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The writers of this excellent series have smartly chosen to keep story arcs fairly brief lasting about five issues. This allows each trade paperback to contain two arcs. The two in this volume are excellent.
The first arc finds the JSA being attacked by the Injustice Society and Johnny Sorrow. The Flash winds up accidently travelling back in time to ancient Egypt in his efforts to defeat Sorrow. (Time travel isn't something treated lightly like in Dr. Who.) This ties the two arcs together nicely and also relates the origins of three legends: Dr. Fate, Captain Marvel and Hawkman.
Other surprises wait as Black Adam joins the JSA and the exploration of Hawkman and Hawkgirl's relationship deepens. Kendra discovers she's really Hawk's wife reincarnated, but everything isn't peachy keen. All in all, it's well written and art is top notch. Enjoy!
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being slick. It does an excellent job capturing the flavor of
the time and place--Cape Cod in 1968. The book works very well
on a variety of levels: the relationship between an older woman
and a younger man, politics and power structures, and life at a
small-town newspaper. Claire Malek leaves Washington and, by
chance, winds up as a reporter for the Covenant, a twice-a-week
paper in a town on the Cape. She has a lot of learning, and a
lot of unlearning to do about the job. A twice-weekly small-town
paper is not like the N.Y. Times or the USA Today, and the job
of a reporter is very different. You'll learn a great deal from
this novel about the operation of such a paper, from the flatbed
press to the manual typewriters, but there's no getting bogged
down in the details. The author's father and grandfather were
editors of the Falmouth Enterprise (on Cape Cod) and his great-
uncle was Henry Beetle Hough, Pulitzer-winning long-time editor
of the Vineyard Gazette, so the author can describe life on
such a newspaper with loving care.
The Covenant's editor has a son Lane who has just graduated from
college, and who also works on the paper, and there is an
attraction between Lane and Claire, which develops into a
relationship. I have read all too many books which would take
this basic theme and exploit it in an unpleasant manner, but
here things seem very natural and not labored.
The writing style is a joy. As the book gently points out,
as Claire learns, good reporters can tell a story succinctly
and cleanly--they don't waste space, but neither do they
abbreviate. The writing style has this flavor--there is no
sense of padding, no extraneous verbiage, things are told
straightfowardly. Too many novels--too many popular novels--
are short stories padded into 300-page books. John Grisham's
novels seem to be this way, whereas Scott Turow's books are not.
The Last Summer has a fine, easy, unlabored flow to it, and you
don't find paragraphs and pages that you wish had been left out.
There's an epilogue, which brings Claire and Lane back together
after almost 30 years, and the epilogue provides an excellent
counterpoint to the overrated Bridges of Madison County. In
Bridges, each of the lovers has no clue about what the other is
doing over the following years--this never seemed believable--
a top photographer/author who continues his work can be found,
and the photographer can get the local paper, which would let
him know some of what is going on with her life. This is not
always true--it can be hard to find a transient, for example.
In Last Summer, Lane and Claire both stay in the newspaper
business, and, realistically and believably, each has been
able to follow the career and life of the other.
A fine read.
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Dearie's characters are so real, you know them from the first page. I know Jack, and Alex, and Sarah, and Kim!!! The book reads almost like a play -- more dialogue than pure action, but the story is my life and the lives of my friends. Dearie's ear for what matters is dead on, both in what the characters say, the scenes, the circumstances -- everything rings true. And his writing is clear, crisp and breezy, like a nice summer cocktail. Be both entertained and enlightened -- read this book!
Kudos to the author.
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This is a beautifully written and photographed book that should be on every teacher's reading list, public library, and family bookshelves.
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It is a very short novel about the origens of a local legend. The shortness makes it an enjoyable quick read and the legend, although influenced by various fairy tales, is fresh and captivating. The story is presented in a simple storytelling frame structure. An old man encounters a young couple in a local romantic grotto and ends up telling them the sadly romantic legend associated with it of a young couple from years before and of the creature whose consuming love of the young man tried to destroy them. It is a story sweetly told, but with a close eye to the deep emotions of the characters.
I found the actual tale of the Sleep of Stone to be the best part of the book. The frame story was cute, but it was distracting. It actually took me a few tries in starting the book because I couldn't get past that part. While the end part is good, the beginning part (which sets up the real story) is not very captivating.
The real strength of the book was the way as a reader I was able to empathize with the characters' emotions. The young love of the couple was evident, but most vivid were the feelings of the creature that tried to destroy that love. The creature's obsessive love of the young man completely consumed her. This burning desire pushes her to trick, murder, and unleash utter chaos at the young couple's wedding. The passion is so real, it is disturbing.
The book follows a typical plotline for a fairytale type story, but it still is a touching and enjoyable read. Pick it up for a short cozy evening and have fun.