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The story is about the Hath family, who live in Aramanth, a town where tests really do matter. They determine your job, your social status, where you live, your life. Kestrel, aged ten, has had enough of these, and rebels atop the city's mysterious centerpiece- the wind singer. It once sang and brought the city peace, but its voice has been missing for many years, and so has the city's peace. Back to the rebellion! Kestrel puts down Aramanth, and all it supports, and her family, especially herself, is put in danger. Kestrel and her twin, Bowman, escape the city, off on a mission to retrieve the legendary wind singer's voice, which will bring peace back to the city. They are joined by a stupid, disgusting, but innocent classmate, Mumpo, and the 'three friends' start off on an exciting adventure to save their city.
The characters you meet are amazing and well developed, and you really fall in love with them, hate them, or fear them. My favorite was no doubt the emperor...
There were some parts that chilled my bones, and some parts that just made me laugh (provided mostly by Mumpo). This novel has it all, I highly recommend it! And when you're done, read the other books in the trilogy!
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If a student uses this textbook he\she will be very prepared for other classes such as biochemistry, ecology and even some organic chemistry because this book is SO good in expressing the fundementals of basic biology and relating those fundementals to other sciences and disciplines. Additionally this awesome textbook has clear, colorful and beautiful art and photographic illustrations with EXCELLENT explanations underneath them that can help the student understand biological processes and mechnisims. I'm in pharmacy school right now and I still use this book as a reference guide for some basic concepts in biology that I may have forgotten.
It is big, fat and chock-full of great information on the basic concepts of biology. Don't let the large size of this book intimidate you. It is big for a reason. It is big because Neil Campbell and his collegues care about the making sure the student is exposed to what he needs to know in order to advance into higher levels of biology, chemistry, medical and pharmacy school.
An EXCELLENT BOOK!!! This book explains the hardest concepts of fundemental biology so well that even a drunk in a bar can understand it throughly. A great book.
It's a 5th edition book. From the looks of it, I don't think these guys need to make a 6th edition book unless they need to update it with new biological discoveries.
It's NOT a detailed textbook, which - if including all the topics mentioned in Campbell - definitely would have 100.000 pages and more!! It's NOT a textbook about biochemistry, nor about genetics, nor about any other special subject!
It IS a wonderful illustrated (even in the german version), colourful, widespread and didactical brilliant written book about its topic: biology.
I bought the book and look upon it with a crying eye, because I'm not able to read it in an appropriate time, I'm quite busy with exams and the book is not useful for preparation for diploma or other university examinations.
But there's something I learned: as a student you learn so many things in detail out of more or less sterile books, so it might be possible that you lose the thread to the real beauty your subject consists of! What means detail without the whole? It feels good, it really feels good to reflect about the deep beauty and expanse of biology with this book; just take an hour or two a week, put your Stryer, Voet, Alberts, Griffiths and whatever textbook DOWN and open the Campbell. You will see, you breath again. And you'll get some power back - for studying the real detailed things. ...
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Douglass leaves out no detail as he portrays the brutal means in which slaves were forced into subjugation. In order to maintain order and to achieve maximum efficiency and productivity from his slave, an owner used the fear of the ever-present whip against his slaves. Over, and over again throughout the Narrative, Douglass gives account of severe beatings, cruel tortures, and unjust murders of slaves. The message is evident. Slavery dehumanized African Americans.
From the introduction of his early experience, Douglass portrays the burdens of slavery. The reader is forced to cope with the fact that he has no tangible background. Slavery has robbed him of the precious moments of his childhood. He was raised in the same manner as one would raise an animal. In his early years he had no knowledge of time-he did not even know when he was born. He is also forced to scrounge for food in the same fashion as a pig digs for slop. The saddest insight is the alienation of Douglass from his family. He has no connection with his parents and when his mother dies he was untouched. On hearing of her death he states, "I received the tidings of her death with much the same emotions I should have probably felt at the death of a stranger" (19). The bond between mother and child is the strongest bulwark for children and to be robbed of this and to not care demonstrates just how severe slavery was to Douglass and countless others who faced the same fate. In the entire slave experience, the only escape from the repression was through sorrowful singing. As Douglass states, "every tone was a testimony against slavery..." and "slaves sing the most when they are unhappy" (29). Only through music could slaves find comfort in dealing with their anguish.
