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This book has been needed ever since parity was acheived in Sports. Gale Bernhardt covers all the areas that the guys just don't understand. Her writings on bike fit are outstanding and very gender specific. If you are a women cyclist who wants to become fit and very fast, this book is for you. If you are a guy who wants an excellent description of periodization of training read this book. I have watched my wife apply Gale's concepts to her own training and I now get dropped by my "better half". Most of the women who ride with our group swear by the weight and nutrition programs in Gale's book. Weights, training, nutrition, periodization of training and bike fit are all there in "The Female Cyclist".
If you are a women who wants to become a better cyclist, the chapters of bike fit and nutrition alone are worth the purchase price of this book. This book is a must read for any serious women rider. This book fills a gap in the available serious literature for female athletes and is long overdue. Hopefully, this is just the beginning of this talented authors writing career.
Jim Green is the author of the Engineering Text: "Bicycle Accident Reconstruction and Litigation, 4th edition.
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The first project includes 12 pages of narration and 41 color photos explaining and showing the different techniques of intarsia. Just follow along, step by step, and before you know it, you have a complete Brown Pelican you can be proud to display. The second project, Puppy in a Basket, has 16 pages of narration and 58 color photos to guide your way to a beautiful completed project. The last ten projects do not go into as much detail, only a few paragraphs and the completed finished color photo. However, many of the techniques discussed in the first two projects carry over to almost ALL intarsia projects.
A great beginner book for Intarsia, some nice simple Intarsia plans and a few challanging ones for the more experienced sawyer. A must for every scroll sawyer collection.
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A monotype is a one-of-a-kind print made by transferring a painted image to paper. The book starts out with an introduction to materials including plates, mediums, solvents, panting tools and paper as well as hand and press transfer equipment. It also covers studio safety and finding workshop facilities.
Techniques are next including working into a light or dark field and both hand and press transfer.
These include step-by-step instructions accompanied by demonstration photos. Working in specific mediums including watercolor, acrylics, water-soluble writing instruments, monoprint paints (Createx), oil paints, water-based oils and alkyds follows. A section discussing special oil-based printing inks for lithography, etching, printing and serigraphy is also here. There is even a chapter on special techniques including using masks & stencils, embossing and creating collages.
The final chapter gives an overview of monoprints, which combine monotype with other print making processes, and mixed-media monotypes. This includes intaglio, drypoint and engraving, as well as linocut and collagraphic monoprints.
There is a nice list of suppliers as well as interesting biographical notes on the artists featured in the back. This is a great book that displays the great diversity in mediums and results available with monotype.
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Here's a taste, from the chapter The Places Below: "If you cannot bear the silence and the darkness, do not go there; if you dislike black night and yawning chasms, never make them your profession. If you fear the sound of water hurrying through crevices toward unknown and mysterious destinations, do not consider it. Seek out the sunshine. It is a simpler prescription. Avoid the darkness."