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The sad moral of the story is that intelligence is not enough. A mind capable of creating characters and stories such as those that featured Sherlock Holmes and Professor Challenger could not see the simple ways in which he was being duped. The methods of the spiritualists are the methods of the magicians, and no training in physics or the other branches of natural science teaches you those tricks. If anything, such training may make you easier to fool, as experimental apparatus does not consciously lie and you are trained to trust what you see. Mercifully, Polidoro does not dwell on such topics as the fairy photographs that fooled Doyle, although they are mentioned.
The book held the interest all the way through, and one emerges with a much deeper appreciation of Houdini in particular, who inevitably comes across as the champion of experimental control, and therefore as the subtle winner of the debate.
While firmly in the Houdini camp of skepticism, Polidoro manages to treat Doyle with a great deal of deserved respect. The book gives many examples of how the two men tried to assist one another in psychic investigations (at least in the early years); and how Houdini's widow, Beatrice, maintained a relationship with the Doyles that was both touching and cordial.
Interesting and educational, Polidoro's dual bio is recommended reading.
In many of these pages, Doyle emerges as the more interesting figure because he was obviously a thoughtful and sometimes brilliant man, and it is a puzzle that he kept the belief in spirituality despite what seems to be overwhelming evidence (some presented by Houdini himself). He abandoned an insistence on proofs of religious ideas, probably in response to grief over the death of his son. He could not accept that mediums used trickery if he himself saw a demonstration he accepted as psychic. Houdini was interested in spiritualism probably because of a desire to contact his mother, but such contact never happened in a way that he thought was genuine. He repeatedly demonstrated evidence that mediums were just magicians to Doyle (who thought even that Houdini was using psychic means for some of his tricks). It would have easily have convinced Sherlock Holmes, but it never convinced his creator. When, after a séance with Lady Doyle who supposedly contacted his mother, Houdini maintained that he had never witnessed any sort of psychic phenomena, Doyle took this as a personal insult, and the friendship was over.
Houdini went on to organize against mediums, including lobbying for ill-judged laws to ban spiritualism. He also offered large amounts of money to anyone who could demonstrate "psychic" powers that he could not explain or duplicate. As Polidoro shows in an intelligent critique, this was a flawed argument; Houdini's ability to duplicate an effect would not prove that the effect was not originally performed in a psychic way. However, the offer lead the way for the more comprehensive one by James Randi, who currently offers a million dollars for a demonstration of psychic powers under controlled conditions. No prize awarded yet. Houdini died in 1926, and Doyle resumed a solicitous correspondence with the widow of the man who was "in some ways, the most remarkable man I have ever known." Doyle died four years later, believing still. Houdini did us all the service of a final test; he was, if it was at all possible, to return and give his wife a message agreed between them. Mediums did try to summon him, and if anyone could have escaped from the reaches of "the other world" to get her that message, the great escapologist would have managed it. It never happened. John Edward, and you other people who make money off other's desire to believe, please take note.
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Even though it's more than a decade out of date, "Harry and Wally's Favorite TV Shows" is still a valuable reference work for students of pop culture or just fans of classic TV. It covers a great many series that other TV books skip over, including series on PBS and shows imported from the UK. The idea of giving each series a rating from zero stars to four stars also sets "Favorite TV Shows" apart from other similar books. Better yet, the reviews are usually right on the money.
In fact Roger Ebert comes to mind when I read Mr. Castleman's and Mr. Podrazik's take one everything from the classics like I LOVE LUCY or half season duds like THE BRADY BRIDES. They clearly love television from a refreshing middle brow point of view and are able to convey that to the reader in a wonderful plain language. While the authors do tend to turn their backs on some interesting shows (70's cop shows, in particular, are greeted with a yawn), their reviews of ALL IN THE FAMILY, M*A*S*H, and even THE LONE RANGER are dead on and illuminating.
I hope the puplisher will give this out of print title another go around. Besides, I wonder what Harry and Wally think about SIENFELD?
