the comments, the lightness of the annotations, and the shortness of the games all conspire to induce even a rank beginner into taking a bite. It's very easy to play out a single game when you find yourself with a few minutes to spare.
+ Breadth of coverage. Although this book is no-one's first choice for studying the openings, it certainly provides a convenient introduction. The games are grouped by opening, roughly in the order of their chronological popularity. The first half is dominated by open games, especially the King's Gambit and Ruy Lopez. In the middle, there are several of the French, the Sicilian, the Caro-Kann, and the Queen's Gambit. Finally, there are samples of modern openings, like the KID and English. There is no index; there wouldn't be a point.
+ Reinfeld's descriptions. They're brief, but they make the games interesting. He tells you what to watch for in plain English.
+ Useful, brief, understandable annotations. Typical chess annotations are of the form "instead of this move, which leads to this series of moves" and end with a position that is not obviously winning for either side. These are inscrutable to beginners. Reinfeld, however, only provides that sort of annotation when the result is decisive. Often, he instead lists the threats. In other words, he tells us what would happen if the next player skipped his turn. This is exactly what the beginner wants to know. He can think for a minute, "OK. So how would I counter that threat?" Then he can see the next move and understand why it was made.
DRAWBACKS?
OK. There are many ways to criticize this book. For example:
"Many of these games are against duffers!"
A: Yes, and often the master is hampered by considerable disadvantages (a blindfold, a simultaneous exhibition, a piece removed before the game even starts, or a free move for the opponent) which tend to level the playing field. Because the games are not nail-bitingly close, a beginner can understand the moves.
"There are too many mistakes in these games."
A: It is very useful to the beginner to see how to take advantage of mistakes. Most here are subtle, rather than outright blunders like leaving a piece en prise (attacked and undefended), but Reinfeld's verbal explanations are clear and cogent. Sometimes there is an obvious mistake, but only when the position is already lost.
"These games are all available elsewhere, in books and computer databases."
A: Yes, because they are classics. If they were lengthy struggles, I might recommend a computer or deep annotations, but not for such decisive games. Just watch and learn.
"The moves are in Descriptive Notation."
A: This is really not a problem when the analysis is so shallow. DN is fine for re-playing games (as well as for tactics puzzles, where NxN is actually easier to grasp than Nxf3). Don't be dissuaded by this.
"There is only 1 diagram per game. A beginner book should not require a board."
A: For one of these quick games, one diagram is almost too much. It mainly serves to remind you that you are reading a chess book! Well, it also reassures the beginner that he is following the moves correctly. Yes, this book requires a board. I enjoy moving the pieces and imagining that I am one of the great masters. I peek at the end to see which side wins, and I play his pieces, trying to guess the moves.
"It's very difficult to guess the master's move following a diagram."
A: True. Since the strong moves which follow the diagrams are far from obvious, this book is not useful for tactical drills. The purpose is to inspire. However, it is possible to look for the crushing blow near the end.
TRUST ME!
With these objections swept aside, there is much to love in this treasure trove. I cannot recommend this book highly enough. Once you know the rules and have lost a few games, you are ready for this book, and I hope you enjoy it as much as I have.
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Hormel is no longer a bunch of heroes in a special situation. They were pioneers pointing out what millions of working people have to face. Their struggle shows if you fight you can win things, and if you fight you prepare for all the tommorrows. That why I enjoy this pamphlet now in a way I couldn't have back when it first came out. I think you will too.
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In my particular instance, use of this book has allowed me to create additional interest in chess with former non-players in my family. (An interest I found nearly impossible to cultivate myself.)
So, if you are a beginner, or a player who struggles in passing along knowledge effectively, this is a book for you.
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of many well known and (more importantly) lesser known Louisiana bands and artists. Mr. Koster, although from neighboring Texas, has really done his homework on this project. You can also find Mr. Koster's dry humor come into play throughout.
If you like this book, you will also enjoy Mr. Koster's book on the history of Texas music called, you guessed it, "Texas Music".
In a marketplace flooded with Civil War studies, Dr. Smith's distinguishes itself in two ways: 1)With its erudition, a quality missing from many Civil War analyses. 2) The precision of his study. By choosing time as his subject, Dr. Smith rises above the pack of Civil War literature, and creates something thoroughly new.
