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The CD contains an audio tour, many examples, and software (QuickTime 5 Pro, full versions and demo versions of various tools) for Windows and Macintosh computers.
It's very useful book !!
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For me, one of the funniest sections of the book was the introduction written by Leacock, where he gives you some background about himself and his profession. This short piece of writing quickly gives you an idea of the type of humor you will find in the actual sketches: a very sly, very quiet and clever type of humor that often takes a while to sink in. Leacock does not rely on rim shot jokes or manic posturing in his writings. Instead, he creates the fictional Canadian town of Mariposa and populates it with small town archetypes that are wonders to behold.
All of the characters are hilarious in their own way: Mr. Smith, the proprietor of the local hotel and bar, full of schemes to earn money while trying to get his liquor license back. Then there is Jefferson Thorpe, the barber involved in financial schemes that may put him on the level of the Morgans and the Rockefellers. The Reverend Mr. Drone presides over the local Church of England in Mariposa, a man who reads Greek as easy as can be but laments his lack of knowledge about logarithms and balancing the financial books of the church. Peter Pupkin, the teller at the local bank, has a secret he wants no one to know about, but which eventually comes out while he is courting the daughter of the town judge. All of these characters, and several others, interact throughout the sketches.
Leacock has the ability to turn a story, to make it take a crazy, unexpected twist even when you are looking for such a maneuver. That he accomplishes this in stories that rarely run longer than twenty pages is certainly a sign of great talent. By the time you reach the end of the book, you know these people as though you lived in the town yourself, and you know what makes them tick.
Despite all of the crazy antics in Mariposa, Leacock never lets the reader lose sight of the fact that these are basically good people living good lives. There seems to be a lot of feeling for the citizens of Mariposa on the part of Leacock, which comes to a head in the final sketch in the collection, "L'Envoi. The Train to Mariposa," where he recounts traveling back to the town after being away for years, with all of the attendant emotions that brings as recognizable landmarks come into view and the traveler realizes that his little town is the same as when he left it years before.
I suspect there is a historical importance to "Sunshine Sketches of a Little Town." These writings first appeared in 1912, a time when many people living in the bigger Canadian cities still remembered life in a small town. In addition to the humorous aspects of the book, the author includes many descriptive passages concerning the atmosphere and layout of Mariposa, something instantly recognizable to anyone who grew up in such a place. Nostalgia for the simpler life of the small town probably played a significant role in the book's success.
I look forward to reading more Stephen Leacock. While much of the humor in the book is not belly laugh funny, it does provide one with a deep satisfaction of reading clever humor from an author who knows how to tickle the funny bone. You do not need to be Canadian to enjoy this wonderful book.
Will Rogers for the 90's."
Rogers, of course, is one of the most beloved of American humorists -- he was killed in
1935 when his plane crashed near Point Barrow, Alaska. Leacock died on March 28, 1944.
Like Rogers, he had been Canada's favorite humorist for decades.
Sunshine Sketches is about Orillia, Ontario, Canada, where Leacock had his summer home
on Brewery Bay (he once wrote, "I have known that name, the old Brewery Bay, to make
people feel thirsty by correspondence as far away as Nevada.") His home is now maintained
as a historic site by the town of Orillia. I lived there for almost 30 years, and the people of Orillia are still much the same as Leacock portrayed them in 1912.
These stories about various personalities in town were printed in the local newspaper in the
1910 - 1912 era, before being compiled into this book which established Leacock's literary
fame. The people portrayed really lived, though some are composites; the events are of a
kindly humorist looking at the foibles of small town life. Once they came out in book form
and soared to national popularity, everyone in town figured the rest of the country was
laughing at them because of Leacock's book and he was royally hated in Orillia to the end
of his life.
Gradually, and this took decades, Orillians came to recognize that genius had walked
amongst them for several decades. (It's hard to recognize genius when your own ego is so
inflated.) Orillia now awards the annual "Leacock Medal for Humor" -- Canada's top literary
prize for the best book of humour for the preceding year.
Leacock died when I was six, but I did know his son, who still lived in town. I delivered
papers to the editor of the "Newspacket," Leacock's name for the Orillia Packet and Times
(where I worked) and the rival Newsletter. The Packet had the same editor in the 1940's as
when Leacock wrote about him in 1910.
But the book is more than Orillia; it is a wonderfully kind and humorous description of life in
many small towns. The American artist Norman Rockwell painted the same kinds of scenes;
it is the type of idyllic urban life so many of us keep longing to find again in our hectic
urban world.
