I am using this book with my youth group here in Texas. The content is great, the format is outstanding, the questions are just what this generation needs. I would tell all youth ministers to use this book, it is super.

I have read most of this book and found it to be most helpful in many areas of my life. You must get this and you will find your walk with Christ. Thanks Dave for giving our generation a wonderful book.

I have read this book and I found that I didn't really know where I was in my walk with Christ. This book will lead you to where you are and then help you to go further each day. You will not want to put it down.

The best one-volume collection of horror stories I've ever read, and I've read a few.

This HUGE book is an excellent comprehensive survey of some of the landmark horror stories of the past couple hundred years. Most of the important authors are here. Poe, Lovecraft, Matheson, Jackson, Bloch, Ellison, King, Barker, etc. It'll be tough to read the whole thing cover-to-cover, but it's very good to have.

One is Great Tales of Terror and the Supernatural, edited by Cerf and Wagner. The other is The Dark Descent. From Poe and J. Sheridan LeFanu to Stephen King and Shirley Jackson, this anthology covers the horror tradition like few others. The selections in The Dark Descent are a bit more in-your-face than the ones in Cerf and Wagner's elegant anthology--an attribute fans of late twentieth century horror will surely appreciate. At the same time, though, Hartwell has certainly not avoided the classic chillers. Even better, Hartwell has chosen to include some lesser-known tales by some heavy hitters within the genre--so while you won't see Jackson's "The Lottery," you will find two tales by her that you likely haven't read a dozen times before: tales that will hit you with the same force "The Lottery" did the first time you read it. Also not to be missed is Hartwell's introduction, which does a nice job of laying down a critical framework within which to read horror. It doesn't take the place of Danse Macabre or Dreadful Pleasures, but it's a nicely written piece that seems aimed toward readers who wouldn't otherwise read literary criticism.

The Complete Works of Shakespeare edited by David Bevington

Bevington's edition of Shakespeare's plays is a popular choice, and not without good reason. But that doesn't make an ideal choice. The introduction to this one volume edition is ample with chapters on life in Shakespeare's England, the drama before Shakespeare, Shakespeare's life and work. These are good, but they tend to rely on older scholarship and they may not be current. For example Bevington repeats Hinman's claim that there were 1200 copies of the 1623 Folio printed. However later scholars think the number was quite a bit lower, around 750. It should be said that we don't know for sure how many copies of the 1623 folio were printed and either number could be correct.

Bevington's edition prints the plays by genre. We get a section of Comedies, Histories, Tragedies, Romances and the Poems. He puts "Troilus and Cressida" with the comedies, though we know the play was slated to appear with the tragedies in the 1623 folio. The play was never meant to appear with the comedies, and all the surviving Folios that have the play have it at the beginning of the tragedies.

Let's get down to brass tacks. You are not going to buy an edition of Shakespeare's works because of good introduction. You're going to buy one because the quality of the editing of the plays. Is it reliable? Is it accurate? For the most part this edition is reliable and accurate, but that does not mean it is accurate and reliable in every instance.

Modernized editions of Shakespeare's plays and poems are norm. Since the 18th century (and even before) editors of Shakespeare have modernized and regularized Shakespeare's plays and poems. There are good reasons for this modernization. There is the reader's ease of use and the correcting misprints and mislination. I have no problem with this regularization of spelling or punctuation. But when an editor goes beyond normalizing and modernizing--when an editor interferes with the text then I have a problem.

Let me give two examples of the editorial interference that I am writing about:

King Lear 2-1-14 (p. 1184)
Bevington has:
Edmund
The Duke be here tonight? The better! Best!
This weaves itself perforce into my business.

The Folio has:
Bast. The Duke be here to night? The better best,
This weaues it selfe perforce into my businesse,

Even allowences made for modernization of punctuation and grammar would not account for Bevington's "The better! Best." Bevington glosses this to mean "so much the better; in fact the best that could happen." Nice try, but "The better best" of the folio is a double comparative, (which is a regular feature of Early Modern English) and not two separate adjectival phrases. Interestingly, the Quarto printing of Lear prints this scene in prose, and there is no punctuation between "better" and "best" in that version either.

