I bought this book 25 years ago when I started pottery and my well-thumbed copy is an important part of my studio. I'm a Canadian potting in Japan and though most of my students are non-English users, the photographs in this book speak thousands of words. It is laid out logically and the cross-section cuts of the whole process from entering the centered clay to finished work are everything a student or teacher could want in an instructional book. I was very pleasantly surprised to discover it is still available and my student is looking forward to having her own copy.

As someone who has just started to learn pottery in a class, this book gives detailed information that your teacher may not provide. Even if you are learning by yourself the step by step (very detailed) lessons by themselves gives the beginner good and easy to understand steps for success! Lots of great pictures too.

I bought this book for my wife who had just finished ten weeks of throwing lessons. She read the book and was able to improve her work in just a few practice sessions. She is so pleased with her new knowledge and skill. The fine detail and the pictures of sectioned pots were easy to follow. The accompaning text was clear and the summeries allow for quick reference.

We can only recommend this fine book to anyone that wants to improve their skill.

If I were starting out in the telecommuncations field, this would be the first book that I'd recommend that anyone read. It gives you a high level look at: what protocols do and are used for; what the primary access technologies are; a great description of the telephony system that provides the main infrastructure of the Internet; and, the primary transport technologies that are being used today.
Because this is a "crash course" book don't look for great detail in every topic, however, if you are looking for a compendium that covers the telecomm field all in one book then this is the book you need. My networking background has been mostly in the copper and fiber optic technologies, so I found the sections about the new 802.11 wireless technologies the most interesting. But some of things that I found unique for a book like this and most fascinating are the pictures of scenes and equipment taken inside of actual telephone central offices and the anecdotes about real life happenings in the telecommuncations world. For those of you interested in the state of the telecommuncations industry, you may want to go straight to the last chapter entitled "Final Thoughts" where the author gives some very interesting comments about the industry on a global view.
So if you have anything to do with telecommunications, be it as a user, CTO, IT manager, technology student, technology teacher, marketing or sales person of telecom or buyer of telecom, then this book should have a place on your desk.

This is a great book for both the beginner and the experienced practitioner in telecommunications. Steve presents a balance of the technical AND business issues facing telecommunications service providers and telecommunications service consumers. It's rare to find a book that combines both aspects so well. Steve's writing style is conversational and he neither overwhelms nor "dumbs down" the material. Highly recommended!

The author of Telecom Crash Course, Stephen Shepard, is one of the most interesting, knowledgeable writers in the field today.
Drawing upon nearly three decades of personal experience and research, he manages to turn what could be a dreadfully dull subject into a scintillating story of science, history and data communicaion hardware.

The content is up-to-date and well organized, the illustrations very appropriate and the index very thorough. Personally, however, I find Mr. Shepherd's sense of humor in the face of such weighty topics to be the best part of my reading experience.

Who else could work Vinton Cerf and Douglas Adams into the same narrative?

Mr. Shepherd uses ingenious metaphors to clarify difficult concepts, as he does in the excerpt below regarding conflicting world standards.

"Many countries play football, for example, but the rules are all slightly different. In the United States, players are required to weigh more than a car, yet be able to run faster than one. In Australian Rules football, the game is declared forfeit if it fails to produce at least one body part amputaion on the field...They are both football, however.In data communications, the problem is similar; there are many protocols out there that accomplish the same thing."

Mr. Shepherd manages to infuse what could be a terribly dry catalog of facts with cheerful, sometimes almost whimsical language that keeps the reader's interest throughout the most convoluted jungle of acronyms, jargon and obscure technical terminology.

I found the information in this text to be clear, logical and very helpful in leading me to a better understanding of the highly important field of 21st century telecommunications.

Buy this book, you won't regret it.

Kenneth Wade
Associate Professor
Champlain College

Out of quite a few books about Aikido that I own this is the one I return to most often. What sets it apart from other books is the demonstration of fundamental aikido techniques both with and without bokken. It concentrates on a small, but representative number of techniques. These are explained very well. Quality counts more than quantity. I have used the book to devise training lessons.

This book was actually recommended to me by a black-belt, Aikido student and I have never regretted it's purchase. I tend to study sword-styles, and Aikido offers several movements based on sword-fighting principals (as well as actual sword-fighting based on old samurai movements).

