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All of the stories were wonderfully thought provoking and surprisingly deep for a sub-genre that has seen alot of fluff.
It's hard to find horse stories with a sci-fi/fantasy twist, and there are some good ones here. Four hooves up(haha)!
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One of the many things which make this series interesting is that the heroes are from Caesar's Rome. Rome is young energetic vibrant and, most of all, expanding at this time. They are transported to the Byzantine/Videssos Empire while it is in a period of decline. (If it were the real Byzantine Empire, it would be the final decline, but we can still hope for a revival of the Videssos Empire.) The decadence brought by a thousand years of Empire is sharply contrasted with the vibrant patriotism of our heroes who remain unknowing that this is the destiny of their empire too.
This isn't just a military book where the legion moves from battle to battle. This is a much more realistic and complete world where the hero is thrust into the middle of court politics, and has to fight to overcome the shear inertia of the Empire's slide towards collapse. The hero spends more time facing corruption, political intrigue, distrustful monarchs, intolerant monks, and tax collectors than he does facing mounted cavalry units.
I don't want to repeat the excellent review about the warfare in this series written by Robert, 12 MAR 99, under "The Misplaced Legion" (Videssos Cycle, Book 1). I would like to add though, that this is not a series about a general. This is not a David Drake/S.M. Sterling series about Belisarius. As Robert points out, the hero of this series stands in the middle of the battles, and seldom knows more of what's going on than immediately to his left and right. The battles themselves are mostly standup fights where two sides hack at each other. This is really much more realistic though. Most battles, especially in the Roman era, were fought this way. Even though nowadays it seems like every book we read is about Belisarius, brilliant generals with innovative battlefield ideas come along only once in a thousand years or so. Most battles are fought without them.
"The Misplaced Legion" (Videssos Cycle, Book 1) is followed by "An Emperor for the Legion" (The Videssos Cycle Book, 2), "The Legion of Videssos" (Videssos Cycle, Book 3), and "Swords of the Legion" (Videssos Cycle, Book 4). There are two prequel series about Videssos. The first is the Tale of Krispos series, beginning with "Krispos Rising." This is actually a two book story, which is excellent, and a third follow on novel which is very good. The other prequel, The Time of Troubles series, begins with "The Stolen Throne". This series is entertaining, but not really as good as the first two series.
Although there are ten other books about Videssos, there can never be enough. And there are only four books about the Misplaced Legion. There needs to be a sequel series not another prequel. Perhaps "Legion of Videssos: Next Generation" where Marcus's son, born and raised in Videssos, can become Emperor, with Dad and his Legion helping out of course. This could lead to a new golden age for Videssos, and maybe even . . .
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It'll guide you how to manage and combine all of the information you already have about W2K; analyze problem, how to prevent it and finally design a good system.
It's a great book anyway.
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"Some things/you know all your life. They are so simple and true/they must be said without elegance, meter and rhyme,/they must be laid on the table beside the salt shaker,/the glass of water, the absence of light gathering/ in the shadows of picture frames, they must be/ naked and alone, they must stand for themselves."
These lines capture many of the themes of this Pulitzer-prize winning book. The poems in this collection are deceptively simple, "naked and alone". They generally involve an incident or person, recollected by the poet from his past. The incident is recounted in bare unrhymed lines, without hyperbole or judgment. We are encouraged to see the incident, as we see the still life reproduced on the cover of the volume and to let it "stand for itself". The poems are elegaic in tone and the effect of the memory is generally one of deep sadness.
Many of the poems have a deliberately pictorial quality, as reflected in their titles, that remind one of a photo or of a painting in a museum. In many cases, the reader is tempted to conceive in the mind's eye a painting to accompany the poem. This is true, particularly, as the book progresses into its final section with its descriptions of the poet's mother ("My Mother with Purse, the Summer they Murdered the Spanish Poet"), father ("My Father with Cigarette Twelve Years before the Nazis could Break his Heart"), and others ("Edward Lieberman, Entrepreneur, four years after the Burnings on Okinawa") One of the poems of the collection is title simply "Photography". Ironically, this poem is less pictorial than many others. It relates a sad incident from the poet's childhood involving his Aunt, and others, and focuses on the ravages of time and memory.
The poems also focus on the role imagination plays in constituting our reality. The first poem of the collection "On the Meeting of Garcia Lorca and Hart Crane" relates a meeting between these two romantic 20th Century poets and alludes to Crane's apparent suicide in jumping from a ship bound from Vera Cruz to New York. Crane's tragic but romantic death is juxtaposed with the vision coming "to an ordinary man staring/ at a filthy river" as he contemplates not only Crane and Lorca but his son falling to his death "from/the roof of a building he works on." With a voice of irony, the poet asks us to "bless the imagination. It gives/ us the myths we live by. Let's bless/ the visionary power of the human-- the only animal that's got it--"
These poems have a multi-layered simplicity realized through an understated voice of sadness and illuminated by imagination.
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As a young woman (34 years old) and a mother of three (which qualifies me as a caregiver, I guess), my heart went out to these brave women, struggling to impart some small measure of kindness or at least relief of suffering to their fellow prisoners. Women and children are seemingly the most vulnerable when society engages in chaos, but the women caregivers chronicled in this book were apparently among the most intrepid of all. I believe they gathered strength from the acts of focusing on giving aid to others in the most desperate of circumstances. Anyone who is interested in what the human spirit can endure, and indeed, overcome, should read this book.
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I highly recommend Adler's book as a helpful primer on the subject.