List price: $13.95 (that's 20% off!)
In this fine book the Brigadier regales us with stories of his youth, when most of Europe was part of the French Empire and opportunities abounded for young men who looked good in cavalry uniform. Gerard tells the story with no irony, but the reader laughs a good deal at the absurdities of the hero. When attempting to shoot the ash off a cigar he destroys the whole cigar instead to the dismay of its smoker who is smoking it at the time. Clearly, Gerard maintains, the pistol is at fault. On a few occasions he succeeds when all expect him to fail and as a result his success is actually a failure. The stories encompass many of the great events of the Napoleonic wars: the horrors of partisan fighting in Spain, the invasion of Russia, war in the German states and Prussia, even capture by the British. Always the stories are superbly told with a very fine eye for realistic detail and they are often quite gripping. Again this is one of those books I am amazed has never been made into a film or a TV series.
George MacDonald Fraser has taken a good deal of the Gerard style for his Flashman series, although of course the two characters are poles apart in morality.
I recommend this book to all lovers of history novels and also to anyone who just likes to read superb stories in the grand old manner, where manly men are engaged in "honest" combat, and where evil enemies, treacherous peasants, and duplicitous politicos usually meet their doom under Gerard's cavalry saber.
His "exploits and adventures" are presented as reminisces by the old grizzled officer, long into his dotage. Since he doesn't tell these in chronological order, this can be momentarily disconcerting, but only momentarily. Each episode runs approximately 20 to 30 pages and generally concerns some individual adventure he's assigned to or stumbles into. These are uniformly entertaining old-fashioned adventures in which Gerard sometimes triumphs, sometimes fails, but always upholds the honor and glory of the Emperor. He makes an interesting counterpart to Bernard Cornwell's gritty and equally heroic fictional British veteran of the Napoleonic wars, Richard Sharpe.
This new edition is to be commended, but it could have been further improved with the addition of a few maps, a general chronology of the Napoleonic era, and a glossary of the frequently used military terms of the era. Still, these are quibbles, and anyone with more than a passing familiarity with Napoleonic history will have no problems enjoying Gerard's tales.
The worst fault by far is that the printing of the paintings is consistently too dark. Three examples: The blue colors of: "Myself at the age of Ten when I was a Grasshopper Child" (p.202) are much too dark. It is even worse with: "Ghost of Vermeer of Delft which can also be used as a Table" (p.222) Here the figure of Vermeer is in points indistinguishable from the backround and the sky is much too orange, instead of yellowish. The worst example is that of "The Last Supper" (p.488) where the apostles on the extreme left and right of the painting can barely be distinguished. There are many other examples of this. I made this comparison using several other books and exhibition catalogues, and have also seen the three paintings I mentioned as examples in person more than once.
A close examination also reveals that both paper and binding are not of high quality. I have a feeling this book will not stand the test of time. One way to tell a good Art Books when the paper is a higher weight. Judging from the paper, I have a feeling it will yellow in a few years. This is, incidentally, true for other Books that I own published by Taschen. Also, a book this heavy should really have a stronger binding.
Annoying also is that there is no alphabetic index of the paintings. Unless you know the year a painting was created, as they are in chronological order, there is no way to find it except by paging around.
Despite these complaints, I still like the Book because it includes paintings I have never seen before. If however, you want to see the paintings of Dali as they really look, get "Dali: The Work, the Man" instead. It suffers from none of the faults I have descibed, but is not as comprehensive. It's worth the extra money. In collecting Art Books I have found that higher quality Books stand the test of time.
You will not be disappointed with this book and I think you'll agree that the quality is excellent, with a solid binding and beautiful reproductions of all of his paintings in chronological order. There are also a great deal of photographs (and paintings) that I've never seen before, and I thought I was a huge fan of Salvador Dali.
"Dali, The Work The Man" is also a very well-made book, which may be printed on a slightly heavier grade paper, at the most. However, the Taschen book is far more detailed and also excellent quality. "Dali, The Work The Man" costs ten times as much and only has half the content.
I truly thought there must have been some mistake when I ordered it.I still question the price as being far too low, so I advise you to hurry up and get this before the publisher realizes their huge mistake. Perhaps we are dealing with a publisher who really isn't greedy at all--that's my impression here.
I couldn't be happier with my purchase of this book and highly recommend it.
List price: $15.98 (that's 30% off!)
