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This book contains some brief instructions on how to do some of the special techniques Ian uses. It also decodes how those special techniques are indicated in the sheet music. Since this came out in 1978, there are no pieces in it that were produced later than that date. This means the most recent material in it comes from Songs From the Woods. This includes the easy Fire at Midnight, the somewhat more difficult Cup of Wonder and the more difficult Whistler (which is actually easier to play on a tin whistle, except you can't switch from the D whistle to the G whistle fast enough to play it live, so Ian doesn't). That touches on the real value of this book. Even a beginner can get through modest renditions of Living in the Past and Fire at Midnight and perhaps even Look into the Sun, while the extract from A Passion Play is extremely difficult. There is material here for all levels of players, along with motivation to get better so that things like My God can be attempted.
Contents:
Baker St. Muse (Nice Little Tune/Crash Barrier Waltzer), Big Dipper, Bouree (of course), Bungle in the Jungle, The Chequered Flag, Cross=eyed Mary, Cup of Wonder, Fire at Midnight, For Later, Living in the Past, Look into the Sun, My God, Nothing is Easy (including playing this solo the way it is written), Passion play edit., Thick as a Brick edit. (instrumental from "I've come down from the upper class..." section), The Third Hoorah, The Whistler, The Witch's Promise.
Now if only somebody would put out sheet music for Divinities!
I found a few notes/rhythms that are different from the actual sound recordings, but since most of Ian's work in this area is improv, it can be interpreted many different ways.
All of these solos are from the late 60's/early 70's... I would like to eventually see a book of some newer songs as well. Overall, this is a very entertaining book, with some very challenging passages... just make sure you have your favorite Tull CD's handy so that you can play along!
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Jeff's truest colors leap off the page during his descriptions of his hope, his curiosity, and his dogged drive to learn something right or to do something right or to help someone else feel something right. His book is infused with the careful urgency couched in the goofy and lovable persona that is Jeff.
His path is fascinating, and his counsel is sound, most notably the admonition that cancer care must zero in on the patient, the human being, and not just on the cancer itself. I knew of Jeff's road running and triathloning, and I've seen him sweat buckets of hope and fortitude. A decade ago, I observed the Fred Lebow Jeff describes, the famous Romanian character who ran his way through a surprising few extra years, away - temporarily - from brain cancer.
Good humor and hard physical work seem to work. Jeff's book provides superb examples of both.
This is a book that needs to be read.
Over and over again, cancer patients hear that they should exercise or be active, to improve their nutrition and eat better and to reduce their stress and not worry so much. They are told this all the time; they are never shown how to do this. The FORCE PROGRAM takes them by the hand, in a simple step by step method, and shows them how to incorporate exercise, improve their nutrition and reduce their stress in their every day lives. The book is intended to assist patients currently battling the disease and those who have been in remission for years. The program has helped children as young as 4 and as old as 86.
In simple terms, if you follow the recommendations the FORCE PROGRAM offers, you will be stronger, fitter and mentally prepared to defeat cancer and be even healthier than you were before being diagnosed.
The author Jeff Berman, uses his 11 year experience battling chronic leukemia with his own "FORCE" program. He developed this plan in combination with hundreds of cancer patients he's been involved with and professionals from the worlds of exercise, nutrition and psychology. You don't need a gym to perform many of the exercises the book recommends, most homes will have everything you will need.
With graduates as living proof and a rapidly growing body of evidence, doctors are starting to see the positive effects of exercise and are working in tandom with patients who will work toward full recovery. The FORCE Program helps you get there.
For the eight most common forms of cancer, especially breast and prostate, the FORCE Program will take you through a step by step plan, specifically by your treatment regime, for aerobic and strength training exercises and nutritional recommendations. The program shows you how to workout, when to workout, and the duration and frequency. This is in conjunction with nutritional modifications incorporated into the program.
