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Of course, if you want a truly democratic anthology, you'll have to go elsewhere. But why the hell should an anthology be democratic? Good anthologies have editors who enforce their own aesthetic values and tastes on the book--who select poems THEY like. In a way, good anthologies are anti-democratic. They go for range, of course, but ultimately have one person in making the decisions. Bad anthologies are often democratic, though. It takes no skill, after all, to include everyone . . . to merely survey the field.
I recommend this effort wholeheartedly. It'll inspire you or make you mad -- but there's a mind at work putting it together and lots of talent in the poems.
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In this special edition you will learn a bit more about Lara Croft and some info on her mother.
The artwork is simply great and proves that Top Cow has once again managed to give us another strong well written female action hero. Lara is drawn just the way you imagine her to be.
The book states that an emphasis on application is an intrinsic part of it, this, however is not really the case. The book, while showing an appropriate number of application problems in certain sections, lacks that application horribly in others. However, these lacking sections are few enough that it deserves a fair amount of credit in the attempt.
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1) Young has an interesting, and odd, tendency to list only the English translation of passages that aremeant as a Greek grammatical example. thus one has to find the passage to see if his usage is accurate.
2) He changes terminology from that which is commonly used by other scholars. thus one has to get used to his own (idiosyncratic) usages and then compare them against the "normal" usages.
3) He often included exegetically debated texts as his prooftexts for particular usages, and then does not say that they are debatable.
All of these devalue the usage of this grammar. Also he follows speech act theory very closely. which means he not only sees the aorist as not having a time aspect, but rarely sees time aspect mattering in tense at all. However, one should consider the fact that an author in any language can use a verb in an alternate tense to make it more vivid or to bring about a point. This does not invalidate a rule, because one has to know the normal usage to expect the abnormal one.
Where this grammar is most useful is in preposition and conjunction usages. His compiled lists of common usages for conjunctions and prepositions save frequent trips to the lexicon. They also represent the one area of clear superiority over even Wallace's "Beyond the Basics."
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Essentially a reference work, this collection of images is a valuable tool for historians of the Mormons. Together with a useful introduction, essays on various visual techniques, individual images, and aspects of the history of Mormonism and the Great Basin, this work will be useful for many years to scholars, museum professionals, and collectors.
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Overall, the book is much more of a biography than a lesson in music appreciation, paying much more attention to Chopin's travels and love interests before his death at the age of 39 than in specific compositions. However, I think that when young readers are introduced to the life of a great composer they should also be steered towards specific works (in fact, I think you should always listen to the music of a composer while you read about their life; certainly there are various "greatest hits" CDs that you can pick up with that will let you hear the Minute Waltz in D-Flat Major, the Nocturne in E-Flat Major, and the Military Polonaise). There are a couple of detailed sidebars on the notorious George Sand and the pianoforte as "The King of Instruments." The book is illustrated with many drawings and paintings made during Chopin's life time, including a sketch by George Sand of Chopin concentrating while composing, as well as a daguerreotype of the composer and a photography of the romantic monument to Chopin in Paris's Parc Monceau. Young readers will get a sense of Chopin's life from this slim biography, but will have to look elsewhere for an appreciation of his music.