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"Dread Companion" begins and ends in a future where humanity had long ago reached the stars and scattered itself across thousands of planets. Terra itself is nothing but a half-remembered legend of origin.
Norton combines a theory of parallel universes with themes from folklore to create her story of a changeling who drags her brother and governess out of the twenty-fifth century AF (After Flight) and into the world of Faerie.
It's an odd amalgamation, but I think it works well because her story is anchored by the governess, Kilda and her brave attempts to rescue her charges. Almost as soon as she meets the children, Kilda realizes that the girl Bartare has some kind of unnatural hold over her younger brother, Oomark. The governess does everything she can to solve the mystery of Bartare's invisible 'Dread Companion'---invisible that is, until Kilda and her charges are yanked into Faerie.
Kilda has to drink the water of Faerie before she can even see properly. The boy Oomark stays with her, but eats freely of alien fruit. When Kilda finally regains her normal vision, Oomark has begun a physical transformation into a creature of hooves and horns---a faun. Kilda must now struggle to stay human, locate a gate back to the sane world of the 25th century, keep Oomark by her side, and find Bartare who has gone to join the Dread Companion she believes to be her true mother.
"Dread Companion" was published in 1970, sandwiched between the Witch World novels, "Sorceress of the Witch World" (1968) and "The Crystal Gryphon" (1972), as well as many other works by this prolific author. Norton fans will discern several common elements between her excellent Witch World fantasy series and this stand-alone SF novel. Examples: there are nurturing trees that are havens from evil hound- and vulture-like creatures; and Bartare's kidnapper turns out to be a Great One of the Light---not that it matters so unhuman is She.
I think if you can find a copy of "Dread Companion," you will read some of the best descriptions of Faerie ever written, even though this book is officially classified as science fiction.
Norton has written of a place that is wondrous, terrible, and truly alien.
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The ancient Mesopotamians come across as practical, no-nonsense people who, in contrast to the ancient Egyptians, weren't especially religious and believed in living life in the here and now as best one could. Although they did have a religion, it was mostly for propitiating various gods and deities who they hoped would bestow their blessings on them in their personal or public affairs. There was a concept of the afterlife, but it was basically a dark, dingy, netherworld where not much happened, it seems, and they regarded the present life as far preferable to it.
A good example of their practical approach to affairs is that marriage was a simple contract without much ceremony. Women could marry who they wanted and could divorce much as men could, although adultery was tolerated much less for women than for men. A surprising fact is how extensive their food and cuisine was. According to the writer of the chapter, the Sumerians knew how to make hundreds of different types of breads, soups, beer, and other dishes, depending on the ingredients and how they were prepared.
Overall, a fine book and addition to the practical history and understanding of the ancient Mesopotamians.
I would recommend this book, and Andre Green's other works ("The Work of the Negative"; "The Dead Mother", etc.) to any and all who wish to advance their understanding of the best of psychoanalytic theory.
Don't count your chickens until you've got them in your sack Fast Fox.
Fox counts to six, but there's more. He's going to need a bigger sack.
There are 10 little chicks sitting around the table loaded up with tasty party treats. Mother Hen is in the kitchen icing the cake. Good old Slow Dog is helping with the party games.
Let's play hide and seek, then its blind man's bluff. Now it's time for big bouncy castle.
Fox sees a perfect way to catch the chickens. One by one, they bounce into his sack as they tumble off the castle. The tenth little chicken was too scared to go bouncing. Slow Dog showed her how.
Slow dog bounces right on top of Fast Fox and all the chickens escapes.
We think the story is over. The party is definitely over and Fast Fox has gone home to his house.
But ! There is the Fox counting chickens again. He's up to 99.
Ah! It's in his dreams.
Young children will love the "Fast Fox, Slow Dog" books. There's is quite a set of stories in this series now.
The stories are fun. There is nothing too scary here, despite the Fox's sharp teeth and his insatiable appetite for chickens. Good old Slow Dog always comes to the rescue.
The drawings are bright and cheerful with clever layouts of text and pictures. Allan Ahlberg's kid's books have a broad appeal. Look for more of his books. You'll love them and so will the young ones.