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"Some say, "I would feel better about God hearing my prayer if I were more worthy and lived a better life." I simply answer: If you don't want to pray before you feel that you are worthy or qualified, then you will never pray again. Prayer must not be based on or depend on your personal worthiness or the quality of the prayer itself but on the unchanging truth of God's promise. If the prayer is based on itself, or on anything else besides God's promise, then it's a false prayer that deceives you - even if your heart was breaking with intense devotion, and you were weeping drops of blood. We pray because we are unworthy to pray. Our prayers are heard precisely because we believe that we are unworthy. We become worthy to pray when we risk everything on God's faithfulness alone."
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Stackpole brilliantly shows the past carrer of Fel in the Imperial Navy, how he met Syal Antilles, Wedge's sister, and how it comes to be that Fel defects to the Rebels.
The story falls short in the cofusing final third, however. Not much happens and what does happen is very jumbled and not thought through. Then again, Stackpole isn't exactly the Master of the Hidden Plot. But it is well worth its cost in dollars in the first two-thirds; after all, I bought it.
The first part, 'The Making of Baron Fel', is definitely one of the most unique pieces of SW ever assembled. Picking up right where 'In the Empire's Service' ended, Baron Fel is in Rebel hands and through the interrogation chair reveals his life in service to the Empire in a mix of narration and flashbacks that could only be achieved in comic book format. Fel's story is indeed a compelling one and does the rare feat of presenting a clear philosophical case against the Empire.
It has also been both praised and criticized for its extensive use of cameos. I, for one, will do some praising, as it does help to tie the SW galaxy together. Appearances by people such as Tarkin, Thrawn, Derricote, Isard, and so forth are key to the story, while people like Post ('Family Ties')and Turr Phennir ('In the Empire's Service') serve to tie together pieces of Fel's life and the over all XWRS story.
The art by Steve Crespo is good, with well-done people and a good amount of realism. The spacecraft, while reasonably detailed, are nowhere near those of John Nadeau and his wizardry with technology. The whole thing, for better or for worse, has a rather crisp look to it, as opposed to the very dirty style of Gary Erksine.
The slightly longer second part, 'Family Ties' is a little of a letdown. The art has little detail and the movement isn't very fluid either. The story itself is alright, a bit of a nice breakaway after 'In the Empire's Service'. It opens in the aftermath of the Brentaal Campaign, where General Salm gives a little eulogy for the dead Aggressors and Rogues. Following is Fel's introduction to the rogues and greeting that is not too kind. Then Wedge send Plourr, Hobbie, and Janson to Corellia on a mission that takes up the rest of the story. The appearance by Kirtan Loor was a nice touch, enhanced even more so when Corran Horn and Iella Wessiri from Stackpole's novels take on roles as co-stars.
'Family Ties' was colored by Perry McNamee instead of the usual David Nestelle, and, call me spoiled, but it shows. One particular scene, if you read the dialogue, takes place at night, but you couldn't tell that by simply looking at it.
Overall, its is a key link to the rest of the series and is recommended for that and because of the very interesting look into the Empire provided by 'The Making of Baron Fel.'
The Making of Baron Fel is simply an outstanding comic. Basically it is, as the cover implies, the life story of the Empire's greatest pilot. It is told by Fel as he sits in a Rebel interrogation room, and really takes the guy from "Imperial pilot extraordinaire" to one of the most sympathetic characters to show up in the Star Wars mythos. The art suits the story perfectly, and we get to see a ton of familiar faces. There are cameos by Isard, Derricote, Thrawn, and Hal Horn, as well as a bunch of Rebels before they defected from the Empire. This comic also gives us a good look at how truly corrupted the Empire was, and why so many people were so willing to serve under it. There are also several surprises, including the identity of Fel's wife, as well as Fel's offer to the Rebels. This comic alone is worth the cover price of Blood and Honor.
Unfortunately, Family Ties does not fare so well. Janson, Hobbie and Plourr (shouldn't she be back on Eiattu by now?) go on a mission to Corellia to ensure the safety of Baron Fel's family. Along the way they bump into a few familiar faces (including Corran Horn and Iella Wessiri in their CorSec days, as well as their Imperial liaison and nemesis, Kirtan Loor), as well as a few old enemies of Fel's. I didn't mind the art style, except that the characters were changed. Plourr was never before a buxom, spandex-wearing type, and Horn's X-wing as well as Horn himself and several other characters were also somewhat butchered. There were a couple funny running jokes, but no particularly wonderful dialogue, and there was only one space battle, thrown in at the end almost obligatorily, and then only to show off Corran's skills in a fighter so that the Rogue could make some jokes about how he'd never be a Rogue.
The Making of Baron Fel was exceedingly good and definitely worth reading. Family Ties was not. I definitely recommend this comic for the one, if not the other.
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It's really well written too, and pretty amusing in places - the level of research is amazing - they even give notes showing where they got all their info from, so you can check it out for yourself. The stuff they got from Martin Landau and the two guys who wrote Ed Wood is incredibly interesting - a load of stuff I'd never heard about that film - some that isn't even included on the DVD's commentary.
Basically, this book's great. I'd read Burton on Burton (which is very good), that Pocket Essentials one (which is pretty good), that biography (which is really poor), and the "CHild's Garden of Nightmares" one (which is interesting, but doesn't cover nearly as much detail as this). NOne of these other books on Burton come close to this one.
It is a great analysis of each of Tim Burton's movies. It is written clearly and has information which I haven't read in any other Burton book.
I'm not just becoming a Burton fan, I have every other book on Tim Burton and I believe this one to be the best and most informative.
The book may not have the authors comments, but it is written in so much detail about each Burton movie that it doesn't matter.
If you want to find out more about Burton then this is the book you should get.
The book also includes quotes from people who have worked with Burton and from the man himself.
The length of this book proves that much time and effort went in to write this, and I think it was worth it.
I have found out some new things about some of his movies from reading this book.
So in my opinion I think this book is really worth buying!
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What he found is chilling and disturbing, and should make us wonder what happened to our "democracy": The government of the United States, among others, was deeply involved in the killing. And in a testament to Dr. Pepper's tenacity and skill as an investigative journalist, many of those responsible for King's political murder have actually admitted their complicity in the book (These facts do not 'give away' the plot, since this information is contained on the outside back of the book and because it takes a book of over 500 pages like this one to fully explain the enormity of the event it describes).
In fact, one of the men implicated in the assassination, witnessed the shooting himself and names the individual who actually fired the bullet that killed Dr. King (Hint: it is not James Earl Ray). Of course, this individual named names only after being assured by Dr. Pepper that he would be immune from prosecution for his role in the killing.
Dr. Pepper, through sheer persistence, an iron will, and a burning desire for the truth, has written a book that will grab the reader from page one, and not let go until the bitter (very) end.
The tale it so skillfully tells is a tragic one and is of epic proportions. But it is a tale that must be told, for if truth is to prevail in this world, as I believe it must, then books like this one must be written. I cannot recommend a book more highly than I recommend this one. Read it and prepare to be disgusted, frightened, saddened, and in the end, amazed and hopefully glad that the truth has finally prevailed.