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It's set in similar medieval time world where talents--people with special powers--are hunted down by the King's seekers to fight in a meaningless war. Melayne and her brother Sarrow are one of these people and live far away in hiding with their parents. Melayne has the ability to talk to animals and Sarrow isnt quite sure what his is yet.In the beginning, their parents are murdered (you never get to meet them, though) which starts the children on their trek to refuge. With a surprising turn of events, (involving a pack of wolves and a Talent War prepatory training center) Melayne and Sarrow end up at Dragonhome, the estate of a supposedly mad dark lord named Sander. After, employing Melayne to teach Lord Sander's son, Corran, secrets and mysteries begin to pop up, plunging Melayne and Lord Sander into deadly situations. To anyone who likes a total mixture of everything in one book, this is soooo for you. The Secret of Dragonhome is just cram PACKED with everything-fantasy, romance, adventure, secrets, betrayal. I enjoyed it tons and so did everyone else I've lent it to. Melayne meets so many different kinds of people, animals, and friends, you'll hardly miss out on the total yummyness of the entire read.
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A River Runs Through It is a mere 104 'chapterless' pages that flow as quickly and gracefully as those waters where the boys find their peace. Maclean's exposition of the beautiful country is absolutely mesmerizing, painting wondrous landscapes in your mind with his poetically picked language. Sometimes authors can delve too far into that created world, leaving their characters unpolished in a world of realistic, splendid beauty, however, Maclean's efforts only further your understanding of his characters as they are so greatly influenced by their natural world. The landscape acts almost like another character, influencing the lives and actions of the other characters, and rightfully necessitating its major development. Yet the major development does not end with the vast landscape. Norm and Paul are both dynamic creations who draw the reader in and hold him tight as you get a glimpse into their lives, relationship, and religion.
Fly fishing holds all of the key elements of life for the boys. It is religious in that it serves as a guide and anchor in their lives, yet it also spurs competition, challenge, and solidifies battered relationships. No matter the harsh realities of life, the alcoholism that plagues Paul, or the inadequacy that eats away at Norm, fly fishing provides guidance, simplicity, and peace in their lives.
I never would have guessed that a fishing story could apply itself so well to the trials of life, letting the reader come away with a greater appreciation for the simple things while opening his/her eyes to the complicated bonds of brotherhood, family, and love. Enjoy this beautiful novella for its exemplary exposition and touching glimpse into the lives of two brothers, two disciples of the rod and water. You owe it to yourself and to Maclean to broaden your spiritual boundaries, not to mention really enjoy a wonderful story.
I only write all this because I'm afraid readers who would truly enjoy this book may be turned away, not wanting to read a book about fishing. It's a beautiful story, beautifully told.
"Eventually all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters."
Norman Maclean captivates the reader using turbulent and smooth recollection, which flows as peaceful as the story setting. Maclean describes a romantic notation, which could compare to Twain's writings, of floating down a river and observing life as it passes by. Maclean keeps the river as the median of the story, and all life revolves around it. Living life and writing about it later gave Maclean more understanding and an advantage to tell his tale. Maclean uses proverbs and lessons of life make the story easy to understand and relate to. Never before have I been so black in the face and ecstatic to get back into fly-fishing. Maclean uses such vivid images in his writings; it makes the reader believe they are at the graceful Blackfoot River of Montana. The story has the same simple solitude and loneliness of life that Hawthorne places on Hester in The Scarlet Letter. Both stories have a loss of innocence in realizing that life still perseveres, no matter what they do. A River Runs through it, is a book for all, not just fly fisherman. Maclean's visions and thoughts will astound any person who enjoys the beauty and glory of life. Growing up, under the reign of Presbyterian minister, made the meaning of life much more difficult to grasp. Maclean's uses ironic literature to create a world outside of everyday life as in The Catcher and the Rye. Maclean would be considered, one of the greatest writers of his time but had he not wrote the story until he reached his biblical allotment of seventy years. Coinciding with watching the movie, this book easily places far more dramatized images, than one filmmaker could ever imagine. I truly believe that Norman Maclean is haunted by waters.