Would that all works of history were as intellectually stimulating as this. MASTERED BY THE CLOCK is an example of the historian's craft at its best--something rarely seen these days.
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A must read for anyone who loves baseball and heroes.
This book provides a very nice selection of graduated etudes that are technically challenging and musically pleasing, and which introduce new notes and techniques in a very logical manner. I had sailed through the Yamaha and Essential Elements series having done little more than learn the fingerings--no work at all on technique or tonality. As an intelligent adult who is already musically accomplished and who is trying to teach himself a new instrument, there is simply too little meat in the standard lesson books. I can only play "Michael Row Your Boat Ashore" and "Alouette" so many times before they lose their charm! However, Weissenborn in combination with "The Art of Bassoon Playing" has greatly accelerated improvement of my technique and tonality. I play the music in Weissenborn, then I trouble-shoot problems using "The Art..." and return to Weissenborn to practice the new techniques. I wish a book similar to Weissenborn existed for oboe, my other current self-learning project.
I highly recommend this method. I used it myself when I was a student and also recommend it for my students.
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McChesney defines rent extraction as "the political practice of extorting payments from private parties by making threats to expropriate wealth." In other words, he claims that politicians can take money from citizens by threatening to harm them and accepting bribes in the form of campaign contributions to leave them alone. He points out that if individuals have accumulated wealth and wish to keep it away from the government, they will be willing to pay politicians to leave them alone until the costs of doing so exceed the benefits of doing so.
Therefore, while Tullock's theory involves politicians accepting payments to create political favors in the form of rents, McChesney's involves politicians accepting payments to avoid destroying existing private rents. He explains the differences between the two by stating: "With the former (rent-creation/bribery), the beneficiaries of political action compensate the politician for increasing their welfare. With the latter (rent extraction/extortion), persons whose welfare would otherwise be diminished by political action compensate the politician for not effectuating that diminution."
He does point out that constitutional protection of private property and freedom of contract can prevent politicians from acting upon their threats. However, he claims the erosion of these protections has made the problem much more severe during the late nineteenth and twentieth centuries.
To support his view that rent extraction imposes enormous costs on the economy, McChesney provides a wealth of evidence from recent policy debates. For example, he cites the United States Federal Trade Commission's efforts - at the request of Congress - to impose warranty and defect disclosure requirements on used car dealers as an attempt by individual members of Congress to obtain campaign contributions in exchange for voiding the rules. In this instance, he provides statistics on contributions made by the National Auto Dealers' Association to members of Congress who voted to repeal the regulations. In discussing the Supreme Court's response to the wheeling and dealing, he points out that the dealers were essentially tricked into paying to repeal legislation that Congress never intended to enact anyway.
On the Clinton health care plan, he states that stock prices of pharmaceutical firms began to fall before the policy was formally proposed. He emphasizes that investors knew that once price controls became an issue, the firms involved would have to spend money fighting the legislation by making campaign contributions. Thus, the firms were expected to lose enormous sums of money whether or not the bill was actually passed. Most importantly, he points out that the firms were never able to recover any of the money they lost in the process.
In addition to legislative threats to impose price caps, he cites situations in which politicians threaten to repeal existing price caps to obtain contributions. For example, he states that proposals to raise admission fees at Yellowstone National Park have met with resistance from local merchants and users who benefit from lower prices. In other words, politicians can even threaten regulatory systems that they inherited from previous regimes in order to extract contributions from the firms that benefit from those systems.
McChesney relates his theory to law and economics by applying the Coase Theorem to his logic. He claims that, in a world without transaction costs, there would be no regulation because markets would allocate goods to their highest bidders. Therefore, in his model, the existence of regulation is treated as a political market failure in which private individuals fail to accurately appraise the credibility of threats made by politicians.
McChesney offers a simple, straightforward way to make sense of much of the regulatory excess observed throughout the economy. Although his treatment of tax code reform may require some clarification, his model will eventually enjoy the same mainstream appeal that has been afforded to Tullock's over time.