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However, as wind tunnel is initialy design and most widely use in the study of aeronautics, one needs to have some knowledge in aerodynamics in order to fully understand and appreciate this book.
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It starts with a very brutal Viking leader Thorfast a cold and brutal man, raiding a Saxon stronghold. After witnessing her husband and two young sons viciously slain, the pregnant chieftain's wife bargains for herself and her unborn child's life by agreeing to pleasure him willingly in bed. Thorfast agreed to this but on the way back to his ship sent one of his men back to dispose of her thinking that the 'unborn pup' would surely seek revenge some day. Sven, the man sent back, could not complete the deed.
It is 879, twenty-three years later Freya the only child of Thorfast, unwanted because she was not a son, is leading a raiding party in an attempt to finally gain some notice and acceptance of her existence by her father. She's buried all traces of femininity in order to be the fierce warrior her father had wanted and expected of a son. Because of a traitor in her raiding party she was taken captive by none other than Alaric, the grown 'unborn pup' of the woman whose life had been spared. Alaric will see his hated enemies daughter debased and humiliated as a bedchamber slave in retaliation for the carnage that her father had left so many years before.
Freya is made Alaric's slave - and after many bedroom skirmishes and her unsuccessful attempts at escape, they find that the hatred each felt for one another has turned into love. All might have worked out, if not for the jealous madness of Alaric's brother's wife, Kendra. Kendra had always wanted Alaric rather than his gentle brother. After many ploys to make Freya look bad in the eyes of the Alaric, Kendra kills her husband and sets it up to make it look like Freya murdered him. Never realizing that Alaric's brother was a twin, Freya thinks that Kendra has killed Alaric flees. After an adventuresome journey north, Freya meets up with her childhood friend, Olaf. Suspecting that she is pregnant and in a weakened state she agrees to marry Olaf, only to find out much later that Alaric is alive.
Quite historical in nature, during the reign of Alfred the Great in the early years of England, this novel is an epic love story that will sweep you into the lives of Alaric and Freya where you will experience all the horror, lust, betrayals, and joy as you enjoy this emotionally charged roller coaster of a novel. The many characters were all interesting and richly drawn out. It was, in a word - superb! This is an out of print book but if you are lucky enough to find copy - I highly recommend that you pick it up! A solid 10 rating!
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The level of detail is appropriate for those readers above 15 years and above.
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One of Scarisbrick's real accomplishments is to juxtapose photographs of jewelry alone with a photograph of the jewelry being worn in an oil portrait, or showing a piece being worn first as a head ornament and then later as a necklace (a common practice with tiaras, which could often be broken down into smaller parts and used as earrings, brooches, and so on).
The jewels are fantastic, as is the photography. Although I would have preferred that more of the photographs were in color, that's a small quibble when even the black-and-white pictures are so crisp and filled with telling detail. Beyond this, Scarisbrick is to be commended for providing a concise, accurate, and broad overview of British jewelry history. The book is eminently readable, and the pictures are fascinating.
One of the most fascinating parts of the book is the appendix, tellingly entitled "Where Are They Now? Dispersal, Transformation, and Theft." Here Scarisbrick delves into the sometimes shady, sometimes ignoble histories and reputations of dozens of gem-encrusted objects. She quotes here from Anthony Trollope's peerless novel "The Eustace Diamonds" when she writes: " . . . family treasures were preserved 'not so much for the protection of property but for the more picturesque idea of maintaining chivalric associations. Heirlooms have become so, not that future owners of them may be assured of so much wealth whatever the value of the things so settled may be--but that the son or grandson may enjoy the satisfaction of saying my father or grandfather or ancestor sat in that chair or looked as he now looks in that picture or was graced by wearing on his breast that very ornament which you see lying beneath the glass.' "
Scarisbrick understands, as did Trollope, how the aristocracy works and how it clings to the thought of itself as being somehow better than the rest of the world. Scarisbrick's accomplishment here is to show us a history of a rarefied group of people through the splendid adornments chosen by its very privileged members.
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