It also has a bit on the history of Aikido, breathing, meditation, the life of Ueshiba Morihei (the founder of Aikido) and a glossary of Japanese terms. The rest of the book is mostly dedicated to movements. All in all, this is a must-have for anyone even remotely interested in Aikido.

It's by far one of the best books i've ever read on Aikido. This books shows all the basics of classique aikido.

Great book with very nice pictures.

My initial reaction to The Art of Star Trek and it's hefty price was skepticism. Once I did purchase it and start running through it, the price could've been twice and I still would've bought this gem. The Art of Star Trek is a pure celebration of everything that Star Trek is and was all the way through it's publication date. It includes articles from the very beginning to the lastest on Voyager and Star Trek Generations. The pictures and drawings are stunning to say the least. This is a book you'll definitely want to add to your collection if you haven't already.

"The Art of Star Trek," by Judith and Garfield Reeves-Stevens, is to date the ultimate "coffee table" book for devoted Star Trek fans. This book, which was published in 1995, covers all aspects of "Trek" history up until its publication date. Through text and plentiful illustrations, the book celebrates the visual artistry that has been such an essential component of the "Trek" phenomenon.

The book deals with each of the specific series from the original until "Voyager," including both the often neglected animated series and the aborted "Phase II" series of the mid-1970s. All films from "Star Trek: The Motion Picture" to "Star Trek Generations" are also covered.

The amount and quality of items in this visual "museum" are astounding. There are behind-the-scenes photos, concept drawings, photos of models, prosthetic makeup designs, storyboards, movie posters from around the world, closeup shots of props, and more. Particularly interesting were the shots of certain props and aliens which were barely seen in fleeting shots, but which represent great imagination and artistry.

Also noteworthy are the drawings which document the evolution of both the original series "Enterprise" and the "Next Generation" ship. I was fascinated by the concept drawings of possible "Enterprises" for the aborted "Phase II" series, as well as by the rejected new uniforms for the first "Next Generation" feature film.

The concise but clear text is a good match for the wealth of glorious, full-color photographs. This book is, from start to finish, a visual feast for "Trek" fans.

How do you give five stars to "Maus: A Survivor's Tale" and then 5 stars to "The Art of Star Trek"? The two books are impossible to compare. Let me just say they both are excellent, and accomplish with great skill what they set out to accomplish.

Growing up, Star Trek was one of the things that inspired me to draw. The voyages of Captain Kirk and the Enterprise crew powered my imagination as certainly as antimatter reactions power Starfleet vessels. This ship, her captain, and the stories that they told took an impressionable kid and called him towards adventure. I drew Star Trek pictures, I made communicators out of cardboard, and I wanted to BE Captain Kirk.

The Art of Star Trek captures just that feel. For me, the visual part of this show has always been the critical component. With large, lush photographs, behind-the-scenes sketches, and a ton of pages, this is one of my favorite books, and one I page through time and time again.

This an excellent book giving a good insight into the history of carousels from their early beginnings. Crammed with beautiful photographs of the various animals and some rare photographs of the carvers and their workshops. A must reference book if you are into carousels.

A delightful book on a vanishing art form: hand carved carousel animals, sleighs, and ornaments. The color photographs are excellent. The background on merry-go-rounds and round-abouts is fun. The carvers and their companies are discussed in detail. Timelines, a directory, publications, restoration services, music, and a brief bibliography are included. I would have preferred an annotated bibliography, and citations of non-bound materials. In any event, this one is a keeper, and will give many hours of enjoyment.

I absolutely adore this book. The full color photos throughout the book are worth the pricetag, not to mention the extremely detailed history of the carousel and some of the more reknowned carvers. You can't pass this one up.

no hype. i couldn't stop laughing as i was reading this. and i mean laughing out loud. in a cafe. with everyone staring at me. but i didn't care. and i couldn't help it if i did. it's just too hilarious.