Douglass's first witness of brutality is the telling of his Aunt Hester's beating. The narration is powerfully effective through terrible detail. The cursing of the overseer, the shrieks of his aunt, and the horrible effects the whip upon her flesh is almost as agonizing the reader of the Narrative as it was to his unfortunate aunt. The fact that this terrible instance is a common occurrence makes it a heavier burden upon the reader's soul.
As if the beatings were not enough, slaves were also murdered on a whim. Douglass tells of Gore, a meticulously cold taskmaster who blew out the brains of a poor slave by the name of Demby. The chilliness of Gore's is terrible due the fact that he kills with the sympathy of a butcher.
Upon hearing about this, one would speculate that the authorities would deal with such barbaric acts justly. However, as Douglass recounts in the story Mrs. Hicks, the murderess that killed a slave girl for not moving fast enough, the law officials were hesitant to enforce the rights of the slave and would intentionally overlook such matters. This is primarily due to the fact that a slave owning society could not allow the rights of the slave to be upheld to the same level as a white man. To do such a thing would threaten the stability of their superiority. This is further illustrated in Douglass's struggle against the shipyard workers, when he fled to his master and told him of the attack his master stated that he could not hold up Douglass or even a thousand blacks testimony. The lack of protection under the law and the unwillingness of the whites to give the slaves a voice allowed the whites to completely dominate the slaves without the fear of accountability for their actions.
The worst aspect of slavery is found in the religious nature of the subjugation of slaves. The cruelty found in slavery was even more intense when placed under the pretense of the slaveholding religion of Christianity. Through Douglass's deconstruction of Christianity, he learns that the white oppressive version of Christianity is much different from his own beliefs of Christianity. The incident that shaped Douglass's understanding of the mentality of religious slaveholders was when he was placed under the authority of Mr. Freeland. In this situation, he was able to see the difference between the so-called "religious slave-holders" and "non-religious slave-holders." Douglass felt that the "non-religious slave-holders" were less brutal because they did not reprimand their slaves based on a Divine command. Instead they were more concerned about reprimanding the slaves when the slaves did wrong as opposed to whenever they felt that the Lord professed a beating.
The Narrative and Selected Writings is a powerful testimony to the struggles American slaves faced. Through the writings of men such as Frederick Douglass, abolitionists were given fuel to the bonfire of the Abolition Movement. Douglass honest testimony helped to bring out the truth about slavery. Abolitionists now had evidence to back their claim that the "peculiar institution" was in fact an institution of evil.
"Sincerely and earnestly hoping that this little book may do something toward throwing light on the American slave system, and hastening the glad day of deliverance to the millions of my brethren in bonds - faithfully relying upon the power of truth, love, and justice, for success in my humble efforts - and solemnly pledging my self anew to the sacred cause."
Certainly Douglass' "little" book shed tremendous light on the slave system that existed in early American history and he successfully accomplished his purpose. The description of how slaves were treated was interesting and enlightening, and provokes compassion in the reader. Additionally, Douglass wonderfully explores the issue of knowledge and power, as he describes the many occasions in which slaveholders tried to keep slaves from learning to read. Finally, Douglass raises a concern about the hypocrisy among southern Christians based on the way that they treat slaves. True Christians treat all humans with love, respect, compassion, and indiscriminately. This final point raises a relevant issue in today's society - does this hypocrisy still exist?
Several statistics indicate that although the problem that Douglass addresses is not as drastic, it still remains a serious challenge that the United States must wrestle: 16.2 percent of American children are living in poverty (United States Census); 54 percent of African American families say underachievement among black students represents a "crisis," 33 percent of white parents agree (Public Agenda); 10.8 million children in the United States have no health insurance; 1 in 4 Hispanic children are uninsured; 1 in 11 Caucasian children are uninsured (Children's Defense Fund); 3/4 of teachers in public schools do not believe that schools should expect the same from students in low-income areas as students in high-income areas (Education Watch); in recent years income has decreased in the bottom, second, and middle 20% sectors, while increasing slightly in the fourth sector and substantially in the top sector (United States Census). . If American Christians were truly loving and sharing like Jesus teaches, the social stratification that is prevalent in the United States would not be nearly as extreme. The Christian Church should not allow such tremendous economic and educational differences. Although this is not nearly as glaring a problem as slavery, Douglass' narrative is applicable even to today's social problems and is well worth the read for that and many other reasons.
