I just loved this book. It wasn't the type of book where you are turning pages quickly, waiting to see how it will end. Rather, Williams Garcia's poetic writing and fully-realized characters give you the feeling of people you know. You just want to move in and stay there a long time.
I like the book because it showed how far someone would go for love. Thulani always knew he would get the girl, so he never gave up. That requires a great deal of determintion and strive. Even though she was hesitant at first, he got her and he knew they were perfect for each other. I also liked the book because it was very realistic. It wasn't just a fantasy.
My favorite part of the book was when Thulani was talking to Ysa and they saw the rapist's mother. That was shoking how Ysa just burst out into emotions and broke down. That was also the time when Ysa and Thulani got together. Since Thulani stuck up for her and was there for her, she knew he could be trusting and responsible. I liked this part because it starts off as a bad situation, but ends up like a fairy tale.
List price: $23.00 (that's 30% off!)
List price: $17.95 (that's 30% off!)
(wherein Batman 'betrays' the rest of the League) and the other half deals with one component of that 'betrayal'; the necessity of harboring a 'secret identity'.
After expelling Batman via a 4-3 vote, the JLA finds itself split like Repubs and Democrats; mistrust and petty sniping abound. Finally Supes and Bats have a heart-to-heart that is one of the best stories featuring these two together that has ever been done. If Frank Miller's "Return of the Dark Knight" was about the abject difference between these two, JLA #50 points out the similarities. From there we go to another storyline, where the membership is split up again, although in a totally different way. I won't give away details, suffice it to say it's an Alan Moore-esque study into the inner stress having a "secret identity" can create. It's gets a little complicated and overwrought, but hell, the entire JLA series from ish #1 to The Obsidian Age has been complicated and overwrought, so what the hey. A necessary companion piece to Tower of Babel.
The only thing I did not like was the author's negitive portrayal of British Withchcraft, I've met British Witches and know they are not the evil cat sacrificing folks depicted in the story. But I will forgive the author for this blunder, since there is so much ignorance out there and he was working with the limited information available at the time the book was written.
Overall, it was a great read and a great story.When I was a kid, I was just cativated by the description of an ancient old house way out in the country that you had to reach by land rover, still available in our modern world. It was like a trip into another world.
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This is it! These are the letters, words, sentences, paragraphs that made Christmas the celebration that it is today - the family parties, the feasts, the excitement, giving to the poor. Virtually every way we celebrate this magnificent Holiday (except the mall part!) comes from this book written by Charles Dickens.
First off, this is the unabridged version. Nothing added - nothing taken away. That's as it should be. (Unfortunately, as great as they may be, the movie versions truly do not do the book justice - although I must say the George C. Scott and Alistair Sim versions do come fairly close).
One thing that surprises me about this book is how few people I know that have have actually read it, but they've seen one version or another of the movie countless times! They don't seem to realize that when books are put to film, so much is taken out for length or for other reasons. A Christmas Carol is no different. In fact, if you watch all of the different movie versions available, you STILL would not get the complete book, even though each movie adds one thing or another from the original story that the others may not.
There are countless copies of this story available in various book form, but this particular version is probably one of the best that I have seen. The illustrations attempt in some part to keep in the same spirit as in Dickens' original. But the best, most interesting part of this version (besides the story itself) is all of the little facts, explanations, and trivia put into the margins throughout this book. They give the modern 21st century reader more of an understanding of what 19th century English life was like. A couple of examples: when Dickens writes of the Cratchit family taking their goose to the bakers to be cooked, I wondered why would any one take their food OUT to be cooked and then picked up later. This book explains that few poor people in this time period had ovens large enough to roast a good family sized bird. They were big enough to cook a small bit of meat and that was about it. In order to have one of those rare Holiday meals, they had to take it to the large baker's oven at an appointed time for cooking.
Another fact I did not know was that in the story, Scrooge's sister, Fan, was based on Dickens' actual sister in law, Mary Hogarth.
There are also a multitude of paintings, drawings, and sketches from Dickens' time showing his time. Now you can see, as accurately as one can considering there were no cameras, life of the rich, middle class, and poor as it actually was. There's a picture of Queen Victoria and her family celebrating Christmas. There is also a beautiful painting of a poor labourer's family Christmas celebration. There are sketches from the first edition of 'A Christmas Carol.'
If you plan on owning a copy of this most wonderful of all Christmas novels, this is the version to get.
Part of Fowler Crest has burned down in a fire- and too much evidence against Lila is starting to look suspicious. Since her parents are away with no way to contact them, Lila becomes vulnerable, looking at Steven as a knight in shining armor when Steven is supposed to be investigating the case. How could Steven become so attracted to spoiled Lila, even if she is so seemingly helpless?
Okay, so that was a dumb little fling between them, but the book was exciting. Aren't most of the SVH books? When so much evidence started pointing at Lila, I almost believed she was guilty. Maybe that's a little farfetched, but it didn't look to good for her.
If you're looking for an in depth, soul searching book, perhaps this book isn't too well suited for your needs, but if you're like me and have enjoyed reading this series, read this one too! It's full of excitement and action!
One morning while on his rooftop, taking care of his pet birds, Thulani sees a girl being raped on the street below. After attempting to help her, he returns to the scene of the attack where he finds the skirt that was torn from her body. Rather than returning it to her, Thulani takes it back to his bedroom and pins it to his wall as a reminder of the mysterious girl who now captivates his thoughts. Little by little, he learns more about her'her name (Ysa), her ambition (fashion school), her background (Haitian). The precarious relationship the two adolescents form provides both of them with a safe environment to grow and to heal.
The language is as colorful and exotic as a tropical carnival itself. Williams-Garcia artfully compares the stolen skirt to 'a hundred golden eyes of the peacock' (21). The image comes full-circle when Thulani finally folds the skirt away. 'He laid Ysa's skirt on his bed and folded it in half, fourths, then eights, turning the gold and turquoise on the wrong side. Even so, he could still see her eyes before him, opening and closing, opening and closing, opening and closing'' (166).
The relationship between Thulani and Ysa is treated with depth. Williams-Garcia never gives in to unconvincing dialogue or too-pat answers. Instead, she realistically depicts the elliptical conversations and uncertainty that characterize high school romances. Although the novel is beautifully written, the graphic nature of the rape scene in chapter one and the bedroom scene in chapter seventeen makes the novel appropriate only for mature readers. While the reading age is listed as grades nine through twelve, parents or teachers of children on the younger side of that spectrum would do well to approach this book carefully. But for those readers who can handle the candid nature of Every Time a Rainbow Dies, Williams-Garcia has written a story that is sometimes tender, sometimes edgy, but always touching and true.