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In a story where so many things are done right, it stands out because it is a primarily a story about conflict. There is conflict on virtually every page. Not just shot-em up, video game violence, but internal, character-driven conflict.
There is conflict between Prof. X and Cyclops over leadership of the X-men; between the fiery Wolverine and the control-freak Prof. X; Jean Grey struggles to control her dark side; Cyclops tries to mold the fiercly independent members of the X-men into a tight-knit team; Jean & Scott try to maintain their relationship thru the mounting chaos....
The X-men, the ultimate ousiders, rely on each other time and again and yet, their most powerful member turns on them and then saves them - repeatedly.
The X-men have a truly worthy opponent in the Hellfire Culb.
Obstacle after obstacle is overcome before the truly life and death battle at the climax. The escalation of tension is evere bit as gripping as when I read the original comics as a kid. Its lost none of the magic or mystery. There is none of the letdown so often felt when we re-visit the source of our nostalgia.
There have been a half dozen stories that were much more revolutionary than the Dark Phoenix Saga - from the death of Gwen Stacey in Spider-Man, to The Dark Knight, the Watchmen and Crisis on Infinite Earths over at DC. Yet, for my money, Dark Phoenix is better - not for its novelty or originality or life-like art, but because its that good.
For me, much of the appeal to this lies in that is simply a super-hero story, capturing the essence of the genre like nothing else. So many of the critically acclaimed comics are heavy on the emotional philosophizing that at many points they cease to become entertaining. The Dark Phoenix Saga never quits, throwing harrowing action and life and death drama at you throughout. A reader can't help but wonder what he or she would do placed in any of the character's shoes. There is no "right" or "wrong", but simple necessity and loyalty which drives the characters.
Chris Claremont pulls out all the stops; it really appears that he is trying to write the X-Men to their peak. He most probably does, and John Byrne's work never looked better. There are simply no faults to be found.
Had this been a stand alone series, it would surely be placed alongside DC's timeless classics. But the story fits perfectly in the trade; the reader never wondering what had previously happened in earlier issues.
This story is great for everyone, young and old. Fans of heavy-duty stuff like Watchmen may snub their noses at this, but they would be foolish to do so. If you want a reminder of why super hero comics are so engaging, read this.
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I like how Richard Peck writes because he makes it funny and he makes sure that you don't want to put the book down. He makes it somewhat fantasy, but on some levels it's realistic. He also, puts just enough details to let you know the important ideas, but he leaves out some parts so your mind can wonder.
This is a great and wonderful book and whoever loves witty books should read this book for sure!
A Long Way From Chicago is the story of two kids visiting from Chicago to see their wild and crazy grandma in the Illinois countryside. It takes place in the 1930s at the time of the depression. Every summer when they visit their grandma something strange or exciting happens, making it yet another unforgettable visit. What's so great about this book is that it shows you what it might have been like in a small country town during the time of the depression. What's also great is that every summer their grandma does something adventurous and exciting. Things that bring them nightmares, things that make them smile. A Long Way From Chicago has been awarded the Newberry Medal for being an excellent book for kids. I highly recommend reading this book. Hope you like it!
[...]
One scene I thought was funny happens on Halloween night when some boys come to wreck Grandma's outhouse (or privy) but she is ready for them. She sets a trap for them and pours glue on a boy's head. When the boys are gone, Grandma looks around the yard and finds a knife with one of the boy's initials on it. The next day Grandma goes to Mary Alice's school for a Halloween party and serves pie. Mary Alice and Grandma see the boy that Grandma poured glue on. When he comes for a piece of pie, Grandma gets out his knife and cuts him a piece with it. He is scared and angry and runs away.
I liked this book because a lot of crazy things happen such as after an artist rents a room from Grandma. One Sunday when Mary Alice and her boyfriend are doing homework, the artist is painting a naked lady in the attic. A big snake that Grandma has to keep birds away falls on the naked lady while she is posing. She runs screaming down the stairs, out the door and down the street. When Grandma sees what has happened, this is what she does.
'"That's too good a show to keep to ourselves," Grandma said. With the thought, she was through the front door and out in the front yard. Planting her house shoes, she jammed the Winchester into her shoulder, aimed high, and squeezed off both barrels. The world exploded. Birds rose shrieking from the trees, and the whole town woke with a start.'
