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A monotype is a one-of-a-kind print made by transferring a painted image to paper. The book starts out with an introduction to materials including plates, mediums, solvents, panting tools and paper as well as hand and press transfer equipment. It also covers studio safety and finding workshop facilities.
Techniques are next including working into a light or dark field and both hand and press transfer.
These include step-by-step instructions accompanied by demonstration photos. Working in specific mediums including watercolor, acrylics, water-soluble writing instruments, monoprint paints (Createx), oil paints, water-based oils and alkyds follows. A section discussing special oil-based printing inks for lithography, etching, printing and serigraphy is also here. There is even a chapter on special techniques including using masks & stencils, embossing and creating collages.
The final chapter gives an overview of monoprints, which combine monotype with other print making processes, and mixed-media monotypes. This includes intaglio, drypoint and engraving, as well as linocut and collagraphic monoprints.
There is a nice list of suppliers as well as interesting biographical notes on the artists featured in the back. This is a great book that displays the great diversity in mediums and results available with monotype.
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The photographs have a distinct edge and are furthered by the Texts which echo the work so well. My favourites are the Rachael Cusk and Nick Cave Essays.
I heartily recommend this book, it is really intellegently put together.
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Kristeva sees a generation of materialists who have abandoned old ways of finding spiritual coherence. What we've lost, Kristeva says, is an understanding of the soul. Kristeva isn't arguing that the soul exists - she simply argues that we no longer think of our lives in terms of a soul, so we no longer have a language to express our spiritual wholeness. This leads to a fragmentation of our lives that leaves us feeling alone, but not one, and transforms our lives into thousands of broken experiences, broken senses, broken values. We are unable to find perspective, unable to assign meaning; instead, our subjectivity is shattered.
Kristeva weaves her gorgeous narrative concerning the loss of the soul with a series of clinical/critical discussions of specific patients and issues in psychoanalysis. Here we find stimulating applications of Freud and Lacan that are disturbingly compelling, and constitute some of the most brilliant and most accessible writings in the history of psychoanalysis.
This is a great book for people interested in psychology, critical theory, religion, feminism, or just a very intelligent book on the new maladies afflicting the modern soul, the new ways in which we're all disintegrating, and a new vision for the relationship of language and the psyche, a suggestion for the revitalization of the soul as a way of relating to ourselves.
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Anyone interested in folklore, the cultural heritage of the Taiwanese people, and Chinese history should own this small volume.