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For those just delving into this ancient and mystic age in Japans history, Samurai Warfare offers the reader an easy to understand primer in the history of those responsible for enforcing the will of the Emporer and Nobles
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The section on samurai personalities would be an extremely useful source if it weren't so brief. The information on each individual is often so short as to omit critically important facts.
The section on battles and sieges is also a useful section as an overview.
NOTE: The dates given for events are only accurate to the year as Turnbull has translated lunar calendar dates directly over. The 13th day of the fourth month of the year 1592 (May 24th) becomes "13 April 1592". Keep this in mind if you reference these dates against other works.
However, a word of caution: those who look for a serious in-depth research will be disappointed. This book does not state such goal, it was created for easy reference. But, to say only that would also be not a complete picture. Strategies and warcraft are given a well researched presentation. Various aspects of warcraft including castle building and their use in control of newly acquired territorial possessions, use of single combat and various types of arms, communication on battlefield and types and components of armour are described in good (for a layman, at least) detail.
Case studies are very well presented and provide useful information on Mongol invasions, Hideyoshi's campaigns against sohei (or warrior monks in lay language), Shimabara rebellion and some other important subjects. In addition, one will find such interesting and not-so-often described subjects as description of battle formations, various lucky and unlucky signs (found in faces of slain warriors!), classification of samurai exploits in battles and much more.
I would highly recommend the Sourcebook to those interested in samurai history.
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Where the book fails is in the discussion of the multitude of errors that went into the planning and excution of the Operation. It was a campaign that was begun as much as a result of Montgomery's desire to be the one to win the war and not be bested by the Americans and Patton, as by military necessity. Once began, the British ignored the advise of the local resistance, utilized tactics that played into the strength of the Nazi resisters, and were too ambitious. This is not to mention the intelligence failures that convinced the Allies that they would be facing second rate worn out units.
All in all, Market Garden is a case study of what should not be done. Not only did it lead to the needless deaths, but it took vital resources away from the Patton's Third Army where they could have been put to better use and resulted in ending the war sooner.
Recommended for all who have a perepheral interest in the subject, as well as one who is already quite knowlegeble of it.
When a portion of the British Airborne marched towards Arnhem, they could have taken the ferry but did not (not in their orders)and went past the railroad bridge that was blown up. Had they had better "situational awareness" they could have taken and kept the ferry. But this book goes a step further---so what?
The point of penetrating into Arnhem was to get across the Rhine river and run wild in the German industrial regions and smash war machinery and deprive the enemy with the means to continue fighting. But to do a "Sherman march" like this, these areas had to be undefended. That opportunity simply was not there. The Germans had compressed their lines of supply/communication and were defending in depth. So if we had kept the bridge or the ferry across the Rhine, we would have only been stopped on the other side by the Germans. THAT----is what is not understood by most people especially after seeing the superb but not quite accurate film, "A Bridge too Far" by Cornelius Ryan. Those that label Operation Market-Garden as a "failure" fail themselves to realize that what it sought--a collapse of the enemy from the inside---was not possible against a nation on a desperate total war footing, so such negative labeling is unjustified.
I'm all in favor of Airborne units receiving light AFVs in order to effect off-set DZ insertions, if there was a "time machine" I'd go back and have Hamilcar gliders deliver Bren gun APCs and Locust M22/Tetrarch light tanks that existed at the time. I'd have some of Gavin's 82d Airborne drop directly onto the south of Arnhem bridge to support the British 1st Airborne driving across from the north in the Bren gun carriers/Locust/Tetrarch light tanks. I'd had Patton temporarily in charge of the 2-D dash up to Arnhem bridge. He'd have better, medium-sived tanks and aPCs that could swim themselves across and not need bridges in the first place. But at the end of the day, we'd be stopped on the far side of the bridge or the river bank by the Germans, a 50 mile penetration, definately worth doing, but a STRATEGIC AIM of driving unhindered into Germany to collapse their infrastructure was not possible at that time. This book explains this like no other work, and places it in a must-read category--if you don't read it you simply will not understand the battle and will be subject to the cliches' and labeling. When you understand this, you will remove your disappointment in the leaders at that time for not pursuing further. The truth is XXX Corps could have punched its way through to Arnhem bridge but the Commanders knew that there was no strategic vaccum behind it to exploit that would justify the human costs. A lot of hard fighting stood ahead of the Allies at this point.
Airborne!
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Middle East Quarterly, December 1999
So much of the Middle East today is the result of recent history, and it's important to understand that history for any kind of modern understanding. This is one of the best books out there for gaining understanding of that history.
So much of the Middle East today is the result of recent history, and it's important to understand that history for any kind of modern understanding. This is one of the best books out there for gaining understanding of that history.
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about the state of mankind!
But these are hazardous waters! Where should we begin
and where do we want to go from there? So, Having
Gould and Eco as guides seems like a clever start!
According to the book, the hebrew language has
no exact present tense?? The infinitely brief, the
very essense of the present, is not to be found - it
can be neither fixed, nor measured. It is therefore
completely justifiable, grammaticale speaking,
to leave out the present?