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It should be obvious after reading the first chapter why Bukowski liked this book so much. Without Fante there would definitely never have been a Bukowski (whose stuff is distinctly original in subject matter, but much more commonplace in its writing style than this particular book by Fante anyway).
The smell and feel of Los Angeles in the '30s is damn near palpable. Things come alive in concise, economically crafted sentences, on an an almost "Day of the Locust" level.
Starting with the earthquake chapter things run out of steam for a while before picking up again towards the end.
For a simple 'little' book written in 1939 to still continue to affect readers in 2000 is no mean feat. "Ask the Dust" is like a cross between Nathaniel West, William Saroyan, and, yes, good old Bukowski (without the scatology, of course). And though I wouldn't put it on the same level as Hemingway's "Green Hills of Africa," or Celine's "Journey to the End of the Night," it's definitely one for the 'ages' (whatever the hell that means).
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A boy sets out to find a land without these tripods, and is joined by his cousin(who he doesn't get along with well at all), and a boy in France, who they call BeanPole(his name is Jean-Paul, but the accent makes it sound funny to them). Along the way they face challenges of friendship, arguments, fears, and great temptation.
A good book for young readers, it can still be enjoyed as a light read by adults.
If you want to read a real science fiction page turner this is a book for you. It's about these three kids who live on the earth when robots called "Tripods" take over the planet. The Tripods took over the humans by means of a cap. "Capping" is a ritual when a 14 year old boy becomes a man. The book starts when Will, a 13 year old boy meets a man who tells Will that he is not capped and that the Tripods tell you commands through the caps. He also tells Will that there is a place called the "White Mountains" where the "Tripods" can't cap you. Will then sets off for a journey filled with amazement and peril. Along the way Will meets Henary, Will's cousin, and Beanpole, his real name is Jean-Paul. I really loved this book and I hope you will too.
John Marsden has done a great job in writing the book by not putting the in chapters but by letters. This makes it easier for some people to read. Marsden leaves a lot of holes which your immagination has to fill in. With cliff hangers and the adolescent language this would be more appropriate for high school students. I really enjoyed the book. My mom couldn't keep me away from this book and I dislike reading.
Letters from the Inside is one of the most chilling books I have ever read. I've read it three or four times in the last ten years and in each read-through, I discover one more facet of the story that I've missed. The book itself, taken at face value, is not so chilling - it's what your mind creates to fill in the spaces that Marsden leaves in his story. What did Tracey do to end up where she is? What happened to Mandy? What happened to her family? Who marked "return to sender" on the letters? Will Tracey ever find out what happened to Mandy? Will Tracey ever make it back into the real world? The mind creates the darkest scenarios to those questions.
It takes a special kind of writer to make a story work with the "cliffhanger" ending. Any other writer and I'd probably have chucked the book at the wall in frustration. Part of me wishes there was a sequel to this book so that I could find out what happens next... and part of me knows that a sequel to the story wouldn't be possible.
Everyone should own this book. Or if not this one, then one of Marsden's other books. Tomorrow, When the War Began is amazing as well. I would place John Marsden at the top of my favorite author list any day, and no matter how old I get (I'm 22 now and still reading him!), I don't think that will change.
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In any event, Green's plot is simple: in an unnamed Mexican state, Catholicism has been outlawed by the local revolutionary authorities due to its decadence (both alleged and real). The priests have all either fled or been executed, except for one "whiskey" priest who wanders the countryside, halfheartedly looking to escape over the border. His meanderings lead to a number of set piece encounters, including an English dentist, an English plantation owner and his daughter, and the village woman he impregnated several years before, among others. As he goes through small villages, he is compelled to hold secret masses and baptisms, even though he no longer feels spiritually fit to be God's representative to the people.