A few lines down Lear 2-1-19 Edmund continues
Bevington has:
Brother, a word. Descend. Brother, I say!
Enter Edgar

But Bevington has reversed the order. The Folio has:
Enter Edgar.
Brother, a word, discend; Brother I say,

Bevington does not say why he changed the order, though to be fair other modern editors have done the same thing.

These two changes just a few lines apart go beyond regularization or modernization. They interfere with the text as presented in the 1623 Folio. And Bevington does not explain the changes. So next time you pick up this or any other modernized edition you should ask yourself "am I really sure what I'm reading is what Shakespeare wrote?"

THE COMPLETE WORKS OF SHAKESPEARE. Updated Fourth Edition. Edited by David Bevington. 2000 pp. New York : Longman, 1997. ISBN 0-321-01254-2 (hbk.)

As complete Shakespeares go, the Bevington would seem have everything. Its book-length Introduction covers Life in Shakespeare's England; The Drama Before Shakespeare; London Theaters and Dramatic Companies; Shakespeare's Life and Work; Shakespeare's Language : His Development as Poet and Dramatist; Edition and Editors of Shakespeare; Shakespeare Criticism.

The texts follow in groups : Comedies; Histories; Tragedies; Romances (including 'The Two Noble Kinsmen'); Poems. Each play is given a separate Introduction adequate to the needs of a beginner, and the excellent and helpful brief notes at the bottom of each page, besides explaining individual words and lines, provide stage directions to help readers visualize the plays.

One extremely useful feature of the layout is that instead of being given the usual style of line numbering - 10, 20, 30, etc. - numbers occur _only_ at the end of lines which have been given footnotes - e.g., 9, 12, 16, 18, 32. Why no-one seems to have thought of doing this before I don't know, but it's a wonderful innovation that does away entirely with the tedious and time-wasting hassle of line counting, and the equally time-wasting frustration of searching through footnotes only to find that no note exists. If the line has a note you will know at once, and the notes are easy for the eye to locate as the keywords preceeding notes are in bold type.

The book - which is rounded out with three Appendices, a Royal Genealogy of England, Maps, Bibliography, Suggestions for Reading and Research, Textual Notes, Glossary of common words, and Index - also includes a 16-page section of striking color photographs.

The book is excellently printed in a semi-bold font that is exceptionally sharp, clear, and easy to read despite the show-through of its thin paper. It is a large heavy volume of full quarto size, stitched so that it opens flat, and bound, not with cloth, but with a soft decorative paper which wears out quickly at the edges and corners.

If it had been printed on a slightly better paper and bound in cloth, the Bevington would have been perfect. As it is, it's a fine piece of book-making nevertheless, and has been edited in such a way as to make the reading of Shakespeare as hassle-free and enjoyable an experience as possible. Strongly recommended for students and the general reader.

Last year for Christmas I asked my parents for some William Shakespeare's plays.Boy was I suprised!Not only does it have all of the plays,but also his Sonats,poems,and illistrations.Despite the fact that it's a large valuem and will need quite a bit off book space from you're self.You wont regret getting it.You will never need to get another book on William Shakespeare's plays and everything else ever again.It also has a list of dictonary for understanding the words better.

This book is the best self-contained source for French grammar to come around in a long time. It is particularly good if you learned French through self-study from a variety of sources and want a single volume that encompasses all the essential grammar you need to know. There are lots of exercises (all with answers provided), culture notes, examples from newspaper advertisements, and a section on idiomatic usage. The only caveat is that you should already know French at least to the two-year level. The book is also a bit weak on composition, i.e. letters, essays, and the like. In a formal correspondence, for example, you may want to write using the conditional instead of the present indicative (e.g. je pourrais rather than je peux) and more of this sort of information would have been helpful in a review such as this one.