There is at least one author who may remind you of Stephen Leacock, namely Garrison Keillor of Lake Wobegon fame, but Leacock should be recognized as the ultimate master of quaint, bucolic humor. Leacock, who died in 1944, became arguably the most prominent Canadian humorist of his day (and probably of all time). What is ironic about that claim is that Leacock worked for most of his life as a professor of economics. We do not usually equate economics with humor, preferring to think of that profession as one of bow ties and supply and demand charts. Throw that presumption out the window and pick up a copy of "Sunshine Sketches of a Little Town," Leacock's best known work available through the New Canadian Library series.

For me, one of the funniest sections of the book was the introduction written by Leacock, where he gives you some background about himself and his profession. This short piece of writing quickly gives you an idea of the type of humor you will find in the actual sketches: a very sly, very quiet and clever type of humor that often takes a while to sink in. Leacock does not rely on rim shot jokes or manic posturing in his writings. Instead, he creates the fictional Canadian town of Mariposa and populates it with small town archetypes that are wonders to behold.

All of the characters are hilarious in their own way: Mr. Smith, the proprietor of the local hotel and bar, full of schemes to earn money while trying to get his liquor license back. Then there is Jefferson Thorpe, the barber involved in financial schemes that may put him on the level of the Morgans and the Rockefellers. The Reverend Mr. Drone presides over the local Church of England in Mariposa, a man who reads Greek as easy as can be but laments his lack of knowledge about logarithms and balancing the financial books of the church. Peter Pupkin, the teller at the local bank, has a secret he wants no one to know about, but which eventually comes out while he is courting the daughter of the town judge. All of these characters, and several others, interact throughout the sketches.

Leacock has the ability to turn a story, to make it take a crazy, unexpected twist even when you are looking for such a maneuver. That he accomplishes this in stories that rarely run longer than twenty pages is certainly a sign of great talent. By the time you reach the end of the book, you know these people as though you lived in the town yourself, and you know what makes them tick.

Despite all of the crazy antics in Mariposa, Leacock never lets the reader lose sight of the fact that these are basically good people living good lives. There seems to be a lot of feeling for the citizens of Mariposa on the part of Leacock, which comes to a head in the final sketch in the collection, "L'Envoi. The Train to Mariposa," where he recounts traveling back to the town after being away for years, with all of the attendant emotions that brings as recognizable landmarks come into view and the traveler realizes that his little town is the same as when he left it years before.

I suspect there is a historical importance to "Sunshine Sketches of a Little Town." These writings first appeared in 1912, a time when many people living in the bigger Canadian cities still remembered life in a small town. In addition to the humorous aspects of the book, the author includes many descriptive passages concerning the atmosphere and layout of Mariposa, something instantly recognizable to anyone who grew up in such a place. Nostalgia for the simpler life of the small town probably played a significant role in the book's success.

I look forward to reading more Stephen Leacock. While much of the humor in the book is not belly laugh funny, it does provide one with a deep satisfaction of reading clever humor from an author who knows how to tickle the funny bone. You do not need to be Canadian to enjoy this wonderful book.

Perhaps the finest comment about Stephen Leacock in the last half century is that "he is a
Will Rogers for the 90's."

Rogers, of course, is one of the most beloved of American humorists -- he was killed in
1935 when his plane crashed near Point Barrow, Alaska. Leacock died on March 28, 1944.
Like Rogers, he had been Canada's favorite humorist for decades.

Sunshine Sketches is about Orillia, Ontario, Canada, where Leacock had his summer home
on Brewery Bay (he once wrote, "I have known that name, the old Brewery Bay, to make
people feel thirsty by correspondence as far away as Nevada.") His home is now maintained
as a historic site by the town of Orillia. I lived there for almost 30 years, and the people of Orillia are still much the same as Leacock portrayed them in 1912.

These stories about various personalities in town were printed in the local newspaper in the
1910 - 1912 era, before being compiled into this book which established Leacock's literary
fame. The people portrayed really lived, though some are composites; the events are of a
kindly humorist looking at the foibles of small town life. Once they came out in book form
and soared to national popularity, everyone in town figured the rest of the country was
laughing at them because of Leacock's book and he was royally hated in Orillia to the end
of his life.

Gradually, and this took decades, Orillians came to recognize that genius had walked
amongst them for several decades. (It's hard to recognize genius when your own ego is so
inflated.) Orillia now awards the annual "Leacock Medal for Humor" -- Canada's top literary
prize for the best book of humour for the preceding year.

