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Paintings, etchings, drawings, and photographs illustrate in no uncertain terms would hate has done to this country. More than that the pictures combined with the simple prose personalizes each inequity that is introduced. For example, "A Rose for Charlie" presents photographs of the community disrupted by hate, as well as that community's response to the hate. From photographs of hate speech scrawled on walls to portraits of citizens mourning the victim of a deadly hate crime present a view of America that could not be farther from the Norman Rockwell ideal we all wish this country would be. For those interested, a fictionalized account of this particular crime can be found in "The Drowning of Stephan Jones" by Bette Greene, which chronicles the death of the young man simply because of who he loved.
It should be an essential book for all classrooms.
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His perspective has added much depth to my own personal perspective. If you are a free-thinker, this book has value.
P.S. You may wish to check to see if the library has this one before you buy.
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There are poets who would gladly sacrifice large chunks of their time here on earth to be able to write a poem like the title poem, "What Work Is." This poem is astonishing in its power and its ability to make the reader feel the harshness of the work world, and at the same time begin to realize what work is, and what it isn't, and thereby uncover a well of tenderness and love that had been hidden away, unknown even to that very reader, until that moment.
"Fear and Fame" is my next favorite poem in this book, and it is a truly thrilling and moving poem, about having a soul and working in a soulless workplace. Gripping and absorbing and magnificent.
This entire book is structured for power, from beginning to end, and the reader feels empowered by it, by being made to experience and know the personal power that exists within, but apart from, the economic and societal power structures that be.
The language of this book is astonishing, and riveting. This book is a masterpiece.
This book has soul, in all the best senses of the word. Soul.
I recommend this book to everybody.
This is a short collection, consisting of four untitled sections. Section III consists of a single extended poem, "Burning" which is broadly autobiographical in character. The remaining three sections consist of a number of short poems with essentially two themes: the lives of the working poor prior to WWII and Levine's experiences as a boy growing up in Detroit. The poems with these themes overlap and are interspersed throughout the book with the earlier sections emphasizing vignettes of individuals doing the ordinary, desultory jobs that are the lot of most of us (such as "Coming Close", "Fire", "Every Blessed Day" and "What Work Is") while the latter section emphasizes Levine's Detroit experiences, the toughness of being a kid, his relationship with his brother, his love of boxing, and his exposure to Anti-Semitism. ("Coming of Age in Michigan", "The Right Cross", "The Sweetness of Bobby Hefka" "On the River".)
The poems are lucidly written with understatement and a lack of sentimentality which underscores the emotions and the passions they contain. It might be useful to compare these poems to the work of three other writers.
First, the poems reminded me of Walt Whitman, in their compassion for an attempt to understand the American worker. They lack Whitman's bravura and optimism, however, and content themselves with painting harshness and with emphasizing the tenacity people need to get by.
A writer with somewhat similar themes to Levine is the under-appreciated Victorian novelist, George Gissing in his books of lower class life in Victorian London such as The Nether World. Levine has a similar sort of attraction to the life of the poor, the unsuccessful and the down and out. He has at once a sympathy for his characters and a distance from them that Gissing seems to lack, for all his portrayals and descriptions.
A third writer is the late poet-nnovelist Charles Bukowski, a favorite of "underground" readers. Bukowski writes of ne'r do wells, prostitutes, and drunkards, -- as well as doing a lot of writing about himself. Levine has some of the same attraction to the scorned of society, but his people are the working poor, and their stories are told with restraint and dignity, unlike those of Bukowski, and also unlike the work of Bukowski, with literary skill and grace.
This is a book of poetry that has both the sadness and the grittiness of life and the toughness to understand and surmount it.
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Review: The cover draws the reader in: a brick wall, during night time. The title of the book appears above the wall, and below it, we see a looming shadow. In front of it stands Harry Houdini, his wrists and arms chained, a shadow across his face giving a mysterious look. But the shadow is not his. It is a man with a hawk-like profile, with a curved pipe in his mouth, a magnifying lens in his hand, and a deerstalker cap on his head. The plot is intriuging and hard to get away from, the suspense builds up to the point of nightmares, and the humour is side-splitting. Sure, it doesn't sound like Watson's voice, which Stashower tries to explain. And maybe it's a little irritating to us Holmes fans that it takes place in 1910 and claims Holmes is "nearing his retirement" (he packed up for beekeeping on the Sussex Downs in 1903), but it's not enough to take away a quarter of a star. I treasure this book more, knowing it's out of print. If you ever chance over it, BUY IT! For Holmes, Houdini and mystery fans!
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Still, this is a minor quibble. (A map would have been nice too). Harry Foster's casual employment in the mines, cities, and jungles of Peru are a classic of early 20th Century travel writing. Some might feel that his characterizations of Peruvian Indians, Peruvian "Anglo's, and the Irish are a bit harsh. However, he presents a well-balanced narrative of the country, and its types. This lost world (the 1920's) is a rough and tumble time, gone forever. A great loss. Foster preserves those days for posterity through his colorful writing and astute observations of people and cultures.
Many modern travel writers could learn from his unselfconscious writing style. The book never misses a beat. A combination of irony and genuine love of people, regardless of differing cultures, lifts this book out of the mundane. I highly recommend it.
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That is the title that I think this book should be because there is another mystery going on at the same time that eventually involves the Three Investigators with the mystery of the moaning cave. The plot is trying to see how or what is making the cave moan only at night and not in the morning. I really liked this book because it kept me reading, even when I wasn't supposed to be reading the book.
Certainly any of the "day" novels of Kemelman are a treat (the first was "Friday the Rabbi Slept Late") and on this particular "day" (Thursday) readers will not be disappointed. Kemelman's style is fast-paced and his detective revelations are logical, solid, and do not insult the reader. Clearly, he takes the time and patience to weave his tales--and they are worth the wait!