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This grandmother is giving Girlwise to all the girls she knows from preteen (be prepared) up.
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my usage -- the section on the Oils.
Extensive and consistent description of 167 different oils filed under latin names. Full index allows reference by almost any common name.
Each entry takes 1 page and contains pictures of the oil, the plant, various parts of the plant, how the oil is distracted, what plant parts are used, description of scent, major chemical composition, other and related species, area(s) of the world the plant comes from, what mixes well with it, safety data, effect on the body, aromatherapy and home medical uses, other uses, synonyms and other common names, latin plant family and herbal/folklore tradition: i.e. extensively complete!
I'm honestly surprised if I run into someone who claims to be an aromatherapists and doesn't have this book in their library.
I hope she comes out with an expanded/updated edition as more plants are beginning to be used in A.T. and wouldn't mind if she included a section on chemistry (like information from "Advanced Aromatherapy: The Science of Essential Oil Therapy" by Kurt Schaubelt, excellent book, but doesn't cover nearly enough oils).
This isn't a formula book, but with the 'blends well with'
information and the 'effects', you can come up with your own recipes that often do the trick. Only problem is that I come up with too many options!
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It is a child's Fantasy book. It truly entices your child to want to go to sleep in such a beautiful way! The premise of the story is when you fall asleep you enter into a dreamland--a magical place where you can fly in the clouds, play with other boys and girls from around the world, ride on the moon and stars and into the arms of.... ( it's a surprise).
Another thing that makes this book so special is that it comes in your choice of pink or blue lettering. So if you want to give it as a baby gift to someone you have a more personalized gift.
I highly recommend this book to every one! Every child loves beautiful pictures like these! Julia Noonan, the illustrator, is remarkable! Hats off to you Julia! Also of course, thanks to Mary C. Carpenter for sending children "to a really good place: Dreamland...wide open for possibilities."
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Daisy Beltran
Wichita< Kansas
luis mendez
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On further reading, however, what unfolded was something beyond a "cookbook," and ultimately more useful. This is a superb book. French Provincial Cooking should be approached and read as a series of short stories, as well written and evocative as the best literature. The voice is highly personal and opinionated, sometimes sharp and catty, but always true and ultimately sympathetic. It is always entertaining.
And the recipes, it turns out, are less intimidating than at first glance. Most importantly, they work if your aim is to produce the most excellent food imaginable. There is nothing slick here, no L.A. hype or N.Y. blah blah blah, and obviously, they have been tried and perfected; what initially seem to be annoying details (e.g., for omelettes, eggs "should not really be beaten at all, but stirred," whereas for scrambled eggs, they should be "very well beaten") are actually secrets not to be skipped, that elevate a good dish to a superb one. The lesson is that good food should be done simply, but it takes care, attention to detail, and frequently, time.
I find these recipes don't stint on the butter, cream, and wine, making them seem a little frumpy, but every one I've tried has been delicious. Ratatouille, salade Nicoise, terrinee de porc, piperade are all the best I've had. It doesn't get much better than this. Deserts are a model of simplicity and elegance; peaches with sugar and white wine; bananas with sugar, kirsch, and cream; pineapple with kirsch. These ARE easy, and thankfully, E. David had the self-confidence to actually put them down in a book.
French Provincial Cooking is superb in all ways. It's the real thing!
It was this book that got me started on a lifetime of home cooking. Like all great cookbooks, it can be read and savored without cooking at all. Her ability to evoke time and place is startling -- for example, her recipe for little courgette souffles is wrapped in the story of how she first enjoyed them. Of course, this was in a small country restaurant where the proprietor used his own recipe to make them for her.
She talks vividly about La Mere Poulard and her Mont St. Michel omelettes, for which she offers the original recipe. Roughly translated from the french, it reads: "Monsieur, I get some good eggs, I put them in a bowl and beat vigorously. Then I put them into a pan with good butter and stir constantly. I will be very happy if this recipe gives you pleasure".
I remember, over 30 years ago, the first time I made her recipe for pork chops "to taste like wild boar". They do indeed, and very good they are. Her recipes for classics like Cassoulet, and Bouillabaisse are vivid and provide the cultural context as well as precise directions. Her description of a bouillabaisse on the beach makes you want to catch the next plane there.
She explains the environment of her recipes, their milieu, and their progenitors so that you get right inside the whole theory and practice of french cooking. This is not haute cuisine, though it is not always simple to execute. But her sympathy for the process of cooking and her ability to describe it precisely prefigured writers like Richard Olney and Alice Waters, who owe her, as do we all, a great debt.
In any case, she is directly responsible for the appalling culinary assaults I have perpetrated on family and friends for longer than I care to remember. I still use the book, though most of its pages are now stored directly in my memory.
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It was very difficult to grasp in Latin (I've had a try on it),
not that much easy in the Motte facsimile translation (I can assure it), and the Cajori-Motte edition was only half modernized and otherwise flawed.
This edition, sponsored by I.B. Cohen (the Latin editor) gives us a fresh, modern English translation of the text, and -almost as thick- a guide to using and reading this all-important book, which is not -as everybody is aware- an easy reader. One word of caution: Newton was, of course, (pace Leibnitz) the discoverer of calculus, but he doesn't use it here, but "more geometrico"
rigorous proofs, much in the style of that other genius of all ages, Archimedes. If you need help grasping the contents and impact of this work, then you must get some book like DENSMORE, D., Newton's Principia: The Central Argument (other auxiliary books are commented in the Guide potion of the book I'm reviewing).
This book is a jewel. Just like the original works of Einstein, Maxwell, Heisenberg, Schroedinger and all those giants. Many of the ideas presented in the book were written for the first time in history and probably they are not organized in a didactic form. The person buying this book should not expect to find a clear textbook when originally it was not written for the layman, but for the expert scientific community of its time. Buy this book, sit back, scan through it, and enjoy a true piece of history.
The Principa is not an introductory calculus for the modern reader. It is written in Newton's own notational style. This style is different from the modern one, used in calculus today. The modern calculus notation system was devised by Leibniz. Newton's system of notation proved less useful than Leibniz's, and the better one has won out. Leibniz had independently discovered the calculus prior to the publication of Principia. Thus, Leibniz was not influenced by Newton's notational style. Leibniz's discovery of the calculus was made in secret on the continent several years after Newton had made his own secret discovery of it in Britain. Leibniz's work was published only after Newton's Principia was published. This led Newton to wrongly believe that his work had been stolen. An epic debate between the British and continental academies ensued with each side championing their man.
This book has enormous historical interest. For a person who is already educated in calculus, this book will take you to the source of the subject matter, the mouth of the Nile, so to speak. As for the scientific method, this is where it was conceived.