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It contains a lot of information:
How to use a super 8 camera (the camera, the lens, the shutter)
how to light for film;
how to handle & how to edit a super 8 film etc.
It also contains very useful and clear information by chapters and also well illustrated. (In B/W photos and GLORIOUS COLOR!
the reprint of this book should be a MUST!.
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Many historical novels, perhaps most, focus on real-life, albeit dead, public figures who require the invention of minor characters to witness, narrate, and react to their erstwhile struttings. But sprinkled throughout "Acadie - Prelude to Derangement" is an ironic humor that flows throughout its pages but juxtaposed with the hardships the Acadiens faced with every challenge to their economic, religious, and political lives. And few historical novels will teach you actual history as well as this one. The authors make clear that only some of the characters are fictionalized, not the history itself. But they convey the bravery of the Acadiens well to do whatever it took to make a life for themselves in the new land. The sad thing is how the Acadiens were model citizens, but got caught up in a political and military conflict that turned their entire community into refugees almost overnight.
A strong plot and a vivid sense of place are never out of style, and the authors, Coleman and Dupuis, are very good at developing both. Coleman and Dupuis are adept at shepherding a large and colorful cast of characters through a complicated yet logical historical plot. And reminiscent of Conan Doyle, the authors can create lush atmosphere without resorting to overwrought description. Coleman and Dupuis are at their most effective, and engaging, when they shows us how fine the line is - if one exists at all - between religion and superstition; their 17th century is a mirror for our time.
Coleman and Dupuis have created an outstanding portrait here. It is a flawless trip, with the detail of good history, the blistering pace of events themselves and the charm of grand legend. I strongly recommend it!
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It starts with Andre being in manufacturing in support of the war effort, and a description of the German invasion as seen locally. There was a German anti-aircraft installation near where he lived which shot down several Allied planes throughout the war. Andre gets involved with the Underground when he decides to harbor some evading airmen. This involvement was not thrust upon him, he seeked it out. As his activities became known to people in the area, many of whom were sympathetic to the Allies, he became more involved with harboring downed airmen. He also became involved with the Passive Defense, an above ground French organization that did what they could to fight fires, discourage French and German looters, etc. While patrolling the town for the Passive Defense, they would simultaneously participate in Resistance functions like putting nails on the road at night to sabotage German vehicles and removing the nails in the morning. The looting and sabotage intensified during the chaos of the Allied Normandy invasion. The most violent thing he did in the book was to set a German truck on fire. I get the feeling that Andre may have participated in some violent acts but did not include them in the book.
In 1944 he was fingered by informers and arrested by the Gestapo, who beat him up very badly. The Gestapo gathered up other suspected Resistance members, and sent them together to the Buchenwald concentration camp. He and another prisoner were able to escape during a bomb raid while being transfered to another camp, and after a couple of weeks made contact with the Allied front.
I wish there had been more follow up on what became of the participants in the book after the war, and especially what became of the informants and collaborators. Maybe a later edition could add an appendix dealing with this.
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It is inevitable that specialists will find some of Wink's assertions weak and some arguments speculative. Given the imperfect record of the past available to us, no grand synthesis of this type can ever be without some weak spots. I personally felt uncomfortable with the repeated citation of traditions recorded centuries after the events they purported to describe, and the heavy reliance on the stories of Marco Polo. But I would still conclude by saying that this is a book that well repays the reading - it is simply bursting with ideas and information.
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According to the translator,Gide,immediately after writing AMYNTAS, began writing CORYDON, viewed by many as his masterpiece, which dwelt on the place of homosexuality in society and on the nature of human sexuality itself.
Awarded the Nobel Prize for Literature in 1947, Gide's notations are four separate texts documented by year and place. Translation from the original French is done by Richard Howard, a Pulitzer Prize winner and noted translator.