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The first two types of homosexualities predominate history. Some of these stratifications become sacralized in the society's religious foundations. The egalitarian type is more pertinent to the 20th century.
What Murray accomplishes in this book is a description of a wide variety of meaning in homosexual activity. There are different constructions throughout history and even within a particular society on the meaning, purpose and acceptance of certain acts.
This is a well-researched book. For the creative writer there is a mine of information from which to use the imagination. What is so important to understand is that 20th and 21st century criticism often assumes the terminologies more recently developed. Murray and others successfully demonstrate that one has to be more discrete in interpreting literature and art from ancient cultures.
What is fascinating is that throughout the world the same kind of age stratified or gender stratified acitivties have similar meanings. Each culture has particular meanings or levels of acceptance. But somehow humans have found meaning in what today many would call perversions or sickness. Who knows best?
But, it sounds a little bit strange for us Japaneses the title "Homosexualities", since we didn't have such an odd term which meant both male/male love and female/female love,---- we had a different word which meant male/male love "nanshoku", and did male/female love "nyoshoku", and sapphic love "toichi-haichi"respectively. Of course we don't have religious or superstitional prejudice against both same-sex eroticism and different-sex one at all.
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P.S. For those interested in comparative thought, being thematic in presentation, it allows for many parallells to be drawn between Dzogchen, Mahamudra, Kashmir Shaivism, Zen/Ch'an, Ch'uan Chen Taoism, the Christian Saint Meister Eckhart, and Ramana Maharshi, etc. Nisargadatta was also linked to the tradition of Nath Yogins, a Pan-Indian Tantric movement stemming from the 9th/10th C. that had within its ranks the founders of many Mahasiddha linegages that are present in the Religious Traditions of Hinduism, Buddhism, and Jainism, etc., which are still in existence today.
The book has some nice exercises to "play" around with to get the teachings on a more experiential level so that it goes beyond just intellectual analysis.
It's not the easiest book in the world to understand. Not because of any flaw from Wolinsky, just the depth of this can be a brain twister sometimes. Like I am That, this is a book to come back to over and over.
Wolinsky also adds his own touch by really putting it in practical terms and explaining how to fuse it with modern terms and psychological parallels.
It will help bring your understanding of I AM THAT to a new level!
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Machu Picchu, hidden high in the Andes, was never found by Pizarro and his conquistadors. The city was rediscovered in 1911 by Hiram Bingham. Recently, landslides have made entry much more difficult, and the whole area is at risk to being lost. Should that occur, this wonderful volume will serve as a fitting tribute.
Other than the fact that the rocks themselves were considered sacred, we know little about the purpose of Machu Picchu. Clearly, it was very important to the Incas. Otherwise, no one would have put such an enormous effort into creating a city among the clouds, carved out of solid rock. Because some walls have holes cut in them that allow light into certain interior spaces only on one day a year, it is thought that the area, in part, served an astronomical purpose.
The Chilean poet, Pablo Neruda, created an emotional poem called "The Heights of Machu Picchu" in which he captured our connection to the thousands who lived and toiled to make Machu Picchu . . . and are no more. In 1984, photographer Barry Brukoff hiked in over the original Inca road, to capture the scene with Neruda's poem in his backpack. The result of this trip are the remarkable, spiritual photographs in this book. You will feel like you have been there, will identify with what you see, and will make closer contact through Neruda's poem:
"True being was threshed like kernels of corn in the inexhaustible/granary of lost deeds, of memorable efforts . . . ."
"In you, like two parallel lines,/the cradle of lightning and humanity/rocking together in a thorny wind."
" . . . [Y]ou imploded as in a single autumn/into a single death."
"Today the empty air no longer weeps . . . ."
"The dead kingdom lives on."
"Stone upon stone, and man, where was he?"
"Give me back the slaves you buried!"
"Come up, brother, and be born with me."
" . . . [A]nd let my tears flow, hours, days, years,/through sightless ages, starry Autumn."
If you can read Spanish, the poem is published in both languages, side by side.
The photographs make great use of the high mountain air, changing weather conditions, and the differing light of day and night. Brukoff has also created some very stylish effects with filters and tints, in addition to breathtaking color. Many photographers are good at duotone or color, but few are masters of both. Brukoff is the rare example of this dual skill. A nice tough is the way that the book is bound in linen, and there is a rough edging to frame each image . . . to give the book an almost scrapbook-like feel. The photographic reproductions are superb and well worth the price of the book.
My favorite images included: Morning Sun and Fog; The Temple of the Moon; The Grand Rock Shrine (two views); Royal Mausoleum beneath the Torreon; Central Plaza through Three Windows Wall (first version); Sacred Plaza; Central Plaza and Fog; Agricultural Terrace; The Inti Huatana; The Condor Stone; View of the Inti Huatana Area -- Sacred Rocks Echoing the Mountains to the East; A Stone Ring; Machu Picchu at Sunset; and The Watchman's Hut at Dawn (cover image).
The book also has a helpful prologue by Ms. Isabel Allende which sets the scene for the book's contents.
The feeling of connection to the Incas, to the mountains, and to the sky are strong here. I felt a calmness fill my mind and heart as I caressed each part of the poem and each image with my eyes.
What great things we can accomplish . . . when we have a mighty purpose and connect to our sense of beauty!
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narrative is unique in that it contains reproductions of various items associated with the invasion. There are personal items such as notebooks and Bibles and operational items such as orders
and after-action reports. All in all this is an interesting look into the history of D-Day made more so by the inclusion of historical artifacts. I recommend it to you, inspite of its brevity and price.
Especially interesting are the authentic photos and artifacts from the collection of the D-Day Museum in New Orleans, founded by the late Stephen Ambrose. These artifacts include a soldiers' diary, the front page of the New York Times, a letter from Roosevelt, and an inspirational message from Eisenhower. All are able to be pulled out and looked at by the reader.
One of the artifacts, "A Pocket Guide to France" was given to the military and is included in this book as a pull out. It was simple and patriotic as it explained the military mission in France, the history of the conflict, and told the soldiers how to behave while in France.
Bowden also writes of the possible pitfalls in the plan, including dropping soldiers at night and the unpredictability of the weather. He concisely relates the events of D-Day, the airborne efforts, the invasion of Utah Beach, and the action of the armada, all interspersed with the words of those who were there.
Following this is a section about the Allied advance through France and into Germany...and less than a year later, the Reich was in ruins and Hitler was dead.
I liked this book most of all for its simplicity and authenticity.
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Though much of that material is now gone due to the ravages of the last eighty some years and the surviving bits are mainly in museums, some occassionally comes out of an attic or dusty cellar trunk when great grandad's property is sold.
This book will be essential to anyone who has a rational plan for collecting this material. It is a distillation of the German Army's Order of Battle,and wartime histories, and contains tables, lists, and detailed descriptions of all the insignia and orders of clothing worn and the individual equipment carried. Other works should be consulted for the details of small arms, ordnance, and aircraft. This book focuses on the individual soldier.
As with all the books in this series I have seen, the use of color plates and the large magazine size format combine to make it a pleasure to peruse and consult again and again. Not a book to be read straight through and forgotten but one to dip into now and again.