Yet, obviously, it is from the present we look at the
past and towards the future.
Stephen Jay Gould is always a pleasure to listen to -
and the right one to put time into perspective.
For a palaeontologist, like Gould, 7000 years
(timespand of human culture) is really no more than
the twinkling of an eye. So all we know is really in
the present - which hardly exist!
From this position we look out into concepts like
the eternity - which we obviously really can't grasp.
And into ourselfes were e.g. DNA was discovered as recently
as 1953. Mystery upon mystery.
So, we struggle to discover instances of regularity and
to fit them together with the help of stories. We throw
in a little religion "were religions do not
ask questions, they answer them". Still we are far
removed from any real "understanding".
And that is what these conversations are about.
With Umberto Eco and Stephen Jay Gould - it is
of course an ok read. But only an appetizer.
-Simon
Just think of a coffee table discussion, of a one on one discussion and you get to read the answers on questions of import. Each answering these questions with their respective insights and down-to-earth style. Each having their respective life experiences to draw from to unravel perplexing questions.
With fascination you read the thought-provoking answers. The answers will suprise some, others may be right inline with what you'd expect, but nerver boring... challenging, educational, lucid and erudite are more what you'd expect and you are not dissapointed.
This book reads fast and the questions are cogent with the general topic. Each respective thinker answers in a style of their own and the reader does not feel irrelevant. This is an interesting book in that questions asked make the reader think as well.
I found the book to be highly interesting and it has a fascination woven throughout the text captivating the reader.
I'm talking about that Darwinian theory of Natural Selection you keep telling as if it were true. It is "differential reproductive success". So then that means I need at least 2 different things to call some event NS. So then I ask myself what do these 2 different things have to do with each other? So then I say well either they influence each other's reproduction some way, or they could as well be in different environments. So they must influence each other's reproduction some way. So then I ask, what ways can the one influence the reproduction of the other?
+/- increase reproduction at cost of the other +/+ mutual increase of each other's reproduction -/- mutual decrease of each other's reproduction +/0 and so on -/0 0/0
but what you do, is pretend like there are only +/- relationships. You ignore all other type of relationships with NS. Your natural selection theory is false, for being unsystematic in describing the relationships between living beings. You make teachers into liars by it.
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But Barber's writing improves markedly when he begins telling the story of White's life. The most interesting aspect of the book, to me, is Barber's descriptions of White's early fictional efforts, and his writing habits; you'll read about the novel White wrote in high school; you'll learn that White was often drunk or stoned when he wrote his early novels, and that even to this day White generally limits himself to writing a few pages per day in the expensive blank books he purchases from a Paris stationer. You'll read about White's encounters with writers as diverse as Michel Foucault, Vladimir Nabokov (who named White as one of his favorite young novelists, much to White's surprise), and Michael Ondaatje (whose own writing habits are similar to White's). Your impression, gleaned from White's novels, that he is an extremely decent person who is quite fallible but gifted with an immense talent, will be confirmed by Barber's account. Also surprising is Barber's description of how sexually voracious White was from a very early age. Apparently White felt the need to tone down his self-depiction in "A Boy's Own Story," to make his character seem more representative of typical adolescents.
In summary, this is a worthy biography of White, once you get past the somewhat amateurish writing style (which is why I'm giving it only four stars). But you shouldn't order it unless you're very interested in White -- otherwise, you will learn enough about White from his own novels.
Edmund White's iconic status within a gay ethos extends far beyond those defined boundaries to his acceptance by the literary world as one of the major writers of our times. White's elegantly stylised novels, each employing a language particular to a time and place, as well as his non-fiction preoccupations as biographer to Genet and Proust, have led to the creation of an integral body of work. White's writings are as individual as they are vital to our reading of mortality in the late 20th century.
Stephen Barber's exceptionally well-pitched critical biography of White is both a work of literary merit and the ideal companion to its subject's life and achievements. Barber has for several years been one of our best critical writers on the nature of the modern city. The Burning World is creative criticism at its best, and Barber's understanding of the city and its sensations as determining creative language is central to his thesis on White's fiction.
During his formative writing years in a 1960's New York, White wrote five unpublished novels before Forgetting Elena was accepted for publication in 1972. Barber interestingly points to Fire Island being the inspirational site to this work, and to White's obsession with islands in general as representing the precinct in which to set a novel. Two more of his books, Nocturnes For The King of Naples, and Caracole, were to be less specifically identified with place, but to occupy undisclosed insular settings.
Barber rightly sees White's first four novels, with their rich textured poetic prose, as 'a unique document of the imagination in its compulsive interaction with the human body.' It was the third of these books, A Boy's Own Story 1982, which won White not only critical acclaim but a confirmed gay readership.
Crucial to Barber in the development of White as a person and writer was his move to Paris in 1983, the city in which he continues to live and write for half of each year. White, who was diagnosed HIV-positive in 1985, for a while considered his death to be imminent. Yet he found Paris sufficiently psychologically regenerative to encourage him to form new relationships, and to write new books. One of these was the elegiac The Beautiful Room Is Empty, a novel in which White first employed the medium of stripped down communicative prose which he continues to use today.