There are some really great scenes in this book. All the gibberish language the piggy uses. When Zena, Manny, and Joe all have something to offer Barney.
I can't get over the AWSOME IMAGERY. When Zena is trying to sell something to Barney and Joe walks in from the Rain dripping wet from head to toe and knowing full well what they were up to. It's just amazing. AND THE BATTLES, THE BATTLES ARE GREAT! YOUR ARE THERE. And the COOL Names Sleator gives different items talk about an imaginative vocabulary. "Portable Access to the Fifth Dimensional Matrix" There are a couple others I can't remember of hand. After reading the book 12 times I have to wait awhile before gorging myself on it again.
And then there is THE GAME. Before it everything else is paled. I could never explain it to you without you having read the book. But suffice it to say I remember being a kid and staying up all night with my best friend making up cards and a board for Intersteller Pig. We never finished it but man did we have fun.
Please do not miss this book, young child or old adult it doesn't matter, you will love the things that it does with your imagination.
Enjoy
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Greg started growing up as a young white boy in Virginia. His life was pretty normal for him and his "white" family at that time. His father successfully passed as white, even though he had black blood running through his veins. He had a couple of successful business ventures, the most notable of which was a booming cafe/diner, which of course adherred to the laws of segregation. Greg's mother was white in the true sense of the term, and she seemed to care for her children deeply as any mother should.
Everything was perfect for Greg and his family until misfortune hits and the veil is pulled off the charade of his father's false life. In a poetic justice type of moment the father's life in Virginia is devastated and shaken literally back to his roots. It looks initially like Greg and his brother Mike will stay with their mother in Virginia, but they have to tag along with their father back to Indiana where all 3 of their lives are changed forever.
Back in Muncie, Indiana, the book almost splits into 3 separate interesting stories: Greg's life, his brother Mike's life, and the father's. Their struggles bring a new meaning to tough times. Greg and his brother now have to blend into the black community which isn't easy, all while they are summarily rejected by the white community, and most painful of all an apparent rejection by their mother.
There are a lot of negatives in their lives now dealing with their living situation, and ... people which are almost laughable. One situation that stands out are the two school officals that get upset at his expressing any interest in white girls, but then the same people are angry when he is marching with a black girl during graduation. However, through all the negativity there is one person that shows how powerful Christian love can be as she adopts them and tries to keep them on the right path.
Greg and Mike's experiences and ongoing fight with racism hardly let you put the book down. I couldn't wait to see how they were going to handle each new situation. Once in a while there is a true story comes along that rivals any fiction, this is one of them!
The personalities in this memoir are touching, from Williams's father who was unable to deal with demons of his own, to the author and the rest of his family. Most especially, I loved reading about Miss Dora, the elderly woman who opened her heart and home to the author and his brother and played an important part in helping Mr. Williams become successful despite all the odds against him.
Gregory Howard Williams has led a harsh, mesmerizing, sorrowful, incredible, yet triumphant life on the color line.
Fafa Demasio
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The best parrt of this book is when the mistirious Uncle Marco comes back to find out what just happened when he was gone.He comes back and the creatures have already built their cities in the basement. Uncle Marco finds out this big developement is trying to buy out the whole town to build a mall, steals the creatures lord because they think it wil make them rich. So Marco's nease and her friend get it back to take it to the creatures in time.
One of the most vivid parts of the story is in the begining when Uncle Marco gave Annie the boxes becasue he is a mistiriuos man he alwayshas something to bring home or hide from other people. For a man so mistirious what could be in the boxes? Anthor vivid part would be why Aunt Ruth thinks they are hiding something that she just does not know yet. But does Aunt Ruth ever find it?
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Macbeth is one of Shakespeare's more ambiguous main characters. Motivation is always a big question with him. Sure, he is hungry for power. Yet he also needs prodding from several quarters to take most of his actions.