The Grandma Dowdel character is hilarious. Grandma always does things she is not supposed to do and is not afraid of anyone or anything. Here is another example from the story. After making the town's men pay unreasonably high prices for soup to make money for Armistice Day, one of the Auxiliary ladies says this to Grandma:
"I'm here to tell you that you're twice as bald-faced and brazen and, yes, I have to say shameless as the rest of us girls put together. In the presence of these witnesses I'm on record for saying you outdo the most two-faced, two-fisted shortchanger, flimflam artist and full-time extortionist anybody ever saw working this part of the country. And all I have to say is, God bless you for your good work"....... "Did your late husband go to war?" "Only with me," Grandma said, "and he lost every time."
If you are a person who likes to laugh, likes good storytelling and wild characters you will like this book.
This book does everything it can to keep the reader interested. From Grandma Dowdel's outrageous acts to Mary Alice's adventures in school, this book is never boring. In fact, it's hard to put down! The characters are extremely well developed and the detailed descriptions of the crazy stunts Grandma Dowdel and Mary Alice take part in are wonderful. In some way, every reader would be able to relate to the characters-whether it being the new kid on the block like Mary Alice or having a silly relative like Grandma Dowdel. If you are ever looking for a book that has wonderful humor, a lot of adventure or a sense or realism, A Year Down Yonder is a top pick!
The book includes everything a book should; humour, adventure, drama, and real life situations. Peck is a very talented author, deserving the awards his book has received, but this is more children's lit than teen lit. Still, I would recommend it to everyone, it's a great summer book, and the easy reading level makes it a quick read. Check it out, I think you'll like it.
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The book cover says it all: after a freak encounter with radiation, Scott Carey begins to shrink. Scott has been surviving in the basement, a hostile, Dali-esque environment where the only neighbour is a menacing black widow spider. Like all people troubled by the miseries of the present, Scott's mind frequently turns back to the past. These flashbacks chart the course of Scott's diminishing height, beginning with the anger and humiliation of total dependence, the loneliness of being a national spectacle, and the inexorable retreat into a nightmare world.
"The Shrinking Man" has much in common with "I Am Legend". We have the lone protagonist, an outcast, cut off and isolated from everything that was once safe and familiar. Both characters are trapped in their respective predicaments, virtual prisoners with no hope of reprieve. Like Robert Neville, Scott Carey also had a wife and daughter. While Robert's family succumbed to a plague of vampirism, Scott's family seemed to be turning into "giants". Robert Neville was armed with a wooden stake, hoping to kill his tormentor Ben Cortman - Scott is armed with a sewing pin, hoping to dispatch the persistent spider.
Scott's dimunition is constant. He is literally going where no man has gone before. Eventually he'll be able to see germs without a microscope, and perhaps see what atoms really look like. Maybe he'll even be able to see the miniature solar systems inside them. Didn't William Blake say something about the universe being a grain of sand?
In the film adaptation of "A Stir of Echoes" the babysitter reads a copy of "The Shrinking Man" - a little in-joke on the script writer's part. It's easy to see how Stephen King was influenced by Matheson's work, particularly in books like "Salem's Lot" or "Thinner". There really is no such thing as originality. Everything comes from something else. It's just a matter of good story-telling.
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elizabeth bennet and mr. darcy intertwined into their own fixed judgements and opinions make this book not just a must read for its witty satire and humour but for its indepth understanding of true love. eliza,prejudiced ....Darcy, too caught up with his high society unfold their true character gradually making you enthralled and wanting more.
mr. collins the cousin, catheran de bourgh his patron bring out the best in subtle humour.
mr. and mrs. bennet, both of them a class apart...their uniquely opposite personalities creating sparks. the four sisters: genuine, bingely:awesome...the story i leave for you to unravel. you'll love it to the best of your ability.
trust me; you're caught. you won't be able to get your hands off it. its the work of a great woman and a great writer, a true genius who to me is just as equivalent to shakespeare. but then thats just me.
a book that shows us how two minds can eventually meet and harbour friendship and love. YOU WON'T REGRET IT.