Another legacy of White's Paris years, begun in 1986 and completed seven years later was his monumental 700 page study of the French writer and criminal Jean Genet. Barber is profoundly insightful on White's grand Genet biography, and provides an illuminating commentary on the interactive chemistry triggered by one great writer overhauling the other's complex and elusive life.
Barber sensitively highlights White's most enduring relationships, including the one with Hubert Sorin, whose death from AIDS in 1993 was to leave White devastated. White's ability to keep on endlessly recreating himself, and adapting to the survival measures necessary for a gay man to outlive an AIDS generation, proves the pivot on which Barber's study rests.
This is a book to be recommended, not only to Edmund White's many readers, but to those who care for the valency of a new critical language finding its rapport with a constantly exciting subject.
Jeremy Reed
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MAA 311 The German Army 1939-45 (1) Blitzkrieg;
MAA 326 The German Army 1939-45 (3) Eastern Front 1941-43;
MAA 330 The German Army 1939-45 (4) Eastern Front 1943-45;
MAA 336 The German Army 1939-45 (5) Western Front 1943-45.
These books basically cover the German Army uniform and rank insignia of specific time and place during WW2. Each book includes 30 to 40 b/w photographs of German soldiers in different types of uniform. There are also 8 pages of colour-plates in each book depicting the uniforms in colour. Since I own all five books, I observed that the drawing skill of Stephen Andrew improving gradually over the years.
These books are by no means a comprehensive account of the uniform of the German Army during WW2. However, the contents(text, photos and colour-plates) are excellent source of reference materials for modelling enthusiasts focusing on WW2 German Army.
This review applies to all five books.
The new emphasis is on sets covering various national armed forces in as much detail as is available, consistent with the current purpose of the works in the series, which have evolved from an original emphasis on serving the military miniature maker market into works intended to enlighten the general reader in enough detail to satisfy the merely curious and to point the way to further reading.
Most of us, including myself, have little need for, or the patience to read, voluminous studies, often in foreign languages, covering many eras and nations. My main interest is in the US forces, their allies and their enemies in the twentieth century.
That said, these works should be purchased as presented, in sets within the series. Since they are produced as a set, the volumes cover only relevent parts of the general history and the clothing and individual equipment is covered as it appears in each period. The French Army, US Army, British Army, and Italian Army series all have three volumes, covering the major theatres and time periods of the war. The German set has five.
The German Army set should be read in conjunction with many other individual volumes covering their allies and opponents and the other German fighting forces such as the Waffen SS, and the Parachute units, which were part of the German Air Force, the Luftwaffe.
If you want an introduction to the fascinating variety of clothing and equipment of the forces covered, this set is for you.
The new emphasis is on sets covering various national armed forces in as much detail as is available, consistent with the current purpose of the works in the series, which have evolved from an original emphasis on serving the military miniature maker market into works intended to enlighten the general reader in enough detail to satisfy the merely curious and to point the way to further reading.
Most of us, including myself, have little need for, or the patience to read, voluminous studies, often in foreign languages, covering many eras and nations. My main interest is in the US forces, their allies and their enemies in the twentieth century.
That said, these works should be purchased as presented, in sets within the series. Since they are produced as a set, the volumes cover only relevent parts of the general history and the clothing and individual equipment is covered as it appears in each period. The French Army, US Army, British Army, and Italian Army series all have three volumes, covering the major theatres and time periods of the war. The German set has five.
The German Army set should be read in conjunction with many other individual volumes covering their allies and opponents and the other German fighting forces such as the Waffen SS, and the Parachute units, which were part of the German Air Force, the Luftwaffe.
If you want an introduction to the fascinating variety of clothing and equipment of the forces covered, this set is for you.
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This book portrays the Soviets as "victims" of Western treachery or buffoonery, a thesis that is itself a nice work of propaganda.
Nevertheless, Dorril presents events that are factual, albeit framed to suit his goal of painting MI6 as a prime cause of the Cold War. Dorril frequently omits relevant information about similar or related Soviet activity, and selectively quotes protagonists to place them in the worst possible light. He has little to say about Soviet concentration camp atrocities (which spanned two decades) or Russian political intimidation and murder in Eastern Europe after the Second World War -- facts that inconveniently undermine his thesis.
The Soviet Union is presented as more of a victim of the west rather than a primary cause of what the author would have you believe they were a victim of.
According to the author, the Cold War was the fault of the west, we were the bad guys. As most who have even barely studied history know, things are seldom that black and white. The author poses his theory without ever mentioning all the offenses and atrocities commited by the Soviet Union which gave the west good reason to be deeply concerned.
If you have read Venona or any other more balanced works, you will see this book for what it is and take the facts for what they are worth and leave the subtle attempt at indoctrination out of the picture.
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On the other hand, if you want to trade your soul for a parking space and a corner cubicle, buy it.