Lady Macbeth is really no different. She comes off as eager for evil early on, but is utterly shocked by its repercussions. Her attempt to go against nature leaves her absolutely unhinged and thirsting after guidance--only to find despair. In this regard, Shakespeare anticipates the psychology of Dostoevsky.
Macbeth is also one of Shakespeare's most supernatural plays. Regardless of whether one wants to debate the reality of Banquo's ghost, there are forces at work in Macbeth that are often unseen, but which drive the plot. The witches and all the unnaturalness come up against the forces of nature (the trees) and the divinely appointed King.
The most remarkable thing about this play is, for me at least, that it becomes a true tragedy only in its last moments. Only when all the stuff has hit the fan, and he has realized his doom is eminent, does Macbeth show the courage and nobility of a true tragic hero.
Macbeth is a great place to start if you are new to Shakespeare. It is a fun place to return if you're not.
The plot does not seem to move along as well as Shakespeare's other most popular dramas, but I believe this is a result of the writer's intense focus on the human heart rather than the secondary activity that surrounds the related royal events. It is fascinating if sometimes rather disjointed reading. One problem I had with this play in particular was one of keeping up with each of the many characters that appear in the tale; the English of Shakespeare's time makes it difficult for me to form lasting impressions of the secondary characters, of whom there are many. Overall, though, Macbeth has just about everything a great drama needs: evil deeds, betrayal, murder, fighting, ghosts, omens, cowardice, heroism, love, and, as a delightful bonus, mysterious witches. Very many of Shakespeare's more famous quotes are also to be found in these pages, making it an important cultural resource for literary types. The play doesn't grab your attention and absorb you into its world the way Hamlet or Romeo and Juliet does, but this voyage deep into the heart of evil, jealousy, selfishness, and pride forces you to consider the state of your own deep-seated wishes and dreams, and for that reason there are as many interpretations of the essence of the tragedy as there are readers of this Shakespearean masterpiece. No man's fall can rival that of Macbeth's, and there is a great object lesson to be found in this drama. You cannot analyze Macbeth without analyzing yourself to some degree, and that goes a long way toward accounting for the Tragedy of Macbeth's literary importance and longevity.
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This is what captured my attention when I read this play.It is very profound to realize the fact that Shakespeare uses Iago to set this stage on which Othello is a mere player.
I love the character of Iago. His total confidence, the superiority that he feels when psychoanalysing human nature, his rational thinking and intellectualism sways the reader to think: 'Wow, this is a compelling and sophisticated man we're dealing with here!'
However, my admiration of Iago does not in anyway undermine my love of Othello. His poetic and calm demeanor makes the reader feel the pity and terror for him when he falls from grace (catharsis). Yet, we are made to understand that the reason why he is made to appear a gullible and ignorant fool to some readers is that he does not have any knowledge of a delicate, domesticated life. Venetian women were foreign to him. This tragic flaw in Othello added to the circumstances used by Iago to destroy him.
The meaning, and hence the tragedy of the play is conveyed through the use of Shakespeare's language, style, literary devices and imagery. Without these dramatic effects, readers would never be able to enjoy the play as much, although the dialogue is at times difficult to decipher.
I thoroughly enjoyed Othello and it is my hope that more people find it enticing as I have. I would be delighted to contribute more of my reviews to that effect.
Othello's problems begin when he promotes one of his soldiers, Michael Cassio as his lieutenant. This arouses the jealousy and hatred of one of his other soldiers, Iago who hatches a plot to destroy Othello and Michael Cassio. When Cassio injures an opponent in a fight he is rebuked, punished, and subsequently ignored by Othello who must discipline him and teach him a lesson. Iago convinces Desdemona to intervene on Cassio's behalf and then begins to convince Othello that Desdemona is in love with Cassio.
This is actually one of the most difficult Shakespeare plays to watch because the audience sees the plot begin to unfold and is tormented by Othello's gradual decent into Iago's trap. As with other Shakespeare plays, the critical components of this one are revealed by language. When Othello is eventually convinced of Cassio's treachery, he condemns him and promotes Iago in his place. When Othello tells Iago that he has made him his lieutenant, Iago responds with the chilling line, "I am thine forever". To Othello this is a simple affirmation of loyalty, but to the audience, this phrase contains a double meaning. With these words, Iago indicates that the promotion does not provide him with sufficient satisfaction and that he will continue to torment and destroy Othello. It is his murderous intentions, not his loyal service that will be with Othello forever.
