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The result is a singularly fascinating book, and a worthy companion to Vito Russo's The Celluloid Closet. And since television plays a more important role than movies in shaping public perceptions of gay people (and in helping young gay people to understand their places in the world), Capsuto's project is arguably even more important.
For gay readers over 40, this book is likely to produce some strong nostalgic feelings. Reading the author's accounts of such significant broadcasts as "That Certain Summer" (with Hal Holbrooke and Martin Sheen) or "A Question of Love" (with Gena Rowlands and Jane Alexander), one can't help but reflect on memories of a former self and how the world was then.
For younger readers, this book will fill an important gap in their cultural knowledge--what happened many years before Ellen and Will & Grace, "lesbian chic" and heightened gay visibility. It also tells the story of lesbian and gay media activism, of the Gay and Lesbian Alliance Against Defamation (GLAAD) and its forerunners. And Capsuto covers television and radio depictions of bisexual and transgendered people in his thorough account.
Perhaps most important, the book also helps to illuminate a continuing flaw in television depictions of gay life: for all the progress of the past decade, there continues to exist a kind of unwritten Hays Code that bars most expressions of affection or sexual desire between persons of the same sex from American network television.
Will & Grace continues to depict what may be the only attractive, witty, smart and successful gay man in Manhattan who has no sex life. In its own way, this show is as deficient today as was "The Andy Griffith Show" in depicting (during the height of the civil rights movement) the only town in North Carolina with no black people.
Television provides a crucial window through which we see our lives and our society. Capsuto's book helps us to remember how skewed that vision has often been, and to realize the important changes that are still needed. This is an important work of cultural and social history.
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"Wetscrape Braintanned Buckskin" has a particularly good bibliography, section on tool sharpening, troubleshooting, museum quality illustrations, good humor and a whole lot of excellent information. I've been brain tanning for a living for 11 years, teach it regularly and have written a book on it myself, and all I can say is that if you are considering getting this book, just do it!
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This is where Smith's practical guide steps in. With economical use of mathematics, this book provides clear and concise explanation of all the essential elements of DSP, providing the overall picture so sadly lacking in more technical texts.
There are only a few texts that match up to Smith's guide, the next best being "Understanding Digital Signal Processing" by Lyons. While much of the same material is covered and with the same sensitivity to maintaining your sanity, the real selling point that separates these two is the CDROM that accompanies Smith's book. On it you'll find all the code that is littered throughout the book, as well as the book itself! Simply put, this book is the one all others have to aspire to.
And Steve gives you many ways to look at a DSP topic :
- Through carefully selected figures that mesh well with the topic - Through less maths -Third and the most important, simple to understand programs written in Basic to enable you to visualize the algorithm though programs.
His style is steeped with practical wisdom and with painstaking attention to details. It is no wonder that this would be one of the most important books for the beginner in DSP that would equally rank with that of Richard Lyons.
Where ever the Steve uses maths, you almost always expect him to explain its physical interpretation and its practical significance.
I loved his convolution Machine analogy. I hope you will find many more gems in this wonderful book on DSP.
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'La Amistad' tells a soul-eroding story. Cinque and his cohorts are true heroes. They are heroes of freedom, heroes of justice, and heroes of human rights. Songs have been composed about them. Books have been written about them. Films have been made about them. And, history will forever appreciate their gallantry.
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This is a definite must read for any cynical, misanthropic, and/or Satanic individual.
As a foot note: I believed in, and was moved so much by, this man's writings that I collaborated with Rev. Steven Johnson Leyba to produce background music for his passage "I Don't Believe", contained on page 37 of this book (...)
In it, the author puts forward some very interesting hypotheses. For example, he argues that it is creative frustration that is basically the root of all that ails society. To someone who suffers from it primarily, I guess it can look that way, and may even in fact be that way.
I'm not certain everything in the book is correct or the best approach to looking at the problem. But I think people struggling with these issues should read it thoroughly and decide for themselves.
In some ways a more masculine approach that Goldberg's Writing Down the Bones or Cameron's The Artist's Way, Pressfield anthrpomorphises artist's block as "Resistance", an enemy to be fought and defeated daily. Seems exhausting, and it probably is.
I'm currently looking around for really effective solutions to this issue. Most advice comes down to "just do it" but this book provides an interesting framework to think about the problem.
I would very much enjoy living in a world where the problem of creative block was solved comprehensively.