This novel deals with the pride and prejudices of the main characters Miss Elizabeth Bennett, and Mr. Darcy, as they try to find true love in pre-Victorian England. Elizabeth is a gentleman's daughter and Mr. Darcy is a gentleman, but Elizabeth, along with the rest of her sisters, are not good catches because, their inheritance is being entailed away to their cousin Mr. Collins, leaving them with very miserable looking dowries. Along with poor family connections, they stand little chance of marrying well or at all; they only have their charms to help them.
That is until Mr. Bingley moves into the neighborhood along with his sisters, and accompanying them his close friend Mr. Darcy. Mr. Bingley becomes captivated with Jane Bennett, Elizabeth's eldest sister, and Mr. Darcy has an eye for Elizabeth herself, but can he see past her poor conditions, and can she see past his pride in order for them to get together? That's the question that keeps the audience captivated right up to the end.
I try and find time to read this book at least once a year, and I've been doing that for a few years, and yet, it's always fresh when a get around to reading it.
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Dreiser sets the measure of the game early, on the first page, with the statement that all women are provided two options in life. One is to work hard, live, and have children. The other is to fall into a life of sin.
For those who don't hold with that line of reasoning, the book will be a bit hard to swallow. Dreiser operates along the same line of logic that Emile Zola set down when creating this genre. Every action Carrie makes is predestined, in Dreiser's eyes, by her surroundings. She will not and cannot make any decision contrary to her 'nature'.
While this is all very well and good for Dreiser, it is not so for Naturalism. Thomas Hardy's famous Tess, and Jude, make decisions contrary to their nature all the time, it is society that is at odds with the characters and not the other way around. Carrie's society seems perfectly willing to accept her, but it is her decisions that one finds appalling. The feeling is more like being on a careening freight train, with the outcome inevitable and predestined but terrible nonetheless. There is none of the same despair and void that one finds in Hardy, and somehow that is the books biggest flaw.
Hardy's novels, that were written a full forty years before Sister Carrie, explore naturalism in such a way as to make the character the hero and society the villain. Dreiser's Carrie is no such hero, she is just the unfortunate victim of circumstance.
One of the main themes of this book is materialism, and how people would do anything for money. During the book I could see how innocent Carrie becomes a victim of circumstances as she tries to fit into the environment around her and becomes swallowed by the anonymity of the city. I love Dreiser's style, although he goes off on unneccessary little lectures at times, and I really liked following the plot. The characters were drawn so well that I would forget they weren't real. This is a great book to read and it accurately portrays American cities at the rise of industrialism and materialism.
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Bigger is a twenty year-old poor black man hired by a wealthy white family, and then accidentally kills the prominent young daughter out of fear. In covering up her death, he allows his emotions to get the better of him, and he rapes and kills another girl.
The first two sections of the book are loaded with intrigue, suspense, and drama, as the reader is right there with Bigger as he tries to mislead the murder investigation, and then runs from the large angry masses once his cover-up is foiled. The third section allows you to get into Bigger's mind and feel his confused emotions. Here, the reader is treated to Wright's views on society mainly through the voice of Bigger's trial attorney.
The language in the book is easy-flowing, and not terribly descriptive, which was done intentionally, so the reader could read between the lines and make clear assumptions. All in all, the novel was quite entertaining and rather eye-opening.
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I was a kid when these issues first came out and I can remember what an impact they had on me at the time. Not to be overdramatic but back in 1980, the fate of Jean Grey affected me much the same way the fate of Jay Gatsby affects me now. Now, some might scoff at that or say that its easier to please children but that's not true. Even more so than adults, children and young teens can spot when someone's just going through the motions. Every year, hundreds of new comic books are released. Most cease publication after less than six issues. X-Men survived. It takes a lot to make an impact on you when you're young and that was what made Claremont and Byrne's X-Men so popular. Unlike future writers and artists, they never took their audience for granted. With the Dark Phoenix Sage, they crafted one of the great legends of my youth. When I recently reread it, I do so for the sake of nostalgia but I was overjoyed to discover that even though I'd gotten older and subsequent events in the X-Men had cheapened a lot of what those earlier issues were about, the story hadn't suffered. As both a piece of childhood nostalgia and as a story held up on its own considerable terms, the Dark Phoenix Saga is a powerful piece of work and it is a must-have for all comic book fans -- past, present, and future.