Iago's promotion provides him with closer proximity to Othello and provides him with more of his victim's trust. From here Iago is easily able to persuade Othello of Desdemona's purported infidelity. Soon Othello begins to confront Desdemona who naturally protests her innocence. In another revealing statement, Othello demands that Desdemona give him "the ocular proof". Like Iago's earlier statement, this one contains a double meaning that is not apparent to the recipient but that is very clear to the audience who understands the true origin of Othello's jealousy. Othello's jealousy is an invisible enemy and it is also based on events that never took place. How can Desdemona give Othello visual evidence of her innocence if her guilt is predicated on accusations that have no true shape or form? She can't. Othello is asking Desdemona to do the impossible, which means that her subsequent murder is only a matter of course.
I know that to a lot of young people this play must seem dreadfully boring and meaningless. One thing you can keep in mind is that the audience in Shakespeare's time did not have the benefit of cool things such as movies, and videos. The downside of this is that Shakespeare's plays are not visually stimulating to an audience accustomed to today's entertainment media. But the upside is that since Shakespeare had to tell a complex story with simple tools, he relied heavily on an imaginative use of language and symbols. Think of what it meant to an all White audience in a very prejudiced time to have a Black man at the center of a play. That character really stood out-almost like an island. He was vulnerable and exposed to attitudes that he could not perceive directly but which he must have sensed in some way.
Shakespeare set this play in two locations, Italy and Cypress. To an Elizabethan audience, Italy represented an exotic place that was the crossroads of many different civilizations. It was the one place where a Black man could conceivably hold a position of authority. Remember that Othello is a mercenary leader. He doesn't command a standing army and doesn't belong to any country. He is referred to as "the Moor" which means he could be from any part of the Arab world from Southern Spain to Indonesia. He has no institutional or national identity but is almost referred to as a phenomenon. (For all the criticism he has received in this department, Shakespeare was extrordinarlily attuned to racism and in this sense he was well ahead of his time.) Othello's subsequent commission as the Military Governor of Cypress dispatches him to an even more remote and isolated location. The man who stands out like an island is sent to an island. His exposure and vulnerability are doubled just as a jealous and murderous psychopath decides to destroy him.
Iago is probably the only one of Shakespeare's villains who is evil in a clinical sense rather than a human one. In Kind Lear, Edmund the bastard hatches a murderous plot out of jealousy that is similar to Iago's. But unlike Iago, he expresses remorse and attempts some form of restitution at the end of the play. In the Histories, characters like Richard III behave in a murderous fashion, but within the extreme, political environment in which they operate, we can understand their motives even if we don't agree with them. Iago, however, is a different animal. His motives are understandable up to the point in which he destroys Michael Cassio but then they spin off into an inexplicable orbit of their own. Some have suggested that Iago is sexually attracted to Othello, which (if its true) adds another meaning to the phrase "I am thine forever". But even if we buy the argument that Iago is a murderous homosexual, this still doesn't explain why he must destroy Othello. Oscar Wilde once wrote very beautifully of the destructive impact a person can willfully or unwittingly have on a lover ("for each man kills the things he loves") but this is not born out in the play. Instead, Shakespeare introduces us to a new literary character-a person motivated by inexplicable evil that is an entity in itself. One of the great ironies of this play is that Othello is a character of tragically visible proportions while Iago is one with lethally invisible ones.
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The only thing I felt was missing in this enormously helpful book was an index. There's so much information here and it is a book readers will return to again and again, so it would have been nice to make it easier to find specific topics. That said, the detailed table of contents was very helpful.
And then I discovered Katie's book and she reinforced all of our instincts! Whenever I have doubts (sometimes put upon me by society), all I have to do is re-read certain chapters or pages and it all comes clear to me again: my husband and I are the experts when it comes to our son. We should and will follow our instincts.
Yes, before reading this book, we had all the mainstream purchases: crib, swing, baby bucket, baby bouncer seat, stroller. And we did use those items a few times, but not to the extreme that we've seen other parents, leaving baby alone for long periods of time. Our son has grown into a happy and healthy toddler and we owe a lot of it to being so Attached!