Leacock died when I was six, but I did know his son, who still lived in town. I delivered
papers to the editor of the "Newspacket," Leacock's name for the Orillia Packet and Times
(where I worked) and the rival Newsletter. The Packet had the same editor in the 1940's as
when Leacock wrote about him in 1910.

But the book is more than Orillia; it is a wonderfully kind and humorous description of life in
many small towns. The American artist Norman Rockwell painted the same kinds of scenes;
it is the type of idyllic urban life so many of us keep longing to find again in our hectic
urban world.

Leacock realized the book was universal in its description of small towns, and in the preface
he wrote "Mariposa is not a real town. On the contrary, it is about seventy or eighty of
them. You may find them all the way from Lake Superior to the sea, with the same square
streets and the same maple trees and the same churches and hotels, and everywhere the
sunshine of the land of hope."

True enough, which gives this book continuing appeal nearly a century after it was written.
All great writing is about topics you know, and as a longtime resident Leacock knew Orillia
well. As for Leacock himself, he wrote, "I was born at Swanmoor, Hants., England, on Dec.
30, 1869. I am not aware that there was any particular conjunction of the planets at the
time, but should think it extremely likely."

He says of his education, "I survived until I took the degree of Doctor of Philosophy in
1903. The meaning of this degree is that the recipient of instruction is examined for the last
time in his life, and is pronounced completely full. After this, no new ideas can be imparted
to him."

In reviewing Charles Dickens' works in 1934, Leacock wrote what could well be his own
epitaph: "Transitory popularity is not proof of genius. But permanent popularity is." The fact
his writings are still current illustrates the nature of his writing.

In contrast to the sometimes sardonic humor of modern times, Sunshine Sketches reflects
Leacock's idea that "the essence of humor is human kindness." Or, in the same vein, "Humor
may be defined as the kindly contemplation of the incongruities of life, and the artistic
expression thereof."

Granted, this book is not what he recognized to have widespread appeal to modern readers.
In his own words, "There are only two subjects that appeal nowadays to the general public,
murder and sex; and, for people of culture, sex-murder." Yet, anyone reading this will
remember scenes from it for much longer than anything from a murder mystery.

In today's world, where newspapers almost daily track Prime Minister Tony Blair's dash to
the political right, Leacock wrote, "Socialism won't work except in Heaven where they don't
need it and in Hell where they already have it."

He described his own home as follows, "I have a large country house -- a sort of farm
which I carry on as a hobby . . . . Ten years ago the deficit on my farm was about a
hundred dollars; but by well-designed capital expenditure and by greater attention to
details, I have got it into the thousands." Sounds familiar to today's farm policies ?

It's what I mean by this being a timeless work.

Leacock himself noted, when talking about good literature, "Personally, I would sooner have
written 'Alice in Wonderland' than the whole of the 'Encyclopedia Britannica'." This is his
'Alice' and it well deserves to be favorably compared to Lewis Carroll's work.

By all measures, it is still the finest Canadian book ever written.

Today the business world has inherited the language of Yiddish. This is because most small businessmen used to be Jewish or worked with Jewish people. In today's world the businesman might be hispanic or black, but everyone still throws in Yiddish words.

Wouldn't it be nice to know what those words mean. This book will teach you Yiddish terms.

In the process learn about Jewish history and the history of Yiddish. They are not the same. Lean the difference.

I found the book very enlightening. So will you. I know the author personally and he is for real.

It is always a pleasure to get a little extra. It's even better to get a lot extra! When I read Meshuggenry, not only did it explain many Yiddish expressions that are as American as bagels, I also got a seasoning of the life and spirit that fermented in the world of Yiddish. Take Klezmer music. In a few pages you get a history of its origins and its continual and present reincarnations. Take Yiddish Food and Cooking. A little history, a nosh of Yiddish food terms and some mouth-watering recipes. There are chapters on Yiddish humor and theater, but it's the insight to the Yiddish language and soul that makes this very readable concise book very special. That's the little extra! Meshuggenary is not only enjoyable to read, you are let into Yiddish insights that are still evolving. After wandering for many years from Brooklyn, to New Jersey, to California, it was good to read about my roots. Get off your tokhes and order a copy of Meshuggenary.