This is not introductory material so if you are just starting out and want a similar volume try Cassell's Contemporary French by Valerie Worth-Stylianou. Its out of print but frequently available through Amazon's Marketplace sellers. The Cassell's book is geared for beginner and intermediate French learners and is every bit as comprehensive as the Ultimate French Review. The Cassell's book is better at building a vocabulary, idioms, and writing in French, but if you've been there before and just want an in-depth review without the burden of too much "French 101" stuff the Ultimate French Review and Practice is definitely the way to go.

I bought this book to relearn all the grammar I used to know. Having had six years of French (last class was ten years ago), I needed something that would take me through grammar lessons fairly quickly. This book does that.

This is a handbook on grammar and conjugations. It follows a simple pattern for presenting material--it provides short lessons with examples, and then gives 8-12 practice exercises (with answers in the back of book), and so on.

This book emphasizes grammar over vocabulary, but translations are provided for the words that are used in examples and exercises. Translations also appear for idiomatic phrases.

I learned of this book by researching the materials used in upper level French composition classes at various universities. This one came up several times as a companion to the literature that students were required to obtain.

Here are the contents of Ultimate French Review and Practice:

Part I, Verbs--Basic Forms and Uses: 1. Present tense, 2. Present tense of irregular verbs, 3. Negative sentences, 4. Interrogative sentences, 5. Imperative, 6. Passe compose, 7. Imperfect; imperfect versus passe compose, 8. Reflexive verbs, 9. Future and conditional; conditional sentences, 10. Pluperperfect, future perfect, and past conditional; conditional sentences, 11. Passe simple, 12. Present participles; uses of the infinitive.

Part II, Nouns and Their Modifiers Pronouns: 13. Nouns: gender, number, and articles; uses of articles, 14. Stress pronouns; subject-verb agreement, 15. Possessive and demonstrative adjectives and pronouns, 16. Interrogative adjectives and pronouns, 17. Adjectives; comparative and superlative, 18. Object pronouns.

Part III, Other Elements of the Sentence: 19. Numbers; time; dates, 20. Adverbs, 21. Negative and indefinites, 22. Prepositions; prepositions with geographical names.

Part IV, Verbs in Two-Clause Sentences: 23. Relative clauses, 24. The present subjunctive, 25. The past subjunctive; literary subjunctives, 26. The subjunctive (continued).

Part V, Idiomatic Usage: 27. The passive voice and substitutes for the passive, 28. Important idioms and proverbs.

Don't be fooled by the price. This is a great resource.

And easy to follow--I've been away from the formal study of French for several years, and this book really has helped me to dust off my grammar. Great for someone who already knows some French, and refreshing not to have to start with level one, as in most books. The exercises have lots of repetition but don't get dull.

I read Rumble in the Jungle to a 3rd grade class for "Read Across America Day." I figured it might be a little below their reading ability but the humor and pictures made it all worthwhile! They loved the goofy rhymes (one is about an animal "being cool.") I'll be buying it for my own kids, ages 2 and 6!

"Wumble Jungle" as my two-year-old calls it, is a day-long safari that introduces young children to different wild animals. It features catchy rhymes that may or may not make sense (but this doesn't bother my two children, 5 and 2), and bright cheerful pictures. It's become part of our stable of bedtime story reading material. Keep an eye out for Andreae's other book, "Giraffes Can't Dance". I read it in my son's class and got applause from enraptured children at the end of the tale.

Nice bright pictures, cute poems....my daughter loves it!!

Required to read Henry for my AP English Language class, I came into the play with a bias. I honestly felt that it would be a boring political play. I was utterly wrong! A huge fan of Shakespeare, I found Henry V to be a formidable match for the Bard's more critically acclaimed plays, such as Hamlet and Macbeth. Henry has it all! Shakespeare's attitude toward Henry the King is certainly one of admiration. By communicating the fact that an effective monarch must have a complete understanding of the common subjects (Pistol and Bardolph and Quickly), Shakespeare sets up Henry to be the ideal Christian king. The controlled language of Henry's speeches, particularly his response to the Dauphin's idiotic insult, also glorifies Henry. I certainly recommend this play to anyone, fan of Shakespeare or not.

