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After reading this book, my dives at the Liberty, the Tulamben drop off and Batu Kelebit seemed like visits with old friends.
As a terrific bonus, you can even dive these sites with Wally Siagian (+62 363 41869, persistantly) as I did.
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Field begins the book with the ascension of Queen Victoria to the throne. Because of the Salic laws passed by the House of Hanover in 1833, Victoria was prevented from becoming ruler of both the United Kingdom and Hanover. The kingdoms were split for the first time in well over a century. Immediately, King Ernest of Hanover--an uncle of Queen Victoria--demanded his share of the royal jewels, arguing that since the kingdom had been split, so must be the gems. Victoria disagreed, and the argument went on for two decades before finally being settled in favor of Hanover. Subsequently, Victoria gave up several important pieces of jewelry to her uncle's descendants--but was already well on her way to amassing an important collection.
Victoria was the first British monarch to make clear that some pieces belonged to the Crown and were for use by any Queen to follow her--and that some pieces were her personal property, and hers to dispose of as she saw fit. British monarchs have followed in her footsteps ever since and although Field showcases many sumptuous Crown pieces in the book, the bulk of what we see are the Queen's personal pieces. And what a collection it is!
The collection is vast and jaw-droppingly beautiful. Field wisely divides the book into types of stones, from diamonds and pearls to emeralds, sapphires, amethysts, turquoise, and more. We see everything from parures
(i. e., complete matching sets of everything from necklaces to brooches to rings to earrings and more) to necklaces and tiaras which were gifts from other governments or from such quaintly named organizations as "Girls of Great Britain and Ireland" to pieces designed by Prince Philip expressly for his wife.
Among the many stand-outs in the book are:
- Queen Elizabeth's three-carat diamond solitaire engagement ring, designed by Prince Philip for his wife and set with a handsome diamond taken from a tiara belonging to Philip's mother (p. 85);
- The Godman Necklace, which had been bought by an English naturalist in the 1890s while on holiday in Bavaria. His daughters, many years after his death, wrote to the Lord Chamberlain saying that they felt they owned jewelry once owned by Empress Josephine of France and that the Queen might be interested in it. Although it turned out not to have been of this provenance, it was undoubtedly a stunning and valuable piece, showcasing seven large emeralds and three smaller ones, and surrounded throughout with an encrustation of diamonds and platinum filigree (p. 95);
- The Cambridge's Lover's Knot Tiara, shown being worn by the Duchess of Cambridge in 1818, the Grand Duchess of Mecklenburg-Strelitz in the 1890s, Queen Mary in 1926, Queen Mary again in 1935 (this time without the upright pearls which originally adorned it), Queen Elizabeth in 1955, and Diana, Princess of Wales in 1985. This is powerful testimony that good design and fine jewelry are both timeless (pp. 113 - 115);
- Queen Mary's "Rose of York" bracelet, which is a breathtaking ruby and diamond pendant which was eventually turned into a bracelet (p. 143).
Of course these are but a few of the many treasures in the book. It is a fascinating read, and a wonderfully complete and detailed account of what is probably the finest jewelry collection in the world today.
The title subject is definitely covered in meticulous detail. Aside from the jewels it really is almost a complete mini-biography of most of the British Royal Family. After all the Men bought jewels too! It is amazing to see an 18th century piece on Queen Elizabeth and be able to trace it exactly from it origin through the centuries.
The information in text and pictures give a much better understanding of the whole concept of continuity, with many surprises along the way. Tidbits like how Queen Victoria stubbornly refused to return gems that another Royal House insisted it owned. How important Jewels were to Queen Mary, not for their monetary value but because of their family historical importance. Its the little details like this that give you a much more personal understanding of monarchs, without being dishy or gossipy.
Both the front and back inside covers gives a complete family tree dating back to Henry VII. Inside, thirteen categories/chapters cover everything from Diamonds and Emeralds to Sapphires and Amethysts, explaining who favored a particular kind of gem or style over another. Do not expect a very in-depth education on gems, however you get a great understanding of the history and importance of gems through the centuries as a symbol of power and status. There is a generous amount of color and B&W photos perfectly balanced with the text. Generations of Royals Portraits set-up three or four to a page wearing the same Jewels over scores of decades are some of the picture highlights. I really don?t think you need to be a Royal Watcher to appreciate the images. From all the individuals listed in the Acknowledgments many of them with titles you understand this book was published with the complete cooperation and help of the entire Royal Family. Its the photography that makes you appreciate this. A perfect example of this is the cover subject. A magnificent necklace part of a set named: The Cambridge and Delhi Durbar Parure. Inside there is another full color page showing the complete set, however throughout the book you can see no less than ten or twelve different royals wearing some kind of configuration of it. Including the World Famous snapshot of the late Princess Diana wearing the necklace as a headband.
