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As the name implies, New Masters of Photoshop is a prolific resource that combines the unique talents and techniques of 19 modern masters of Photoshop.
The book contains over 500 full-color pages and is beautifully organized, making it as engaging as it is informative. New Masters of Photoshop is not a manual: it will not teach you how to use Photoshop. It will, however, engage you, inspire you and motivate you. The book is also accompanied by a CD that contains interviews, source files and unflattened Photoshop documents.
Even after you've read the entire book, tried all the tutorials and mastered all the techniques, you'll still find it to be a tireless repository of creative ideas and a great source of inspiration.
This is the book that the Photoshop community has been waiting for! If you buy just one book this year, make it the New Masters of Photoshop.
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The story is about a girl named Sacagawea. Her family was part of the the shoshone tribe and lived high up in the rockies. as you probably already know she guided Lewis and Clark along the Mississippi river. This story started way before this adventure, it tellsyou how it all got started.
It all started when she and many other people from her tribe were captured, and the town was demolished.
Will she get along withe the Minetarees, the people who captured her, or will they kill her? Will she ever see the shoshone tribe again? to find out you must reaad the book.
This book is a great book to find out how the Lewis and Clark expedition really eas. It is also a great fiction story to tell you about Sacagawea's adventure
While Sacagawea and her family journeyed through the Louisiana Territory, the expedition confronted many challenges such as severe cold, intense heat, sickness, and fierce enemy tribes. While the expedition traveled near the foot of the Rockies, Sacagawea met up with her blood brother and her Shoshone tribe helps the expedition in a vital way. In this story, Sacagawea learns about the true meaning of love and her place in society as a Native American. The author describes these difficulties in a vivid and adventurous way. Sacagawea's courageous and resourceful character is portrayed beautifully in this exciting and suspenseful book.
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The strength of the book is the fact that the material itself is so fascinating. Saigon, circa 1963, was an extremely exciting place for a foreign journalist. America had begun a huge build-up of forces in South Vietnam, the Diem regime was at its most oppressive, and the Vietcong were making huge gains in the rural countryside. Into this mix were thrown men like David Halberstam, Neil Sheehan, Peter Arnett, and Malcolm Brown: relatively young, idealistic reporters who were determined to get the real story. But the US officials in South Vietnam were less than willing to assist the "green" correspondents, who they claimed were not "on the team." Lied to and rebuffed by the official channels, the reporters sought out contacts in the middle of the action: South Vietnamese officers and American field advisors like John Paul Vann who were willing to tell the ugly truth. The result was a constant battle between the Saigon correspondents and the Kennedy administration, other journalists, and even their own publishers. The only people who hated the journalists more were President Diem, his brother Nhu, and most vociferously, South Vietnam's First Lady, Madame Nhu. For two years the correspondents fought for every story and risked everything, including their lives, to get what they believed was the truth about Vietnam out to the American public.
Prochnau is clearly in awe of his protagonists, but I think he still manages to give a fair account. The correspondents are not perfect: Sheehan goofs big time in his early account of My Tho, inflating the body count from 15 to 200. Halberstam was hugely influential, but as Prochnau makes clear, he was also incorrigible, uncompromising, and had a mean temper. One of the most important points that Prochnau stresses is that these men were not anti-war (certainly not at this early stage). Men like Halberstam were ardently anti-communist, and were only angry because the government was lying about a cause that mattered so much. But even the reporters' ostensible adversaries, such as Ambassador Nolting, are given full and fair treatment. (General Harkins is the one exception, but I've never read anything that suggested he was other than incompetent, blind optimist.) In addition to these detailed characterizations, Prochnau adds a wealth of anecdotes that give the book both humor and authenticity. Particularly interesting were the stories of Marguerite Higgins and her Machiavellian ways ("innocent as a cobra"), Sheehan's obsessive 16 year struggle to write "A Bright Shining Lie," and Halberstam mouthing off to high government officials ("Bull..., General! Why are you standing here telling our friend Clurman this bull...?").
