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This is a beautiful story of first love coming at a time when a teenaged girl realizes what it is like to "have to grow up" and that nothing will ever be the same. I read this book for the first time quite a few years ago when I was 11 or 12. I can't tell you how many times I have re-read it since. This story has stuck in my mind and I reflected on it often. It's a great story and helps put what turns out to be minor, workable problems of a teenaged girl into perspective.
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Lots of what she experienced and spoke out against we see today. We could really use her moral voice of authority. She is missed.
Jordan is widely remembered by her public persona, the booming orator from Texas - the intellectual constitutional scholar who presided over Nixon's impeachment. But element that makes this biography compelling is Rodgers' depiction of the wheeling and dealing that allowed Jordan to cross barriers and operate effectively in the good-old-boy white male backrooms of the Texas Senate. We get to see Jordan the idealist armed with the constitution in our nation's capital, but we also get to see Jordan the pragmatist cutting deals over a scotch in Austin Texas.
An effective biography of an amazing American figure.
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In short, the book is written the way many kids talk. This is a perfectly legitimate technique for adult books, and can certainly add to the feeling of authenticity, although the hundreds of books I loved and devoured as a child did not suffer for being grammatically correct. But it is very confusing to a child who is trying to learn proper English in school, and it undermines the efforts of teachers. When children read such usage in a book, what are they supposed to think? What habbits will they learn? And how can a teacher correct the child's own usage when the child can point to a book and say "They do it like that here"?
I was dismayed to discover that this book is part of a series by a popular author, and I couldn't believe it when I saw that the publisher is Scholastic! Perhaps this means that an official decision has been made to abandon traditional rules of English usage in favor of those of the playground. But if so, I wasn't notified, and my career effectiveness would nosedive if I followed suit. So would most people's.
Barbara Park and Scholastic are doing a tremendous disservice to children by habituating them at an early age, in print, to usage that can only hurt them both in school and later in life. These books, and others like them, should be blacklisted by teachers, schools and liblaries. Censorship on the basis of content is a tricky subject, but bad grammar in children's books can only hurt their very vulnerable readers.
Barbara Hambly weaves yet another yarn that is well-spun
with character depth and a plot that, convoluted as it may
sometimes seem, is internally consistent and easy to swallow -
despite its liberal sprinkling of wizards, ghosts, spells and
curses. The story includes characters and a historic setting
that is comfortable and familiar to any who have read her
Windrose Chronicles, yet the story is independent of those
works and stands on its own, with a very different perspective
on the politics and day-to-day lives of the inhabitants of the
Empire.
Kyra - whom we met briefly in Hambly's "Dog Wizard," is the
central character, and her unravelling of the mystery as to what
has twisted her own developing magic skills, who and what is
threatening the life of her sister, and how to navigate through
the quagmire of paternal resentment, socialite scheming, the
suspicions of the Church's Magic Office and her surprisingly
conflicted heart over the man who would be her brother-in-law,
are expertly and masterfully interwoven by Hambly's skills as
a storyteller. A very good read - even more than once.
Hambly excels at describing, in a matter-of-fact manner, surroundings that may be fantastic, unreal. Kyra is bold, even fierce, and in Spens we find a surprising equal. The magic in the book is fun, the plot engrossing, and the ending is perfect.
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His human benefactor convinces Spock that when there's life there's hope and presents him to the area as his nephew Ishmael Marx. Those in the know -- a gradually widening circle -- respect Spock's privacy as he establishes himself and tries to figure out what his mission was and whether there is a hope of success. Meanwhile, the Klingons, the Enterprise crew, and a mysterious third party are all working towards changing or not changing Earth's history...
The story draws you in with vivid historical detail and very human characters. It explores the familiar yet continually fascinating theme of how Spock copes and learns from human culture. Highly recommended.
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Elizabeth Beech is a sophomore when her English teacher gives her the name of an editor in New York who is "generous to beginners". She makes it her personal assignment for Elizabeth to give her the first chapter of a book she is writing because she thinks she has talent.
Julia, the editor, tells Elizabeth that she can send her a chapter but advises her that the chances are slim that it will be able to be published. When she reads the first chapter tho, she is impressed with it and more letters are exchanged.
Julia encourages Elizabeth in her writing and over time, they become very good friends. Elizabeth finds herself telling Julia things she has never told anyone. They even arrange to meet.
But eventually, things spin out of control and Elizabeth is forced to find that words can not only be entertaining but very hurtful. She hurts Julia and Julia suddenly disappears. Elizabeth is left to wonder if she can repair what is the most important friendship of her life.
This book shows what doubts writers go through but also shows the importance of true friendship. Written for 12+, this is a great book for any age.
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Also included is a CD ROM of all the slides in the book and a programme to enable these to be arranged into tailored presentations. This can also be used as a random slide presentation to test knowledge.
Young and Heath have improved an old classic, making this a very good buy for all with an interest (voluntary or enforced) in Histology