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This book starts out with Harry doing his homework in the dark on his birthday. When he goes to the kitchen, a murderer called Sirius Black is being reported as and escaped prisionor and highly dangerous. The report doesn't say where he is from, and the Dursley's are angry. It turns out that Sirius is from the wizarding world and killed thirteen people with a single curse. He escaped from Azkaban, the wizarding prison, and became the only person to achieve that.
The whole book is based on his troubles in school and the extra security everyone seems determined to give him. In this book, Professor Lupin is intruduced and becomes everyones favorite teacher. Lupin has a mysterious thing going on in his life, but I won't spoil it for you. This book is a definate read, but I recomend reading the first two fist if you haven't already.
Reading 03
Book Report
Harry Potter and the Prisoner of Azkaban
Harry Potter and the Prisoner of Azkaban by J.K. Rowling is an instant bestseller. It is a book that everyone loves. No one can resist Rowling's mesmerizing writing. She uses vivid descriptions to make all of her characters come to life. In this book Rowling uses a sentimental ending and a theme of working together to capture every reader's heart.
The famous Harry Potter is returning to Hogwarts School of Witchcraft and Wizardry for his third year after spending a grueling summer vacation at home with his Aunt and Uncle. Harry's Aunt and Uncle are Muggles or non-magic folk. Harry almost got expelled for inflating his Aunt until she exploded. Luckily Harry didn't get in trouble. When he was only a baby, Harry was able to defeat the evil Voldemort. For this reason, people are worried that he will be the next victim of the escaped murderer, Sirius Black. Harry and his two friends, Ron and Hermione foolishly go looking for Sirius Black, only to find out something unexpected.
One reason that you will want to keep reading this book is because the characters are so memorable and life-like. Ron is Harry's best friend. He has a great sense of humor and is never afraid to say whatever is on his mind. Hermione, Harry's other good friend is somewhat of a know-it-all. She's obsessed with getting good grades and is a loyal friend. She and Ron are always getting into little verbal spats. Rowling admits that she based the character Hermione, on herself. Harry Potter's archenemy is Draco Mallfoy. Draco is a rich, spoiled "pure blood" wizard. This means that neither of his parents were Muggles. He is a classical villain. He teases Harry incessantly and pokes fun at Ron and Hermione too. He loves to bother Hermione about the fact that she is half Muggle. My favorite character is Albus Dumbledore who is the Headmaster at Hogwarts. I love him because in this and all the Harry Potter books, he always gives out good, real life, advice. The lessons he teaches are for everyone, young and old.
Harry Potter and the Prisoner of Azkaban is what a fantasy genre is all about. The magic in the book is infectious. One has to keep reading on to see what will happen next. It draws the reader so deeply into the story that he or she finds himself or herself dreaming and wishing that it were all true. A class in Potions would really liven up the school day for me! I could really get into a class called Defense Against the Dark Arts too. I whole-heartedly recommend this book for all ages. The best part about Harry Potter is that the books are a series so the magic never ends. I find it truly inspirational that this whole story was born out of the imagination of a woman who wrote it down in little bits and pieces, on scaps of napkins and papers. She was a single Mom who was struggling for the survival of her family and now her name is known everywhere in the world. Don't miss this or any of the Harry Potter sequels.
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Go to Billings, Montana.
Get a room high up [ south side ] in the 24 floor Sheraton Hotel.
From there watch the train pass by. Hear it's whistle and the clatter of the wheels as the train rolls along the tracks that lie between the historic Montana Ave. and Minnisota Ave. - the infamous " sporting district " of old Billings.
Papa's whorehouse still stands.
Look over it's roof to the Big Horn Mountains in the distance - and Cody, Wyoming and Red Lodge, Montana.
Then play ERNEST HEMINGWAY READS ERNEST HEMINGWAY.
Listening to Papa tell his story, " Saturday Night At The Whorehouse In Billings Montana ", will then be something special.
We only get to know her as "The Girl", a stunningly beautiful teenager from a fishing village, who is picked to marry the local aristocrat "Bendoro". She objects to leaving the safety of her home, but is given no choice by her poor parents. They consider the marriage proposal from the powerful man in the nearby city to be a guarantee for a future of prosperity and good reputation.
