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Twenty-six drawings whose locations are unknown appear in an appendix in black and white at the back of the book.
The text appears on the opposite page from each drawing. The author provides a brief, but helpful interpretation of each scene. Many of Tiepolo's references are not immediately familiar to the modern non-scholar reader, so a little guidance really enhances the visual experience.
Best of all is Tiepolo's delightful rendering of the human comedy. His Punchinellos are ridiculous, loveable, pathetic and even heroic or tragic. This is one of my favorite journeys with an old master.
The text also provides information regarding provenance, bibliography, exhibitions and current ownership.
Despite its sometimes difficult subject matter, the book sustains a tone of hope and renewal. Its poetic language, its sensitive depiction of the process by which love rescues the outcast, and-- above all-- Enquist's deft touch with his imagery and his ideas, all give this book a magic which transcends its apparently depressing elements.
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