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Structuring the book around St. Paul's parting instructions in Ephesus (Acts 20:28-31), Berghoef and De Koster not only skillfully explain the work of the Elder, but share insights gained over many years to guide those involved in these tasks.
"The Elder's Handbook" is laid out and written in a well-organized but conversational style, making it both an easy read and a handy reference. Those involved or interested in the Eldership will find this a valuable addition to their library, or a much-appreciated gift for those contemplating or entering this office.
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Until recently it has been hard to find books with good reproductions of these two pictures, and the many other less-well-known but similarly charming pictures by David which are scattered throughout the museums of Europe. The works on paper, especially, have been nearly impossible for the average museum-goer to see, since they are almost always tucked away, accessible to only the lucky few.
It is a pleasure, then, that the Metropolitan Museum of Art has decided to publish a book to document the work of this painter who has seemed until now much too elusive. And the Met has gone about the job with its usual skill and thoroughness. There are many paintings here that have probably never been reproduced before in a widely-available publication. They include some wonderful drawings and pencil studies, that give the lie to the idea that painters of David's era were tight or finicky -- some of the drawings of girls rival Watteau's for their lightness and casual perfection.
There are also dozens of x-ray-type photographs to analyze the underdrawings beneath the paintings, and even a chapter on the "dendrochronology" of the panels, in which the experts count the tree rings on the edge of the painted panel to analyze a picture's date and origin.
In fact, there is quite a bit in this book that will be of interest ONLY to those experts who go in for such thoroughness. People who love David's work and want to get every bit that they can should get this book. Others, who would be happy with well-reproduced highlights and feel they can skip the x-ray analysis, would be better off getting the Metropolitan Museum's recent book "From Van Eyck to Bruegel", which has a very good chapter on David, and much else besides.