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Casual readers will enjoy "The Wanderings of Hurin", which Christopher has editorialized to some extent. The story of what Hurin REALLY did after he left Morgoth's domain is an eye-opening experience, and it explains why the sons of Earendil and Elwing were the last heirs of the heroic chieftains of the Edain. But "The Wanderings of Hurin" also gives us the only detailed view of the Folk of Haleth, the mysterious woodmen who figured so prominently in "Narn i Chin Hurin", the tale of Turin Turambar.
Another fantastic gem lies between the covers of this book, however. Accompanying the very scholarly essay "Quendi and Eldar" is a short Elvish nursery tale which provides the only account of how the Elves awoke at Cuivienen, and who the eldest Elves actually were. Their names will surprise everyone. "Quendi and Eldar" itself is filled with a great deal of historical and cultural information although it is primarily a linguistic work. It may represent the last significant contribution Tolkien made to his mythology, even though he later changed his mind on a few details.
Philip E. Kaveny Reviewer
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Besides Parker wanting his money, no one cheats him out of his due so he follows Melander, Carlson, and Ross to Florida. He plans to trump his former friends by doing the jewelry job they were set to perform. However, Parker has also has blundered because someone not only recognizes him, but wants him dead.
FLASHFIRE is an excellent Parker tale that marks the return one of the great anti-heroes in American mystery literature. The story line is entertaining due to the lead character's criminal abilities that Richard Stark effortlessly brings alive in the well-written, fast-paced plot. Fans and new readers will enjoy this tale while seeking out previous books and movies (that both go back to the sixties) of a legendary protagonist.
Harriet Klausner
To those unfamiliar with Parker (most recently portrayed cinematically in the fun movie, Payback), he is a violent and generally amoral thief whose cold, almost mechanical approach to his job and life lead to his general success. Parker is not a nice guy, but he is compelling to read about.
The story this time is familiar enough; Parker gets ripped off and goes after the thieves who betrayed him. Along the way, he makes enemies and allies who complicate his plans. Revenge isn't the proper word for what Parker seeks, since that would imply a level of emotions that he doesn't have; instead, Parker seeks balance: those who defy his code must be punished to restore balance.
How important is this sense of balance to Parker? Along the way to his final confrontation, he winds up stealing far more than he originally lost, but it means little: he still wants the original money. He is actually more interested in people who steal from him than people who kill him.
If you like crime novels, you can't go wrong with Parker (or Westlake's books in general). Reading a Parker novel gets to the basics of what a caper book is all about: clever plotting and plenty of action.
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This is a well written, true life story showing what it is like to be involved in a "Holy War", when the holiness has deteriorated into factionalism, selfishness, greed, and betrayal. Once you read this book, you will have a new attitude when you hear about "freedom fighters" anywhere in the world.
This book will make a great movie someday.
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The first mental adjustment the reader must make is to realize that this is a story being told, not narrated. The impression of the author speaking through the book isn't as strong as in some of Heinlein's juveniles, but constant and unremitting. Sometimes Sturgeon injects bits of ad lib humor into the text("Here she generated, on the spot, the most diffuse and colorful statement of her entire life"); unfortunately, at other times he manipulates and obscures certain story elements to create artificial suspense (a young child is passed for a midget; ten years pass with no one noticing; only much later do we learn that the child can change shape). Sturgeon also bleeps his own profanity, which is fairly amusing.
The characters are the greatest disappointment. Introduced as strong, memorable individuals, they gradually become cardboard scenery in the great cosmic conflict between Horty and the Maneater. The Maneater, the manic, scheming master of the freaks created with alien crystals, is perhaps the novel's only interesting character, though even at best a caricature. Horty Bluett, on the other hand, is just the sort of hero you want to stop reading about: a Superman clone who can change shape and size at will, has a perfect memory, and always acts a gentleman.
Despite moments of extreme Dickensian cheesyness and a string of unbelievable last-moment revelations, this two-hundred-page novel is a quick, pleasant read. "The Dreaming Jewels" is far and away one of the author's least successful novels, but its cohesive qualities show just why Sturgeon is a Grandmaster of the genre.
"Jewels" is a fascinating story. A key theme is the notion of being a "freak," an outcast. Sturgeon effectively explores the emotional ramifications of this theme, and vividly depicts his outcasts' search for love and community. He makes good use of the carnival setting in his narrative. Although the story's villainous characters are a bit shallow, the other characters are complex and well-developed.
Other important themes in "Jewels" include education, masquerade (including gender-switching), transformation, and communication in its many forms. Sturgeon explores both individuals' desire to dominate and abuse others, as well as the capacity for love and tenderness. Sturgeon's prose style is well suited for the complex task of this book. Overall clear and economical, his prose is at times richly descriptive, at times quite poetic.
