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The story lines really fit for young kids (older 5's+), since Junie has to get through typical situations like loose teeth, "boyfriends", self-inflicted hair cuts, etc.
Some of the books show Junie's more obnoxious, negative self, so I just avoid them and go for the cuter stories.
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There are so many striking aspects to this book. It's hard to believe that women can suffer so much abuse, and men can continue to dish it out, and men don't have to face the consequences, and women's suffering isn't acknowledged. This is graphic stuff, and it sure isn't sex and violence for entertainment.
Another striking element is how utterly reasonable the authors' presence is, as they painstakingly take us through these criminal offences. And they write as one; you can never tell one author's style from the other's. It is real synergy.
The book reinforces a powerful message. We have to treat each other with respect and integrity; and when we don't, we should be held responsible for our actions.
Each chapter starts with a study of an actual court case, which the authors then analyze from the point of view of both the Reasonable Man standard which is used in most courts, and the Reasonable Woman standard that they advocate.
They offer compelling arguments to support their contention that the Reasonable Woman standard not only results in truer justice, but at the same time elevates society's standards of conduct.
For centuries, it has been said that "women civilize" a culture. This book convinces the reader that the time is ripe for the "Reasonable Woman" to civilize our justice sustem.
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Excerpt from book review section of the Monterey County Post: Overton, a retired art teacher and interior designer, exposes a nineteen year old college drop out named Alice to the illicit pleasures available at Casa Danada, the mountain-top retreat of Pirrone Rivelli. A mysterious figure whose lifstyle includes fast cars, numerous women, and ties to the underworld. Rivelli holds a dagerous, nearly fatal attraction for the novel's young heroine.
Alice enters into an exotic world in which there are no rules. Life in this untamed milieu is lived on the edge. Alice nearly tumbles into the "abyss" as the romance of her new bohemialn life turns ugly and threatens to destroy the innocent young woman.
In A Midsummer Night's Dream, Shakespeare's extraordinary talent for creating poetry that is unrivaled is effective in both establishing character and demonstrating the theme. The characters of this play all speak in poetic form with the exception of the English rustics who speak in prose. This helps to place the fairies and the lovers on a higher and more transcendental plane that the artisans. The artisans, as a result, become even more comical and serve to heighten the misunderstandings of love.
The poetry of Shakespeare's genius also helps to clarify the play^s theme of the extreme confusion and blinding power of love. The rhythmic words help to create a magical setting while the rhyming scheme serves to portray the confusion each character feels while under the power of love.
Those who think that love is only a blissful dream, will find that Shakespeare, in this play of clever intrigue, shows also that love can be a place of extreme confusion. As the audience ponders the revelry they have just seen on stage, Puck steps forth to conclude the confusion:
If we shadows have offended/ Think but this, and all is mended/ That you have but slumbered here/ While these visions did appear/ And this weak and idle theme/ No more yielding than a dream.
The audience is left in as much ambiguity as it felt throughout the performance; the play appropriately ends in a puzzling state of confusion.
The majority of events is this play take place during the night, even the rehearsal for the farcical play-within-a-play. All of the mishaps occur during the nighttime hours and the confusion is not cleared up until the next morning when the four lovers are discovered. This setting of night allows the audience to drift into the idea that the entire play could well have been nothing more than a fantastic dream.
Sleep in another theme that threads its way throughout the play. All of the mishaps and mistakes occur through the guise of sleep. One of the major influences of sleep is that it allows Puck and Oberon to make use of the magic love flower whose power is only effective if its intended victim is fast asleep. The flower, however, causes an hilarious love triangle that is not set straight until Oberon once again finds all of the confused lovers asleep. When they are discovered the next morning and asked to explain their crazy night, the only explanation that can be given is that it was all a dream.
There seems to be no other way for Shakespeare to end this riotous entanglement of lovers, mythological beings, fairies and artisans but to explain it as a dream. Throughout the play, with its nighttime atmosphere and frequent occurrences of sleep, the dreamy state of the characters is passed on to the audience. The play itself is still in an inconclusive state when the characters leave the stage and many questions remain in the mind of the audience. Puck's closing monologue, however, explains that puzzlement is the appropriate emotion to be felt during the course of the play. Puck then goes on to persuade the audience that the only logical explanation for the ambiguity of the play, itself, is that, just as the characters themselves experienced, the audience has just awakened from a comical and fantastic dream.
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Ms. Gowdy's talent is full and complete. I loved her use of tone and romance. Her characters are fully developed - and she handles loss with such grace and talent. I loved this book and would recommend it to anyone. Really amazing read!
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