I looked long and hard (and asked many a scholar) for the "perfect" Shakespeare publication that I might purchase to study "King Henry V" (for a experiential education requirement, I had undertaken the translation of Henry V into American Sign Language). The Arden Shakespeare came highly recommended by everyone, and has lived up entirely to all its rave reviews.

I will never buy Shakespeare from another publisher. While these books may be slightly more expensive than a "mass market" edition, I believe that if you are going to take the time to read and understand Shakespeare, it is well worth the extra dollar or two. The Introduction, the images, and plethora of footnotes are irreplaceable and nearly neccessary for a full understanding of the play (for those of us who are not scholars already). The photocopy of the original Quatro text in the appendix is also very interesting.

All in all, well worth it! I recommend that you buy ALL of Shakespeare's work from Arden's critical editions.

Written by Shakespeare for Queen Elizabeth I amidst a time of Irish rebellion, Henry V more than adequately serves its intended purpose of galvanizing nationalistic fervor. It proved itself to be an unwavering and unfaltering impetus of patriotism in Shakespeare's day, during WWII, and still today it continues to resonate and reverberate this provocatively telling tale of the most gloriously revered monarch in English history.

Henry V's stirring orations prior to the victorious battles of Harfleur("Once more unto the breach") and Agincourt("We few, we happy few, we band of brothers") astonish and inspire me every time I read them. Simply amazing. Having read Henry IV Parts I&II beforehand, I was surprised Shakespeare failed to live up to his word in the Epilogue of Part II in which he promised to "continue the story, with Sir John in it." The continuing follies of the conniving Bardolph, Nym, & Pistol and their ignominious thieving prove to be somewhat of a depricating underplot which nevertheless proves to act as a succinct metaphor for King Harry's "taking" of France.

Powerful and vibrant, the character of Henry V evokes passion and unadulterated admiration through his incredible valor & strength of conviction in a time of utter despondency. It is this conviction and passion which transcends time, and moreover, the very pages that Shakespeare's words are written upon. I find it impossible to overstate the absolute and impregnable puissance of Henry V, a play which I undoubtedly rate as the obligatory cream of the crop of Shakespeare's Histories. I recommend reading Henry IV I&II prior to Henry V as well as viewing Kenneth Branagh's masterpiece film subsequent to reading the equally moving work.

When one of my Shimer students saw Mr. Erdman's alternate arrangement of "Auguries of Innocence" he threw his book at a bush. Some of my students think that "Auguries" is one of Blake's greatest poems and I agree with them. Its structure is a key to Blake's vast mythic system. Without that key there's little hope of passing through Jerusalem's wall to the places where heaven and earth coalesce in a cosmic orgasm of intellectual joy.

Mr. Erdman is a marvelous scholar, dedicated to Blake. Mr. Bloom is as inspiring as he is informative. But for Blake in its most pure form I prefer Sir Geoffrey Keynes' edition. He was not a professional scholar, but a learned amatuer in the finest sense of the word. When he wasn't busy with his medical practice he was lovingly creating the best complete edition of Blake's poetry and prose...

I own several editions of the so called "Complete Poetry" editions of Blake. Well, this one just stands out on his own. Although it would have been nicer if it had included more images (it includes only 4 monochromes) I must admit that this book's achivements are its complementary notes and commentaries. Erdman is really an amazing researcher and he has helped me a lot in understanding Blake's universe. Harold Bloom does his share when commenting most of the larger poems, and to comment Jerusalem or Milton is almost as commenting Miltons' "Padarise Lost" or even the Bible. They both deliver a great deal of insight on Blake's poetry, and I'm thankful for that. I have been a fan of Blake's poetry for almost 5 years now, and I've only started to understand his larger prophetic poems.

If you're new to Blake you may not need this kind of book... Even if you are a Blake fan. Maybe Alicia Ostriker's "The Complete Poems" (ISBN 0-14-042215-3) can give you a lighter side of Blake. As a matter of fact, what I liked so much about Alicia's edition is that it has an index of proper names, so If you don't know who (or what) The Four Zoas stand for, maybe you should consider buying her book.