An absolute delight--the authors have produced a very lively academic book (which may well be an oxymoron). I wonder what early Yiddishists would say if they could now see what impact Yiddish (and Yinglish, etc.) have had on American speech, language and culture. I suspect that they would have been amazed at what they, their successors and G_d had wrought. Only in America. And you don't have to be Jewish to kvell at Meshuggenary which is a landmark success. It will not be easy in the years to come to challenge the depth, insight and completeness of the book.

I would say this is NOT the first book to buy or read for someone wanting to learn stage lighting design. The books does not cover the basic theories.

But - it offers a very good guide to the real-world contraints and demands of lighting. The author give very concrete and useful suggestions and advice. Analysing a complete design ('Hokey') step-by-step is a clever move. It is also the perfect book for those who want learn how to accurately document their designs to last nut and bolt. Even with my 20+ years in lighting and lighting design, I found this book a worthwhile addition to my collection of lighting textbooks.

This is hands-down the best book I've ever read regarding the process of designing and executing a lighting design. Other books do wonderful jobs of discussing instruments and electrical aspects, or how to create a design, but very few discuss the day-to-day paperwork and personal interactions involved in getting that design executed. This book addresses that subject thoroughly, discussing what documents to create, how to schedule time in the theatre, how to work with all the other folks involved in creating a production, and so on. Highly recommended.

Get This Book! This book has everything a aspiring lighting designer needs. Shelley clearly shows his thoughts with clear illustrations. The first page is his complete lighting design for a show!!Buy It!

Fantastic photography in another large book from Versace. This book captures the 'rock chic' glamourama which the late Versace excelled at creating. The association between 'Rock and Roll', and art is full indulged here creating a empirical illusion to the Versace dynasty. The glossy presentation of the images also adds to an overall feeling of luxury. The only reason I have not given this book the top rating is for its inclusion of Elton John - who makes me sick. So what if its expensive, luxuries like this don't come cheap. ciao,

Maureen Farquhar (maureenfarquhar@yahoo.com)

Gianni Versace was a designer who loved to push the envelope. His clothes were a mixture of extremes: sexy, sleazy, colorful, tacky, and elegant. One adjective you'd never find in a sentence with the word Versace is "boring." His clothes commanded--and often got--attention, which is why he was such a favorite among celebrities such as Madonna, Elton John, Liz Hurley, Courtney Love, Prince, Jon Bon Jovi and even Princess Diana. This book is a fabulous, eye-opening collection of vivid photographs of models and rock stars in Versace: from Prince to the members of British boy band Take That. Some outfits are more releaving than others, but they're all unmistakably Versace. Diana herself is also included in the book, along with a few words of praise for the designer. Tragically, Versace was murdered in the summer of 1997, but his spirit and influence live on. This book comes highly recommended. Drop it on your coffeetable, and your guests won't want to put it down.

A must have book for all Versace fans.

A beautifully written book -- Sansweet is the reigning expert on Star Wars (have all of his book, with the Scrapbook and Encyclopedia being my favorites). I just had some quibbles with some of the design elements in it but it's a wonderful edition to my library nevertheless.

Arguably, the most significant impact of Star Wars on popular culture was the merchandising of the movie into toys and collectibles with product far outgrossing the record levels the saga achieved in box office sales. Movie merchandise, and toys in particular, with long development times and short public attention spans were rarely seen as lucrative ventures throughout movie history. But in 1977, Star Wars changed all that. Steve Sansweet's book traces the development of the film into the most lucrative movie license in history, showing rare and unproduced toy concepts that were considered but abandoned. With beautiful photos from Steve's personal collection and rare photography from the Kenner archives, the reader sees and learns about the development of the property. When this book was released in 1992, it shook the Star Wars collecting world and still remains timeless today. I keep referring to and pouring through Steve's "Concept" book over and over again. Every Star Wars collector needs to own this book.

This book by Sansweet is not only a good reference book, but also a good read. Informative write-ups on Star Wars from its inception to its popularity. Displaying sketches from the film and models. From there it also discusses all the merchandising that came with the immense popularity that Star Wars recieved from its debut. Fun to look at all the pictures and old stuff and foreign artifacts from everywhere. Reccomended for the Star Wars fan and toy lover alike.