At one point Charles Fort, the tireless documenter of strange phenomena, is mentioned in the book, and that reference is quite resonant. In "The Dreaming Jewels," Sturgeon embraces and celebrates those who are seen as weird or deviant, and discovers the humanity behind the freak show exteriors.
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The Duke of Cynnsyrr (a pun on Laurens's Cynsters?), one Ruan, is nicknamed Lord Ruin for his rakish ways. Together with his friend Devon Carlisle, now Earl of Bracebridge, "Lord Ruin" has been cutting his way through many society marriages and more.
Lord Ruin aka Ruan aka Cynnsyrr [too many names] is however planning to start his nursey (i.e. get married and breed heirs for the title and estates), and naturally, he wants the most beautiful young lady around - one Emily Sinclair. However, due to a somewhat convoluted set of circumstances, he ends up married to Emily's oldest (and only other unmarried) sister Anne Sinclair, a bespectacled and downtrodden bluestocking who is no beauty.
The circumstances of their marriage are scandalous and do not portend well. Ruan [as I shall call him] has seduced/ raped Anne, believing her to be a prostitute. Anne however was unconscious or semi-conscious during the incident, which in the legal system of the time, constituted grounds for declaring it a rape. Ruan has no choice but to marry her (since as a rapist, he would be socially ruined); likewise Anne has no choice but to marry him since she might be pregnant.
The rest of the story flows from this incident. To his great surprise, Ruan is sexually obssessed with his wife from the outset. His bedding her starts out as efforts to satiate himself and then becomes efforts to involve her fully in the act. These scenes are hot, even if the first scene might require a little suspension of disbelief.
Anne's feelings are mixed at best; she had no wish to marry Ruan, and she feels used at best during the earlier days of their marriage. She did not trust Ruan before the marriage, and in fact, she was trying to prevent a marriage proposed between him and her sister Emily. And to make things worse, she was attracted to his friend Devon (who had planned to marry her).
So what went wrong with this story? To put it simply, apart from the confusing babble of names, there is a largely extraneous and bizarre suspense sub-plot involving virtually ever other character in the book. Not only does that sub-plot not make sense (although it serves to show us that Ruan is a "serious" person behind his rakish facade), but it takes away time and space from the development of the relationships that do matter in the book - between Ruan and Anne (the protagonists), between Ruan and his friend Devon (who was in love with Anne); between Anne and her father (a truly bizarre relationship not explained well at all); between Anne and her sisters; between Anne and the servants, and so on and so forth.
There are so many secondary characters introduced in the middle of the book that you practically need to write them all down - and worst, every other character bears a grudge against Anne or Ruan or some other character.
I believe this is the author's first book. She certainly created an arresting couple in Ruan and Anne as the rake forced to marry a plain woman, and then changed by his marriage. She created a interesting set of circumstances around them. Unfortunately, in an effort to add in the mystery/suspense sub-plot, she also failed to develop many of the other characters and the circumstances of the first meeting well.
There are several improbabilities (both historic and character-wise) in the plot, but this did not detract from a swift read. What did detract was trying to keep track of all the names, and then figure out who was *not* involved in the climax to all that intrigue and suspense. And I wish very much that Carolyn Jewel had settled on a name (and surname) conclusively for the hero. It is hard to keep switching from Cynnsyr (the dukedom) to Ruan (the first name or the last?) to his nickname "Lord Ruin". And why Cynnsyrr in particular (when there is also Devon and several other dedicated rakes) is nicknamed "Lord Ruin" remains a mystery to this reviewer.
Rating - 3.7 (barely rounded up to 4)
Through a case of mistaken identity, and a night of unforgettable passion which found he and Anne totally compromised, Lord Ruin found himself marrying the bespectacled spinster sister. Although one night of love with Anne found the 'insincere Cynssyr' ruined for any other woman. Anne, try as she might to remain emotionally unattached, would find herself tested day and night as Ruan, would worship her body and try his best to win her confidence in his quest to earn her love.
Let me say that this was my first book by this author and it was one that I hated to see end. I absolutely loved these two - Ruan the rake with no conscience, hence the reputation that he rightly deserved, so it was justice that Anne, bespectacled, and not the most beautiful woman would so effectively bring him to his knees! Both, these characters were so richly complex I found it delightful to see them look deeper than the outer skin to discover more than what they appeared to be. Ruan would find that Anne was the most beautiful and passionate 'soul' he had ever encountered, and Anne would find Ruan to be more than the womanizing cynic he appeared. They also had a most amazingly hot and steamy sexual attraction that just sizzles!
Additionally, the numerous secondary characters along with the mystery of the serial rapists and killers that are intertwined into the story give the book a depth that is quite intoxicating and hard to put down. I sincerely hope that Ms. Jewel continues with sequels to include stories for Devon and Emily and for the other wonderful characters who deserve their own stories. Most definitely, put this on you buy list and 'keeper' shelf to enjoy again.