For anyone currently battling cancer, finished with treatment or just about to start, if it's a loved one, someone you barely know, a child or grandparent the FORCE PROGRAM can make this difficult experience of having cancer a lot easier. I urge you to buy this book today; we all are touched by cancer.
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I also found Kunstler did not paint as many movie scenes in this book, instead capturing the actual historical looks of these "Gods and Generals" of the Civil War. Any lover of history or military art will appreciate his attention to detail and riviting scenes. Enjoy!
The subjects of Mr. Kunstler's paintings are invariably interesting, and he does not like to paint scenes or events that have been done previously by other artists. This book is the companion to, and illustrative of, the events and people of the novel "Gods and Generals" by Jeff Shaara, soon to be made into a motion picture of the same name. It follows four exceptional soldiers through the first two years of the war: Robert E. Lee, Thomas J. "Stonewall" Jackson, Winfield S. Hancock, and Joshua Lawrence Chamberlain.
In this book, there are many new paintings not yet published elsewhere, but whether you are an old Kunstler aficionado or newly introduced to his work, you will find this book unequaled. The reproductions of the paintings are eye-catching, displaying each painting in vibrant, striking colors, true to Mr. Kunstler's originals. I say above that his paintings are educational, and so they are. I urge you to look closely at every work of art. If you do, you will not only see an astonishing amount of detail, but also learn much about the people, the times, the objects people used, and the war. Again, we have Mr. Kunstler's constant striving for perfection to thank for paintings which are correct in every detail. He is the quintessential perfectionist, who painstakingly researches every detail, no matter how small, to provide his audience with true, as well as beautiful, depictions of people, places, and things. He consults with knowledgeable historians, such as Professor Robertson, who wrote the text for this book, on even such matters as the weather on the particular day that he wants to depict in a painting. All of the accouterments are true, as well as the animals, the uniforms, the weapons, the landscapes, the battlefield situations, the lighting -- everything. Rarely does one find, in one individual such as Mr. Kunstler, artistry to the point of genius coupled with an unceasing demand for perfection in all of the details of his art.
I admit that I am no connoisseur of art and that I can claim no expertise or experience in art. Even someone such as I, however, can at least partially appreciate the artistic techniques used by Mr. Kunstler. His positioning of people, animals, buildings, and other objects to lead the observer's eye to the main subject of the painting, his extraordinary use of light to play on this or that subject in the picture in greater or lesser brilliance in order to accentuate or subordinate that subject, and his use of color, always precise, to delineate bright sunshine or dark shadow, or to emphasize or minimize, are all techniques that even such as I can note and admire. His paintings are so life-like as to defy the observer to differentiate them from photographs. But no photographs could depict such wonderful color and the precise instants in time which Mr. Kunstler so deftly chooses to picture.
Mr. Kunstler has, with every book he has introduced, been able to obtain the very best in historians/commentators to draft the texts. He has obtained the services of, for example, Henry Steele Commager (for the book "The American Spirit: The Paintings of Mort Kunstler"), James I. Robertson, Jr. (for "Jackson and Lee: Legends in Gray," "The Confederate Spirit: Valor, Sacrifice and Honor," and the current work), James M. McPherson (for "Gettysburg"), and Dee Brown (for "Images of the Old West"). Dr. Robertson's text in "Gods and Generals: The Paintings of Mort Kunstler" is, as always, the perfect complement to the paintings. As with Mr. Kunstler's art, so also with Dr. Robertson's narrative, one can learn much, whether one is a novice or an experienced hand.
Thus, whether you are a "Civil War buff" or simply interested in exceptional art and edifying prose, you will enjoy this book (and you would do well to consider obtaining Mr. Kunstler's previous books, named parenthetically above). You cannot go wrong with the team of Kunstler and Robertson.
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This is a book that anyone can get into, athletic or not. It's about setting goals, gaining strength from within, and going for guts over glory. You'll want to get off your duff and not only cheer but participate.
Makes a great gift.
A Bicyclist in Michigan
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