My complaints are few. The first is about Prochnau's style: he is eminently readable and well suited for the material, but sometimes his tone becomes so informal it borders on cheesy ("Vietnam was not simply exotic. It was erotic. And narcotic.") My second complaint is that Prochnau glosses over many aspects of the war and does not give a very complete picture of the complex military situation. But his story is about the journalists, so maybe this is an unfair criticism. Then let me leave it as a caveat: do not read this book to gain an in-depth understanding of the political-military situation in South Vietnam, read it to learn about the tribulations of the journalists. In some ways, this book is better suited for people who already understand the history of the era and will not be confused by Prochnau's overly-simplistic (albeit justifiably so) account of the war. That said, this is still quite an entertaining look at some very interesting characters at a crucial juncture in modern American history.
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A review titled "Don't buy it, don't read it, don't TOUCH IT!" should not be paid any attention whatsoever. That was written as a joke.
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This is how Peter Lovenheim came up with the idea for his book about watching a cow go from "conception to consumption." "
"It struck me as odd that a company selling ground beef would offer toys in the shape of cattle. Were children really expected to hug and play with a toy cow while eating the remains of a real one?"
In the process of producing this book Lovenheim meets many interesting people on his journey through farms, meat auctions, and a stud center in Ithaca, New York where the journey began.
In Ithaca there is an artificial insemination factory where they keep prime bulls for semen collection to sell to farms across the country. Lovenheim watches one bull in particular, Bonanza, as they collect semen from him and package it in a straw sized tube. It is then put into a container filled with liquid nitrogen to freeze it for shipping. This shipment is being sent to Lawnel Farm in York, New York. This farm is owned and run by Andrew and Sue Smith who raise dairy and beef cattle.
On their farm the cows are assigned numbers instead of names. One in particular is of interest to the journalist and that cow is number 4923. This is the cow that was artificially inseminated with the frozen semen from Bonanza. She gave birth to twins, a heifer and a steer, numbers seven and eight, both of which Lovenheim saw birthed and bought to raise and follow through the beef process.
Another farming family he meets is Shelly and Peter Vonglis who lived just five miles south of the Smith's. At this farm he boards his two calves, and gives strict instructions to Peter to raise the bull, number eight, as he would any other beef critter. Lovenheim visits each farm on a weekly basis, traveling half an hour from his home to the farms. On his visits he observes the cows, watches the milking process, accompanies Andrew on his harvester machine in the fields, and overall has basically free run of the Lawnel farm. At the Vonglis's he watches his calves grow bigger, and talks with Shelly and Peter about their daily lives and what goes on.
Throughout this book he goes over the ethics of raising cattle on farms, and gives descriptions on the various diseases and health problems that dairy cows face because of the standing and the overly large udders that are genetically bred into their genes for higher milk production. The cows that are not producing enough milk daily, below the percentage line of the daily milk productions are culled out of the herd and shipped away to the Pavilion where they are auctioned off as beef. After arrival the cows and calves are separated and then divided into "good cows" which are healthy, "slow cows" which are weak and somewhat sickly, and the "double-exes" which are the cows who are about to die anyway. Here big companies and some small businesses buy beef. This is the place where his calves will be auctioned off and bought either by Taylor Packing who buys, slaughters, and sells the meat for McDonalds food, where this all started.
As the ending of the book draws near Lovenheim is having second thoughts about selling his two calves for beef at the pavilion. He has done just what he didn't want to do in the first place and that was get attached to them.
I found this book to be a very interesting read. Before this class I never really gave any second thought about where my food came from. I knew it came from farms and slaughterhouses but I never had so much detail about what goes into the process raising beef and dairy cattle. As I read through the book it was easy to see the struggle that some farms go through while others are somewhat well off. It shows this in the difference between the Smith's farm and the Vonglis's farm. The Smith farm is a small farm that raises cattle to sell locally and for the family with Peter working full time at a larger farm, and Shelly is going to school to become a nurse. Sue and Andrew run their farm and have employees who help with the milking shifts and the cows.
I think that it is rough what these animals have to go through but it is also rough for the farmers who raise the animals and put them through "conception to consumption."
Lovenheim's book is not sensationalist muckracking. While I think his observations would reinforce many of the worries of those concerned about eating beef, or drinking milk induced by bovine growth hormone, the most striking part of this work is the otherwise overlooked consideration of cows as living creatures. I was struck by his descriptions of the cows' actual sense of community, their adaption and response (or seeming lack thereof) in the face of continual danger; that in fact they aren't quite the dumb animals we have been raised to believe they are. Lovenheim makes you consider that these animals are different than plants, and that you are making a conscious decision to take a living feeling creature and choosing to process it as a commodity entirely out of your own dietary choice and convenience.