Leacock realized the book was universal in its description of small towns, and in the preface
he wrote "Mariposa is not a real town. On the contrary, it is about seventy or eighty of
them. You may find them all the way from Lake Superior to the sea, with the same square
streets and the same maple trees and the same churches and hotels, and everywhere the
sunshine of the land of hope."
True enough, which gives this book continuing appeal nearly a century after it was written.
All great writing is about topics you know, and as a longtime resident Leacock knew Orillia
well. As for Leacock himself, he wrote, "I was born at Swanmoor, Hants., England, on Dec.
30, 1869. I am not aware that there was any particular conjunction of the planets at the
time, but should think it extremely likely."
He says of his education, "I survived until I took the degree of Doctor of Philosophy in
1903. The meaning of this degree is that the recipient of instruction is examined for the last
time in his life, and is pronounced completely full. After this, no new ideas can be imparted
to him."
In reviewing Charles Dickens' works in 1934, Leacock wrote what could well be his own
epitaph: "Transitory popularity is not proof of genius. But permanent popularity is." The fact
his writings are still current illustrates the nature of his writing.
In contrast to the sometimes sardonic humor of modern times, Sunshine Sketches reflects
Leacock's idea that "the essence of humor is human kindness." Or, in the same vein, "Humor
may be defined as the kindly contemplation of the incongruities of life, and the artistic
expression thereof."
Granted, this book is not what he recognized to have widespread appeal to modern readers.
In his own words, "There are only two subjects that appeal nowadays to the general public,
murder and sex; and, for people of culture, sex-murder." Yet, anyone reading this will
remember scenes from it for much longer than anything from a murder mystery.
In today's world, where newspapers almost daily track Prime Minister Tony Blair's dash to
the political right, Leacock wrote, "Socialism won't work except in Heaven where they don't
need it and in Hell where they already have it."
He described his own home as follows, "I have a large country house -- a sort of farm
which I carry on as a hobby . . . . Ten years ago the deficit on my farm was about a
hundred dollars; but by well-designed capital expenditure and by greater attention to
details, I have got it into the thousands." Sounds familiar to today's farm policies ?
It's what I mean by this being a timeless work.
Leacock himself noted, when talking about good literature, "Personally, I would sooner have
written 'Alice in Wonderland' than the whole of the 'Encyclopedia Britannica'." This is his
'Alice' and it well deserves to be favorably compared to Lewis Carroll's work.
By all measures, it is still the finest Canadian book ever written.
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I love this book, this children's book...
Adults read children's books to children, but seldom pick one up for their own pleasure. They miss a lot by the omission. THE WEIGHTY WORD BOOK is an example of a book written for children that is delightful for adults, at least adults who love words.
It's written by three University of Colorado English professors and consists of a series of whimsical and enchanting stories about words -- selected words, useful and syllabic.
In the first story, for example, Benjamin Van Der Bellows, a bear "who did not know the things he was supposed to know" is moved each time he makes a mistake to an office on a lower floor. Predictably, he winds up in the basement. "So, whenever a person has been lowered in position or rank or office, we say that person has suffered an abasement."
There's an imaginative and articulate story about each letter of the alphabet. Don't miss this one -- it's for all ages and it's loads of fun.
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This book's has got it all. So you want women's liberation? Try bringing up your missionary family as a single mom in the mountains of Negros during a war. So you be a businessman? How about blowing up those sugar cane factories before the Japanese get 'em. You just like that war thang? This book will send you to the dictionary to look up all those really great technical submariner words and touch your heart as the bell is rung for each sub that didn't make it back. It's gotcha rooting for the good guys and holding your breath with the suspense.
So it reminds of a Royal Carribean Cruise ad with my own addition: Brag for Life! Get out there! Learn something!
P.S. Liked this book? Try a "A Peace to End All Peace." Get out there... learn something.
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Maureen Farquhar (maureenfarquhar@yahoo.com)
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Great work Mr. Tate!
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The main reason I bought the book was that it had license keys for QuickTime5 Pro for PC and Mac. Those keys costed [price] each at that time if one bought them separately (supposing they had both a Mac and a PC). So it was a good deal apart from the book content itself. An unfortunate thing is that the QT5Pro keys won't work with QT6Pro and that QT6 can't coexist with QT5 on the same machine. So I do still use QuickTime5 (Pro) on my machine...
The book also contains a CD with lots of material which is a must for books about multimedia and rich content (would be a big download for one to get from the publisher's website).
Another thing about such books are that they're usually not printed in color :(, obviously to keep the cost low