So she is transformed from a village girl to Mistress, confined to the large manor with all its power plays. No longer is she able to move around freely. She is not to take part in the daily work. Her only obligation is to serve her husband obediently whenever he decides to order her attention.
"The Girl from the Coast" is a fascinating study about the system of social classes, not only in Indonesia, but in general. Trying to understand, the girl repeatedly turns to the servant who has been assigned to her. Why is her husband away all the time? What does he think of her? Why are there so many secrets in the manor?
Slowly she realizes what is happening in her new life. Materially she has no complaints, but she has lost her freedom. In Bendoro's world women are just another piece of property, to be enjoyed for entertainment or as a piece of furniture. In time she will be discarded, as all Bendoro's previous wives have been.
Two years after her marriage, the husband grants the girl permission to visit her parents in the village. It is a shocking experience. Far from enjoying the freedom of her village, she is now treated diffently. In the eyes of the villagers she is no longer the same as them; rather she is nobility.
Thus Toer describes when she first meets her former family and neighbors:
"All eyes were upon her, but each time she looked into a person's eyes, that person bowed his or her head quickly, as if nervous because of her presence. The girl winced. She couldn't remember her fellow villagers ever having acted that way toward her. No, of that she was sure, and now she felt even more strange than before, separated from her kinspeople, like a monkey in a cage."
Pramoedya Ananta Toer is Indonesia's master novelist, well known for books like "The Buru Quartet" and "The Fugitive". He was also a much respected dissident during the Suharto era, spending years in Indonesian prisons. Mr. Toer has been mentioned a number of times as a possible candidate for the Nobel literature prize.
In his epilogue Mr. Toer explains that "The Girl from the Coast" originally was intended as the first volume in a trilogy of novels on the growth of the nationalist movement in Indonesia. However, the two other novels in the trilogy were destroyed by the Indonesian military. That being said, "The Girl from the Coast" stands perfectly well on its own feet.
Known to the reader only as "the girl", the principal character in The Girl from the Coast is profoundly affecting. This amazing young woman shines throughout the pages with an irrepressible spirit. Taken from her simple fishing village for an arranged marriage to a city nobleman, the girl leaves the safety of her parents to begin a life for which she is totally unprepared. She is isolated and frightened in an untenable situation where she has no skills. She has one servant, who counsels the girl in the ways of the household. But when the servant is dismissed, her husband becomes the central figure in her world, and her days are spent awaiting his visits. The girl understands that her entire world depends upon his good will alone. To her dismay, she is informed that hers is only a "practice" marriage, not binding at all should the "Bendoro", or master, choose to divorce her.
This is a story about powerlessness, the impoverished vs. the privileged in a society that turns a deaf ear to anyone not of noble birth. But the girl is extraordinarily courageous in the face of terrible choices and heartbreaking circumstances, yet hopeful, for her spirit burns brightly. Alone and isolated, she uncovers her hidden strengths and nurtures her independence.
The Girl from the Coast is sprinkled throughout with intimate descriptions that draw the reader into the somber air of the very rooms the girl inhales in her solitude. This novel ripples with the energy of the plot as the story unfurls in unexpected ways. We witness the girl's plight as she is thrust along a path into the future, one that is almost preordained by a system that denies the humanity of the disenfranchised. In spite of her trials, the girl triumphs as the embodiment of the will to survive and to live a life of contentment, if not fulfillment.
With each stroke of Toer's pen, this country comes alive, his vital prose full of love for the people and the land, the intensely blue skies, waves breaking against a beach, the sound of a young girl's heart breaking. He defines the bond of commonality found in all humanity. His seductive language is as fluid as poetry: "At that moment it was only the dancing wind that ruled the world. Time moved forward, sometimes creeping slowly, sometimes advancing in wild leaps". The Girl from the Coast will haunt this reader long after the last page is turned. Luan Gaines/ 2003.
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