The author's sensitivity, compassion, and admiration for those engaged in the various aspects of the dairy and beef industries is admirable. He also gives ample consideration to the historical place of beef in our diets, frequently alluding to his own Jewish spiritual tradition.
This is a substantive, worthwhile, and quite "readable" work. I highly recommend it; I was pleased to have picked it up, and felt I had both learned and acquired greater sensitivity as a result of completing it.
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The most pleasing aspect of this latest book from Peter Carey-twice-winner of the Booker Prize-is the sense of empathy it creates for the Kelly clan. They are dirt-poor Irish 'immigrants' living in tough rural circumstances near the south east corner of late nineteenth century Australia. The ruling English Australians have dealt them a poor hand and cheated them at every turn in an attempt to economically perpetuate the servitude of their convict forebears.
The book is written in the first person using words and grammar that seem quite authentic for a poorly educated 'currency' lad (ie. one born in Australia of convict heritage). The lack of punctuation makes it hard going at first but after a while you get used to it and the natural cadence of Carey's writing comes through. It is very easy to identify with Ned.
Some of the book's themes include backbreaking work for meagre return, the desperate search for love and comfort, the viciousness of the middle and upper classes towards the (inherently) 'criminal class', and the apparent hopelessness of resistance.
If this sounds all too depressing, don't be put off. It is the strength, resilience, sense of right and wrong and optimism of Ned Kelly-exemplified by his hopeless, armour-clad last stand against the authorities-that is the inspiration of the story. And an inspiration for Australians.
PS. don't you love the tongue in cheek irony of the title. Well researched as the book may be, it's still historical fiction.
The story that he tells begins in early childhood, when his mother, widowed and in financial dispair, apprentices Ned to an infamous outlaw. His narrative details his numerous encounters with the law and the formation of his notorious gang of criminals. And of course, since it is a first-person narrative, Ned comes across as a remarkably sympathetic character and ultimately a hero who stood firm in the face of ruthless persecution from the Australian authorities. Apart from being an engaging portrait of a fascinating character, Carey's novel is a vivid account of life in rugged 19th century Australia, infused with plenty of local flavor to give the novel a sense of authenticity.
Though the narrative voice, in its uneducated, free-flowing style, is difficult at first, the reader will quickly become accustomed to it and soon will appreciate how much it adds to the novel. This is a fine literary performance and a deserving selection for the Booker Prize.
Carey makes the risky choice of telling the story of notorious Australian outlaw Ned Kelly as if Kelly were writing it for his young daughter. From childhood to the eve of his death we get an unvarnished view of Kelly and the times and events that shaped him.
Kelly was a late 19th century Robin Hood who achieved mythic status. Carey tells his story, not apololgeticaly, but as a part of a view on how a person's best intentions can go awry when faced with repeated injustices.
The Australia of the time is laid bare with corrupt, cruel police, desperate rascals and innocents caught up in events.
The limitations of Carey's narrative technique are compensated for by the authencity of his voice and the stories he has to tell.
Action, adventuire, comedy, tragedy, history, romance all in one book.
Inspired!
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Define "normal" was one out of three books to be nominated for the California Young Reader Medal. and believe it or not, this book got everyones vote (out of 18 people) at my school! it was up against Hope Was Here and Speak.
teenagers(antonia and jazz) helping eachother out, helping eachother see life in a new light, showing eachother that talent is something not to take for granted, and when you think all hope is lost... it may not be.
it shows you that punks arent always mean and arent always poor. that preppys arent always rich and are all stuck up. whats that saying? dont judge a book by its cover.. and its totally true. these girls may dress a certain way, but that doesnt set their attitude.
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The story is about an Austrailian boy named Peter who enjoys riding dirt bikes. When Peter meets his brother's gay friend David, Peter starts wondering if he is gay. Unlike most books in this genre, it is not a coming out or coming of age story. This fact is the most refreshing aspect of the book.
Despite my mediocre rating, this book is still ok. I'm just not Austrailian or a dirt biker. You will probably find this book more interesting than me if you like dirt bikes or cars.