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Experience the fir trees and the crunch of snow underfoot from a distance. James Martin has captured the magnificence of this mountain.
John Harlin III complements the photography with text and has climbed many of the mountains in the Northwest.
I think we are about due for another visit!
It is so gorgeous in the Northwest. I don't want to live anywhere else.
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Mondrian's clever use of the conversational format serves a dual purpose - it is his attempt to convince the world at large, represented by the layman and the naturalistic painter, of the necessity for the new in art (specifically Mondrian's own); and presents in written form the contrast of opposites so necessary in Mondrian's painting, the pairing of the naturalistic art (the "tragic") with abstraction (the "universal").
This book is not for the casual reader, or for someone just beginning to explore Mondrian's ideas and work. Mondrian's writing style is at times lucid and straightforward, at others repetive and oblique, and this adds up to a dense read that requires much focus to appreciate. Mondrian's major contributions to modern art are all outlined in verbal form here, from the basics of Neo-Plasticism that he utilized throughout his mature style, to ideas that were so fantastic that they were not practical, such as his desire to make all his paintings in the space where they were to be displayed.
The book itself is quite lengthy: at 400 pages, this is not a quick read. While illustrations of Mondrian's paintings are included, they are not part of the overall page count, so the 400 pages are solid text. Each essay begins with a commentary that is quite helpful is placing that particular writing within its proper context, and the introductory essays by Holtzman and James are informative.
Overall, a great book chronicaling the development of one of the landmark styles of modern art, and the utopian, visionary thoughts of the man who dedicated his life to the world he had created, and to the hope that future generations would incorporate his idealistic beliefs into everyday life.
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Editor James Laughlin provides an "exhibition gallery in book form" for experimental and unconventional writing including a previously unpublished film scenario by Lorca, seven poems and a translation by the late Denise Levertov plus five zany parables from a young Russell Edson. This is fine reading with a historical look back into the early Sixties.
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It's true, a picture is worth a thousand words... but in the case of Brother Mickey's work, the words make the pictures even more alive. He takes the time to visit actual workplacs to capture details before beginning each "portrait." The attention to (and inclusion of)detail is magnificent and adds authenticity to an already marvelous work.
This book -- and its predecessor -- is a must for the bookshelves of religious eduators in all settings, and makes a great gift!
Can't wait for next year!