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Detective John McLean lives the cop's creed: If your partner dies, take care of his family. In spite of his own responsibilities to two young children and an ex-wife disabled by a crippling disease, John finds the time to paint her house, make repairs, and be available as a friend by phone and email. As the danger to Natalie becomes apparent, John finds himself protecting her with something more than just devotion and duty.
Friendship grows into something more in HIS PARTNER'S WIFE by Janice Kay Johnson. With a powerful hook to kick off the start of the book, and a surprising solution to missing money, this author keeps the pages turning. Emotionally gripping, each reevaluates the man who brought them together. The heroine was married to a good cop gone bad; the hero was his partner. Both find themselves questioning not just the past and the bad cop's influence on their lives, but also their own judgement. The act of reevaluation, however, brings redemption, allowing them to open to possibilities previously unconsidered. The first of a trilogy, HIS PARNTER'S WIFE PARTNER'S highly recommended.

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In her wonderfully readable narrative, Earle conveys life in the colonies with vividness missing from most conventional texts. Starting with basic shelter, which were sometimes actually caves in the earliest days, she goes on to describe in detail the critical element of food supply, with careful explanations of culinary practices and useful drawings to illustrate the often-obscure utensils. (This latter feature will fascinate antique buffs.) Also covered are the home production of textiles, the dress of the colonists, travel, religious and social practices, flower gardens, and other matters, providing modern readers an insight into everyday colonial life hard to find elsewhere.
Earle's work is a feast of enjoyable information for history readers, collectors, and anyone else who wants to know how the early settlers lived. (The "score" rating is an unfortunately ineradicable feature of the page. This reviewer does not "score" books.)

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Kulyk-Keefer is Canadian of Ukrainian-Polish descent. (Keefer is her husband's last name.) She says the feeling of never "fitting in" with her Anglo-Canadian neighbors and classmates as a child inspired her as an adult to search out her own roots, thinking this might point her toward her "real" identity and her "real" home.
As part of the effort to constuct her "real" identity, she traces the geneology of her family, interviews the surviving members and others who knew them, and undertakes a difficult journey to the village of her mother's birth in the Ukraine. Since her father was of Polish descent, she visits her last known relatives in Poland on her way back from her mother's village. This may all sound fairly straightforward, but I have seldom seen such elegant and beautiful prose coupled with such tenacious research. The result is the resolution of a personal mystery, or at the least, the beginning of knowledge.
Anyone who has ever poured over old letters; dug through photo albums and other family treasures; searched Census, administrative, and other records; struggled with bureacrats to travel to a remote location will appreciate Ms. Keefer's efforts. She is a student of the history of her parent's bloody homeland. She is the ethnographer who waits with great patience while an old woman recalls with extreme pain and difficulty the day the Nazis shot many of her relatives, and the day the Russians collected the rest and sent them to the Gulag. She is the scholar pouring over old mouldering papers and notes in the archives. And above all, she is the poet who casts her story into a tale laden with rich metaphor....
"Are we, in the end only what we can remember? Or, are we also all that lies deep inside us, stored in the niches of a long, dark corridor whose door we shut behind us long ago? The painfulness of remembering--the physical process of recall. How we speak of triggering memory, as if it were a loaded gun."


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Single dad, John, supports his ex who requires skilled medical care, but even before she became ill, he knew their marriage was unraveling. Now,he'd like to keep Natalie around, but he feels he has no right to lust after his partner's widow, especially when he has domestic obligations himself.
When a second intruder breaks into Natalie's house, John realizes something sinister is going on, and it might involve his late partner. How can he get to the root of the problem without shattering lovely Natalie's belief in her husband? And how can he not lose his heart along the way?
This is the first in a trilogy by Ms. Johnson. Look for high emotional drama, believable characters, and a depth of human feeling in this well-crafted story. I chuckled at an obvious computer terminology glitch (those old beasties are 386s and 486s), but I applauded the otherwise skilled crafting of this engaging read. Highly recommended.