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restaurant. My customers keep telling me how much they
appreciate the music.
The solos of this Dan Coates edition tower above all of the other popular edition books I own. Coates' arrangements allow the pianist to perform as a soloist. Rather than following the harmony of the original recordings like a drone, Coates' skillfully harmonizes and tailors these songs to beauty of the piano.
These songs are a joy to perform. Anyone who buys this book will have opportunity to sound like a professional.
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BTW, I went to MSU with Jef's wife. Hi Jef, Hi Patti!
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I've been Djing for several months and wanted to learn more about business planning and what I needed to do to start a business of my own. I found what I needed and more with this book and the Web site that goes with it. I highly recommend this book with its business and equipment tips and tricks.
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List price: $60.00 (that's 30% off!)
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The two aspects of the book I found most interesting were the evolutionary background of each feature of the face from the obvious (ie. the mouth) to the not so obvious (ie. the eyebrow) and his own philisophical meanderings into the standards of beauty.
He also discusses facial expressions, differences in facial structure among different races, comparisons to other species, facial augmentation including piercings and plastic surgery, as well as a brief and not too complicated study in anatomy.
My only caution is that I hoped that there would be more illustrations to accompany some of his text, but McNeill is a lively author and this is definately a good nonfiction read. I can't stress his thoroughness enough so that there's something in there for everyone, from the hardcore scientist to the curious layperson.
Apart from the deep interest of the topic itself, in the richness of the aspects addressed, the book is wonderfully written and this alone makes it worth reading. McNeill has the rare gift of an enjoyable, entertaining expression which translates into a fluent and brilliant narrative. There have been many pages where, like in a conjurer's trick, the author sprang up from the printed words and took shape at my side as a sort of domestic conteur, accompanying me while slowly walking around my kitchen's table where I use to read books in a slow, tacit peripatetic rite, away from the TV set and the PC. Since my childhood's years I have been almost totally incapable to read without moving: the phenomenon started with a rhythmic oscillation of the legs and went further through successive stages of mild agitation, until it peacefully settled into a stable circular - I dare say, mandalic - form of ambulation: maybe this quality of mine as a reader can be deciphered in some trait of my face, let's say, the way I laugh or the way I look at people when I speak close in front of them.
Who knows which mysterious relationships our inner world establishes with our faces and in which way they tend to show externally, when perceived by the others!
McNeill takes you in the heart of this constant link between souls and faces, between life and facial expression and appearance. But, although the book never descends to the level of an arid exposition of facts and findings, don't believe its content escapes the filter of a rigorous scientific approach.
On the contrary, each assertion, while light and elegant in its wording, rests upon a solid background of careful observation and experiment. Few books are so poetically taxonomic, only that definition and category disappear from view disguised in a masterful reporting. You pass from a detailed examination of facial muscles (now I know which one to blame for my forehead wrinkles: the corrugator!) to the typical clues which may give you away as a lying hypocrite. Anecdotally overabundant the book gets you acquainted with lots of characters and ideas picked up from a vast segment of the history of thought. Psychology, neurology, physiognomy, social behaviour and cultural traditions are all deeply searched in order to extract meaning out of faces. But perhaps the most important lesson you are taught is that when you cope with faces - of course starting with your own - you should be quite careful not to take all at its face value.
So my advice is: read this beautiful book, then watch yourself straight in the eyes in front of a mirror and honestly tell me if you really see the same person as before.
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