Este libro es una maravilla. Sus recetas son sabrosísimas, pero lo más importante es que del libro, puedes sacar tu propia lista de ALIMENTOS LIBRES DE CANCERÍGENOS Y PROTEGER A TU FAMILIA..
Tu esposo y tus hijos comen confiados lo que tu les das... CUÍDALOS, AMIGA MÍA ! CONFÍAN A CIEGAS EN TI !
Pero les quiero contar que, además, puedes vivir de por vida con este recetario, porque TE DA TODOS LOS INGREDIENTES PARA QUE NO ALIMENTES A TU FAMILIA CON PRODUCTOS PELIGROSOS, DE LOS QUE YA SE SABE QUE PROVOCAN CANCER... Y los platillos salen muy sabrosos !
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Profusely illustrated with doodles, sketches, caricatures and photographs, "Chuck Amuck" is a literary and visual delight. And, as an added bonus, there's even an actual Wile E. Coyote cartoon that you can enjoy without a VCR or a movie projector!
The book's only low point is that the foreword was written by Steven Spielberg, whose "Tiny Toons" and "Animaniacs" are little more than flagrant rip-offs of Chuck's (and Tex Avery's and Bob Clampett's) best material.
Part autobiography, part instruction, part tribute, this book shows us the man behind the screen, or should I say behind the pencil? We often wonder where a genius comes from - Chuck seems to say from anywhere. His mark on the development of the cartoon is undeniable, and monumental. But just as you cannot appreciate art fully until you know about the painter, so it is with Chuck's cartoons. I have a greater appreciation for the work that goes into developing these 8 minute masterpieces. Yes, it's true that Jones gave us some of the clunkers in the 60's as the Warner Brothers studio (and the MGM studio) animation division gasped what seemed to be its last breath. But it's all the more amazing that Chuck could produce such works given what little he had to work with. The world would be poorer were it not for the gives Chuck has given us, including Wile E. Coyote (super genius!),and the Road Runner, Pepe Le Pew, Marvin the Martian and many others. His style was distinctive, his contributions monumental and behind it all, he was a fascinating and talented man. This book stands as a tribute to this genius now that he's no longer with us.
Eso de que "para que el ejercicio sea bueno, te tienen que doler los mùsculos ", m e parece espantoso !
Aqui, haces el ejercvicio sentadito, caminando rumbo al trabajo y hasta en la oficina...
Mis compañeros de trabajo estàn asombrados de ver mis mùscullos..¡Y eso que comencè hace apenas dos meses ! ¡Ah, y ya no estoy panzòn !
Pues se acabó la barriga, Y NO ME FATIGO !
Vi el resultado en 4 SEMANAS
Se mueren por saber como le hago..pero es secretito: Hago mis ejercicios mientras voy en el coche rumbo al consultorio, cuando esoty viendo a un paciente y hasta hablando por teléfono !
Este libro ES LA BENDICION FÍSICA MAS GRANDE QUE EXISTE !
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DeRosa knows his stuff and his research is exhaustive. I would have to liked to have seen more storyboard to script comparisons and comments from other writers and directors but that probably would have changed the scope of the book (and the focus). Without tarnishing Hitch's reputation, Writing With Hitchcock makes a strong case for the importance of Hayes contribution to Hitch's film.
After they had a falling out Hitch would frequently dismiss Hayes contributions to his films in print( such as in Truffaut's interview with Hitchcock. Hitch was generally pretty good about recognizing the importance of his collaborators)
Luckily that bitterness can't color the fine work of these well matched collaborators. This book along (with the inteviews Hayes granted for the DVD editions of their four films) finally puts it all into perspective. It also allows one to celebrate the great art and entertainment of Hitch and Hayes.
In "Writing With Hitchcock", Steven DeRosa gives Hayes his long overdue credit. Hayes' contributions to each of the films are described in detail, as are the steps taken by the censors to reign things in - to protect audiences from the idea that Cary Grant and Grace Kelly would have premarital relations, or that Jimmy Stewart and Doris Day's boy was kidnapped, are just a couple of examples! Each film is gone over in detail from the writing phase to release, and the reader is given a chance to see the relationship between the writer and director blossom, and then die.
There are lots of anecdotes and a summarizing of both Hitchcock and Hayes' careers after they parted which is very illuminating, especially the potential sequel to Rear Window that Hayes worked on that would have been far more interesting than the Chris Reeve tv version. The final chapter is an analysis of each of the screenplays, and this was especially interesting to me as an aspiring screenwriter. Well worth the price of admission! I only wish it was in hardcover.
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If you read one book on politics this year, make it this one.
There's really not much on actually fixing the system - just a few sentences or paragraphs per chapter. I think that if the arguments for why these problems would go away under a proportional representation method were fleshed out, so we could more clearly see an alternative, I would be more convinced that winner-takes-all is to blame. The author apologizes at the end for running out of space to make these arguments, and doesn't include many references regarding them. So I will be waiting for the sequel.
¡URGENTE !, pòrque HOY mismo, estamos comiendo alimentos que nos sirven para que se nos dispare un ONCOGENE, o sea, una cèlula de càncer !