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The author spends far too much time on David (the Duke of Windsor) and his younger brother Bertie (George VI), who have already been the subjects of numerous biographies, and gives George V's other children short shrift. It's unfortunate, given that there isn't much written about them. Hough apparently referred mainly to research he undertook while writing his books on the Mountbattens; since Mary, George, Henry and John didn't figure much in those books, they don't figure much here.
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TRY TO FIND OUT WHO IT IS.
THE MURDERER USES ALL DIFFRIENT CLUES TRYING TO TROW THEM OFF. THEY DON'T WANT TO TELL THE L.A.P.D. SO THEY KEEP TRYING TO FIND OUT WHO IT IS.
The novel covers three seasons in the life of two young fellows who go poking in the woods beside Dreamland Lake, where once upon a time a merry amusement park stood. But the remains of the long-gone roller coaster--a few concrete supports--are not half as eye-catching as the skeletal remains lying half-obscured under foliage by the lakeshore. This pile of bones has not been there too long either, so how did it get there?
Authorities and residents of Dunthorpe let the incident become yesterday's news pretty fast; local opinion says the dead man was a tramp, not missed by anyone. But Brian and Flip's unsettling adventures are just beginning, because they sense a mystery that brings them back to the scene of the crime, to take pictures. The pictures show, later on, that the two friends are not necessarily alone when they creep about in the woods. There's also the little matter of the swastika carved near the scene that wasn't there, originally--and who left the fancy knife, complete with sheath and also decorated with Nazi iconography, for the boys to find when they returned.
Brian, as narrator, makes all of this quite exciting; the book is written as if Brian were looking back at this period in his life. Slowly, the focus of the book does shift to a coming-of-age theme, so despite all the sinister build-up, the reader is not being led through the thriller of the ages. Indeed, the book seems to shift gears entirely, as we get a vivid flashback sequence involving Flip's dictatorial father forcing Flip (plus Brian) to take swimming lessons (this Navy-man father is ashamed that his grown boy can't swim) from a cool fellow named Ralph Harvey. The boys idolize Ralph so much that they write stories about him, usually swimming to rescue some drowning damsel and then leaving her heartbroken when he goes off to save more people. The flashback reveals that, first, the boys embarrass themselves in front of Ralph in a humourous, if somewhat edgy, showerroom scene, and then, Ralph shatters their heroic illusions of him.
A further digression from the main plot is when Brian's father, a trucker, finally gives in to his son's request to take him on the road with him just once. What ensues--trouble involving a speedster--works as another life-lesson for Brian, but does not have anything to do with the creepy stuff going on everytime Brian and Flip go into the woods.
Thankfully, these distractions don't mean there are going to be actual loose ends. Always the book does wend its way back to the central mystery, meaning that, yes, the book does fashion itself as some kind of sophisticated crime novel for young readers. And the Nazi angle, together with the two friends' insistence that something sinister is lurking just out of sight in the trees, gives the whole affair a bit of a horror feel.
Finally, the characters of the two main boys are strongly created. Flip is just a little braver, and a little nastier, than Brian, and it threatens to fracture their friendship.
I enjoyed discovering this thoughtful tale originally aimed at young readers.
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He explains their history, their past and present. There're very surprising historical facts. For instance, about slavery and the enormous demographic tragedy that meant for Africa. Millions of men and women were captured and brought Westward to America and Eastward to Moslem countries (the Turkish Empire, Arabic peninsule) and he gives higher numbers in those sold as slaves to Moslem countries than those sent to America. Braudel considers that there are real alive Africas in America (in Brazil or the Caribbean islands) while no trace of those wretchs sent to Islamic lands can be found, as if swallowed up by the sands of hot desserts.
We know a lot about slavery towards America but very few about that bleeding towards Arabic countries, some of them still defend and practice slavery, for instance in the Arabic peninsule.
Those facts were the most touching for me because it shows the difference among civilizations towards the other one, the one that is different, and I was so disconcerted that for once I couldn't come to any conclusion about anything this book told me.
Which I guess is a good starting point.
Still, the second part told me nothing and it was dificult to finish. I'd put 5 stars to the chapters I-IX and none to the rest. So I guess 2 is a fair average.
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charming things, but this isn't
one of those times--too many
unfunny selections.
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However the second half of the book gets into topics such as racism, black history, ideals of Malcom X and Louis Farrakhan and the idea of white people being the devil. The author does't present these topics as something members of the Nation of Islam would have to put up with since these ideas are all not of the Quran. Rather the author provides way too much history and various ideals of Malcom X and Louis Farrakhan and in my opinion went way too far on this topic and it made the book an overall negative for me.
In the second part of American Islam, Wormser discusses issues and problems concerning African-American Muslims, who make up the largest number of converts in America, and in an unprecedented heroic step, in Chapter 5 he narrates an issue that no Imam in America will tackle-discrimination against African-American Muslim males in love & marriage by other Muslims.
For that alone, Wormser and American Islam deserves a Pulitzer. Five stars Richard Wormser on a job well done!
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Karen knows nothing more about her life than a complete stranger on the street. Her mother died when she was young, her father has managed to stay a distant figure... Karen's memories of childhood consist of one boarding school after another.
Suddenly, Karen is instructed to leave school, which initiates a long journey, toward her father and more importantly, to herself. With the help of a childhood friend (Jay) and Mrs. Hoaresham, an animated and generous new friend, Karen is able to escape from her fictional relatives and find her father, along with a strength she never knew she had.