You cannot help but feeling like you know the members of the various royal houses a little better after reading a few excerpts. The entire volume gives you an impression that the author truly respects, enjoys and is highly educated on her subject. This is one of the few books that I own, that I know I will never post for sale used. I hope you enjoy!
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The Raj Quartet is multi-layered, complex, beyond the apparent. Is it about a country? Or is it about two countries? Paul Scott deals with the years of the "great divorce" as it were, but now at the beginning of a new century the continuing implications of the historic British occupation are as fresh as ever, both in India and the UK, one example being the the unforseen post war immigration and lifting of racial barriers between two peoples (I myself am a product of a post war marriage between an Indian father and British mother).
The question of identity is explored. What makes an Indian? (still a relevant question in a subcontinent of such diverse cultures, religions, languages, outlooks, etc). What happens to a group (the Raj British) who are no longer needed in either India or Britain? (I recommend Staying On by Paul Scott which deals with a minor character who does stay on in India.)
Beyond the themes of history, colonialism and imperialism, there is the theme of the universal human experience. Who are we all really? Should we let our nationality and culture define who we are? Or as one character, Sarah Layton, finally have the courage to break free and define our own identity. Sarah at first is apart from "the other", then in one revealing scene (the ride with Ahmed) she subconsciously turns to face "the other" though unsuccessfully and finally in the beautifully written and incredibly sensual scene where she decides to dive into the forbidden (the seduction by Clark, who I see myself as Eros or the Hindu God of Love, Kama) she breaks through into her individuality, her "grace".
I reread the Quartet frequently and get something new out of it every time. It inspires me to write.
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For Gabrielle, life is merely surviving. Ever since the loss of her beloved, she has suffered through her existence, only her strong will to survive keeping her from joining him in the afterlife. When Preston kidnaps her, she finds that things are not always as they seem, for here is a hunter helping the prey escape.
When the Adams clan finds out that Preston is helping a vampire, they are determined to crush her, and him if need be.
On the other side, the vampire council doesn't care why Gabrielle is keeping company with one of the hunter clan. Either she kills him, or they will both be destroyed.
Running for their lives, with the help of Gabrielle's off the wall friends, Gabrielle and Preston find that dreams sometimes shadow reality, that old love's can be found again, and that things are never quite what they seem to be.
Vampires have always held a fascination for me; be they the bad boys of Bram Stoker or Anne Rice's books, the devilishly delightful ... objects of erotica, or the attempting to reform and loving creatures of romance. They are capable of such delightful things, able to be molded into the quintessential misunderstood being, capable of pouring so much love and passion into a relationship.
Jewel Dartt does well with capturing the emotions, the doubts, the yearning of the female heart magnified by a vampire's age. ENEMY MINE is a heart-warming, passionate novel of a love that survives death, and a testament to not judging by preconceived notions.
© Michelle Houston, 2003
But there is one human who would not agree with history's lesson. Trained as a hunter, Preston Adams spent his entire life studying vampires. Indeed, his entire family, for many generations, has been devoted to the extermination of the undead. Nevertheless, Preston watches his victim, and comes to realize she doesn't fit the teachings he's received from his family. Gabrielle Warlock is different. She does not drink the blood of humans, despite the weaknesses her decision brings. Sacrificing everything, Preston vows to not only defy his family's order to kill her, but to become her protector.
Gabrielle is an outcast even among her own kind. A woman of ethics and strength, she is brought before the vampire Tribunal to withstand the charge of betraying vampires by consorting with a human. In exchange for her life, she must take Preston's life. As Preston and Gabrielle flee to preserve their lives, they must confront not only the enemy that should keep them apart, but also a past the binds them eternally.
Jewel Dartt's dark romantic fantasy explores the range of emotions that binds as well that which destroys, weaving a complex, rich tapestry of strength and beauty. Lovers of the paranormal take note, for this is definitely an author holding great promise. Indeed, this reviewer sincerely hopes to see much more of Dartt's children of the night and the hunters which persue them.
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"The Emerald Princess Plays a Trick" is the third book in The Jewel Kingdom series. Other Emerald Princess books: "The Emerald Princess Finds a Fairy" (#7) and "The Emerald Princess Follows a Unicorn" (#11). This is a great series for 6 to 9-year-old girls who like fantasy stories involving princesses, fairies, dwarves, unicorns, and other mythical creatures. Plus there are some great illustrations by Neal McPheeters.