All the while, he pursued by a ruthless anti-church police lieutenant, who metes out summary punishment to villages who fail to turn in the priest. Some characterize this chase as full of tension, and call the book a thriller-I never felt that for a minute. There is never any doubt as to the outcome, which is not a criticism, more an attempt to point out that this is hardly a "thriller", and anyone who approaches it as such is very likely to be disappointed. The policeman is actually portrayed with surprising sympathy, as ruthless as his methods may be, his critique of the church is remarkably lucid and on target. The best moments of tension occur when the priest is accompanied by a sly mestizo, whom to priest refers to as ""Judas".
There is some excellent characterizations, and Greene's gift for capturing smells and textures is wonderful. In some ways, the novel is worth reading if only to feel southern Mexico come alive. However, as I fundamentally disagree with the "thesis" that Greene wrote to, it's a bit hard to actually recommend the book. I imagine those with a much stronger sense of faith may find it more rewarding and personally relevant.
The novel is the story of a priest in Mexico in a state which has outlawed Christianity. The priest is trying to get out of the state and away from the athiestic lieutenant who's attempting to capture him, but the priest's Christian duty keeps calling him back into the state and into danger. The priest is also waging a war within himself. He is a good man but definitely a sinner, and he struggles to cure himself of his vices and struggles to believe that he can gain salvation.
The Power and the Glory assaults the reader on all levels. Greene explores so many aspects and paradoxes of Christianity. He looks at the great beauty that can be found in sin. He looks at how love and hate can be so similar. Greene reveals how the priest's life has had great meaning even thought the priest may not realize it. Greene reveals man as living in a "Wasteland," and he also reveals the way to find meaning in it. The characterizations of all of the characters really carry the novel. There are so many insights that can be gained from reading about the priest, the lieutenant, and the mestizo. The Power and the Glory is truly a magnificent novel which should be taught and studied everywhere.
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Dreiser sets the measure of the game early, on the first page, with the statement that all women are provided two options in life. One is to work hard, live, and have children. The other is to fall into a life of sin.
For those who don't hold with that line of reasoning, the book will be a bit hard to swallow. Dreiser operates along the same line of logic that Emile Zola set down when creating this genre. Every action Carrie makes is predestined, in Dreiser's eyes, by her surroundings. She will not and cannot make any decision contrary to her 'nature'.
While this is all very well and good for Dreiser, it is not so for Naturalism. Thomas Hardy's famous Tess, and Jude, make decisions contrary to their nature all the time, it is society that is at odds with the characters and not the other way around. Carrie's society seems perfectly willing to accept her, but it is her decisions that one finds appalling. The feeling is more like being on a careening freight train, with the outcome inevitable and predestined but terrible nonetheless. There is none of the same despair and void that one finds in Hardy, and somehow that is the books biggest flaw.
Hardy's novels, that were written a full forty years before Sister Carrie, explore naturalism in such a way as to make the character the hero and society the villain. Dreiser's Carrie is no such hero, she is just the unfortunate victim of circumstance.
One of the main themes of this book is materialism, and how people would do anything for money. During the book I could see how innocent Carrie becomes a victim of circumstances as she tries to fit into the environment around her and becomes swallowed by the anonymity of the city. I love Dreiser's style, although he goes off on unneccessary little lectures at times, and I really liked following the plot. The characters were drawn so well that I would forget they weren't real. This is a great book to read and it accurately portrays American cities at the rise of industrialism and materialism.
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The story is about Anne Eliot, one of Austen's most likeable characters. Seven years before the novel begins, Anne had been persuaded out of a marriage to Frederick Wentworth. Neither Anne nor Captain Wentworth, had been persuaded out of love, though. Both have basically wasted the last seven years. Fortunately for the couple, circumstances arise which through them back together, and the two have to attempt to build a new relationship and deal with there own actions from years before.
Persuasion is possibly Austen's greatest love story. It is much less satirical than here other novels. Anne is also a much more sympathetic character than say Emma. The novel is, of course, in Austen's incomparable style. Any romantic or lover of great literature would adore this beautiful novel.
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