If you are looking for Blake's works of art, then you must get your hands on any of the wonderful DOVER editions published... They are ... and brilliantly printed.

Anyway, if you are new... Welcome.
If you are an oldie... GET THIS BOOK! or even better GET THE MANUSCRIPT FACSIMILE!

There's not much more I can say after reading the reviews below, except to agree that this is _the_ book to own if you're wanting to add William Blake to your library.

This is a large book, clocking in at around nine hundred pages. Within you'll find all the great poetry that makes Blake, well, Blake. The "Songs of Innocence and Experience" are truly wonderful, as is "The Marriage of Heaven and Hell".

Lots to read here beyond than the known works, including miscellaneous poems, songs and verses and sataric verses and epigrams, even letters that Blake himself wrote.

The book is neatly organized and easy to navigate, making the section you're looking for a snap to find. At the back of the book are sections with textual notes (a small "t" is marked throughout Blake's works), and commentary (a small "c"), also marked. Invaluable resources to help understand and navigate the complexity of Blake's poems and prose. An index of titles and first lines is also included in the back.

All in all a wonderful collection for any Blake fan to own and for the curious to lose themselves in the majesty that is William Blake.

I have studied Spanish at the college level before, but since then have not had the opportunity to practice speaking or writing except in informal settings with friends, while traveling, etc. So when I needed to speak with a Spanish client for business, I found my conversation and writing skills somewhat lacking. I turned to "The Ultimate Spanish Review and Practice" after having it recommended to me by a few business associates. After one month of working intensively through the book, I feel much more confident in my formal Spanish skills. The book is well thought out, organized into 28 chapters, each focusing on a different topic. Starting with the present tense of verbs and other basic language topics and progressing through the subjunctive and other advanced forms, it provides a comprehensive text to learn and perfect both oral and written Spanish. The explanations and examples of each topic are very clear, and the exercises provide a challenging test of the subject matter presented in each chapter. The short and lively cultural notes add an authentic touch to the language, and provide interesting observations of Spanish and Latin American culture. I found Part IV particularly helpful as it included chapters on common idioms and frequently found errors that have helped my conversation skills measurably. Although targeted at intermediate and advanced learners, I can see the text helping beginners as well, and I have recommended it for associates and friends. In sum, this is a very helpful and comprehensive review of Spanish.

This book is perfect for higher level learning of the Spanish language. It is is great resource and a must have item. Clear, thorough explanations and examples for everything included. Practice excerises with an answer key in the back of the book. All verb tenses are included and well presented. This book is well formatted and easy to use. I used the book to help prepare for the New York State Content Specialty Test. I HIGHLY recommend this book.

As a Spanish teacher I was delighted to find such a grammar gem on the market for Spanish students at all levels. I bought the book with the intention of using it as a guide and review of many difficult grammar concepts in Spanish and I definitely was pleased with the grammar material and brief cultural readings that are included in the book. The book covers all key grammar concepts that must be mastered in order to speak Spanish confidently and with superior grammar control. The book contains twenty-eight valuable chapters in which key grammar concepts such as verb conjugation and verb usage, tenses and moods of verbs, the passive voice and other key elements are analyzed. The heavy emphasis on verbs and verb usage is indicative of the quality of this book especially since the ability to conjugate and use verbs correctly are the key to mastering any language. The practice exercices are also very valuable and readily force the student to apply the knowledge learned in the chapter thus understanding the practical use of verbs, prepositions, idiomatic expressions or whatever the grammatical concept may be. This book is definitely one of the most handy Spanish grammar tools available and can always be used as a reference for clarification of one's queries in Spanish be it a written grammar concept or an oral query. The purchase of this grammar book will enable you to fortify your Spanish and clarify many grammatical querires. A highly recommended purchase.