The entire play takes place in Illyria. In the main plot, Orsino is in love with Olivia, who unfortunately does not return his feelings. Viola is shipwrecked on the Illyrian coast, and dressed as a boy, comes to serve in Orsino's court, where she of course falls in love with Orsino. Meanwhile, in Olivia's court, some of her courtiers plan a cruel--but funny--practical joke against her pompous steward Malvolio. There is also a third plot later on involving Viola's twin brother Sebastian, who has been shipwrecked likewise. Naturally things get quite confusing, but, true to Shakespeare's comedic style, everything gets worked out in the end.
This is an enjoyable book to read, and the notes are very helpful. However, it is still better as a performance.
There are four main characters in "Twelfth Night" ; Duke Orsino, Olivia, Viola, and
Sebastian. Duke Orsino who lives in Illyria loves Olivia, so every day he send one of
his servant to Olivia's house for proposal of marriage. However, every time Olivia
refuses his proposal for the reason that she lost her brother before long, so she is now
in big sorrow and can not love anyone. One day, Viola comes into Illyria. She and her
twin brother Sebastian are separated in a shipwreck and they are rescued by two
different people in two different place, so they think the other one is dead each other.
Viola disguise as a man and become a servant of Duke Orsino, and then she fall in
love with Duke Orsino. But, Duke Orsino loves Olivia and he send Viola whose new
name as a man is "Cesario" to Olivia for proposal. Unexpectedly, Olivia fall in love with
Cesario!! Therefore, love triangle is formed. In the latter scene, Sebastian also come into
Illyria, so the confusion getting worse. However, in the end, all misunderstandings are
solved and Cesario become Viola, so the four main characters find their love.
There are also four supporting characters in "Twelfth Night" ; Clown, Sir Toby Belch,
Malvolio, and Sir Andrew Aguecheek. They make the readers laugh through their funny
behaviors and comments in subplot.
"Twelfth Night" is very funny story and enjoyable book, so I recommend you.
This is a review of the 8th edition
The author, David Hogan, effectively makes the case that White Castle and its founders, Billy Ingram and Walt Anderson (especially the former), were the originators of the fast food "carryout" concept, and that they established the humble hamburger as the distinctive ethnic cuisine of the USA. The evolutionary history of White Castle from the early part of the 20th century to the present is described, from its founding in Wichita in 1921, through the Depression and two wars (W.W.II and Korea), to the era of the big chains (like McDonald's and Burger King), which, miraculously, have not brought about its demise. Along the way, Billy Ingram and his successors have successfully coped with an endless series of challenges, the first of which was to make the hamburger perceived as a sanitary and healthy food at all. Then came standardization of the product, national expansion, gaining credibility with and acceptance from the middle class, coping with war rationing, the hiring of women, surviving the rise of the superchains, adapting to suburbanization of the cities, defending against rising urban crime, facing increasing government regulations, and answering the health-conscious critics' attacks on the fast food lifestyle.
Today, White Castle survives as a barely medium-sized chain in the north-central and northeast regions of the United States. It has kept alive the guiding principles of its founders, has acquired a fanatical following, and remains profitable at a time when even larger chains, like Burger Chef and White Tower, have since disappeared from the American landscape.
SELLING 'EM BY THE SACK is not a "thriller", offers no high drama, is written with no humor whatsoever, and is actually a little dry. Had it been about a brand of toothpaste or bread, I wouldn't have bothered. But, it's about hamburgers. (Oddly enough, cheeseburgers are never mentioned in any context.) So, I read it, was entertained, and learned a lot.
I've never eaten a White Castle. Where I live, in Southern California, the brand is represented only by its frozen burgers that one can buy in the supermarkets. I've seen them in packages of a dozen. They seem ridiculously small when compared with McDonald's, Wendy's, Burger King, Jack-In-the-Box, Carl's, or In-'n'-Out. I think I'll buy a "sack".
List price: $14.95 (that's 30% off!)
To those saying he is all about episiotomies and the like, I disagree. He is very clear about saying he does not do automatic episiotomies, his patients have a right to refuse them if they wish, and that he certainly wouldn't do one if a patient didn't seem like she was going to tear.
Additionally, I saw NOTHING in the book discussing the low-cost of home birth versus caring for a vegetable (as mentioned in another review). DiLeo is honest in saying that when life threatening complications occur, the best situation for mother and child is to be in a hospital. I have a friend who had extremely little to no intervention during birth yet ran into complications so dire she and her daughter would have died without the care of the hospital staff. Maybe this is a rare situation, but I think this is what DiLeo is addressing -- that IF there is a problem, the hospital is the place to be. Hard to argue with that. I'd hate to see somebody not read this wonderful book simply because they disagree on this one point. There is much more to pregnancy than where a woman gives birth.
The new generation Bodybuilder!!
:Miguel