A superbly written insider's look at the Russian revolution. Babel can convey the horrors of war with very few words. I enjoyed the best his sarcastic treatement of the bombastic communist rhetoric in such stories as "Salt" and "Treason" (maybe because I was exposed to it myself at one time).

I stumbled across Isaac Babel because of a single line quoted in Paul Johnson's "History of the Jews". And then I was forever hooked.

First, a caveat. Be sure you understand when reading Babel's short stories that you are not reading his autobiography or journal. He did in fact listen to our creative writing teachers; he wrote what he knew. He knew the Russian revolution. He knew the Cossacks. He knew war. He knew living inside and outside the pale. His world jumps off the page because he lived it first.

The stories contain autobiographical material, actively mixed with the yeast of fiction. Use this aspect of his writing to chase rabbits. Follow up this book with his biography or find out more about the Russian revolution. Both of those topics will make more sense after reading his collected stories.

As a writer, I stand in awe of Babel's stingy use of words. Some scenes are so hugely horrible that I would have been tempted to throw in appropriate adverbs and adjectives in an attempt to convince you, my reader, just how hugely horrible it really was. Babel simply tells the story, and you gasp when you are done, horrified when you peak through the keyhole (and I would have blasted a hole in the wall).

When you read Babel, you must be willing to go at the stories with an open mind, not expecting him to flatten the Commies, defend the Jews, or paint the picture the way you want him to. He will not do that, no matter how many times you try to make it so. You will hear no overtones of right or wrong, get no definitive answers about the people on either side of the Russian revolution.

For that, I am most grateful to Isaac Babel. Nothing about our world can be easily distilled into sharp black and white. His stories give us the real world in astounding color.

The frightfully ugly picture on the cover of this edition (what in the world were the publishers thinking?) might keep a lot of people away, but the few brave souls that look inside will find one of the great 20th century craftsmen of prose. I can't think of another writer than chooses his words more carefully, that can pack more into a single sentence. "Pierced by the flashes of the bombardment, night arches over the dying man." Single words can take your breath away - the choice of "arches" is the one that does it for me - but you'll probably have others. The brutality of the world he describes may seem foreign, but it never becomes oppressive, mainly because the writing is so good. The stories themselves are rather difficult to love - there is very little hope to latch on to, there are very few characters one can feel close to; there are very few real characters at all, except the narrator. Even under these horrific circumstances, though, Babel creates emotions than one can identify with - pride, love, lust, anger. He has a thorough understanding of human character. It is apparent that the circumstances of war don't create new emotions, they just amplify things we feel anyway.

This book is a necessary read for anyone that wants to learn how to write poetically without being florid, compress pages of description into a few words. This compression is one of the reasons that the stories stay in mind long after they've been read. Buy the book - or get the other edition in a used book store, so you don't have to look at that awful picture.

this is shakespeare's most accessible comedy. it's a farce about mistaken identities among identical twins. nothing complicated here. the play has it's funny moments. it's not the bard's best comedy; that's 'much ado about nothing', imho. but this is not a bad place to start.

"Methinks you are my glass, and not my brother."
So says Dromio of Ephesus, one of the members of two sets of estranged twins whose lives become comically intertwined in this delightful, ingenious, & aptly named Comedy of Errors. Being an avid Shakespeare fan and reader, I unequivocally consider The Comdey of Errors to be Shakespeare's finest and funniest comedy. Antipholus of Syracuse and his long lost twin Antipholus of Ephesus along with the two twin servants Dromio of Ephesus and Syracuse become unceasingly mistaken for each other making for a hilarious and entertaining farce of a play.

The Comedy of Errors has been copied many times since in literature, movies, & sitcoms, although it has never been duplicated.

There is no doubt that this comedy of Shakespeare's is delightful, crazy fun. You could call it the father (or mother) of all sit-coms. The play is suitable for middle school production and viewing, with some modifications. For my students and myself I prefer the Folger's edition of Shakespeare's plays for three reasons. First, the footnotes are easy to read and across from the text. 2. The choice of illustrations and 3. The introductory information. When purchasing for my students, though I have tried other publishers, I now always choose Folgers.