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James Agee made his reputation writing sterling movie reviews for Time and The Nation magazines in the 1940's. Among other glories, he wrote a much-heralded essay titled "Comedy's Greatest Era" that helped to bring silent-comedy icons (most notably Harry Langdon) out of mothballs and caused them to be re-viewed and discussed seriously among film historians. He later went on to work on the screenplays of a couple of gems titled The African Queen and Night of the Hunter.
Unfortunately, many people who regard the critics Pauline Kael and Stanley Kauffmann have either forgotten Agee's work entirely or have assigned his own work to mothballs. But among the faithful are film director Martin Scorsese, who serves as editor of the "Modern Library: The Movies" series of film books. The series has recently reissued the AGEE ON FILM book, and re-reading Agee's work (or reading it for the first time, if you're lucky enough) proves that film criticism can make for reading material as compelling as any fictional novel.
Agee passes the acid test for any film critic: Even if you don't agree with him, his writing is so lively that you can't help enjoying it. His work ranges from three separate columns (three weeks' worth, in print terms) to Chaplin's much-maligned (at the time) MONSIEUR VERDOUX, to the most concise, funniest review ever: Reviewing a musical potboiler titled YOU WERE MEANT FOR ME, Agee replied in four simple words, "That's what *you* think."
If you want to see what high-caliber movie criticism meant in the pre-Siskel & Ebert days, engross yourself in this sprawling book. It'll make you appreciate the decades before every newspaper, newsletter, and Internet site had its own minor-league deconstructionist of Hollywood blockbusters.
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This is, by the way, the new updated version. If you've seen comparisons of the various Bible versions, the NASB generally is described as the most literal version (word-for-word accuracy) of the Bible that sometimes suffers in terms of readability for that very reason. I believe the reputation has been largely undeserved. But, with this version they have gone back over sentence structure, vocabulary, etc. with a view toward improving the readability and flow of the language. They have also removed archaic words like Thee and Thou. I think they have succeeded without compromising the accuracy of the translation. We now have a literal, word-for-word translation that reads with the best of the modern versions.
That said, this reading of the text really doesn't do justice to the version. Stevens sounds like a radio announcer--as he is according to the credits. In fact, he kind of reminds me of Ted Knight from the old Mary Tyler Moore Show, or maybe Gary Owens from Laugh-In. You know, the announcer trying to sound like an announcer rather than simply announcing. It is difficult for me to listen through his sometimes heavy inflections to the underlying message. I do feel that Stevens could pull this off though. Occasionally, through the books, he backs off a little and just reads rather than "narrating". When he does so, he's fine.
I'm afraid I may have been forever spoiled by Alexander Scourby's reading of the King James Version. Scourby has aptly earned the appellation "The Voice of the Bible". You GET the Bible, Scourby remains in the background. It is a masterful work. Unfortunately, Scourby only recorded the King James Version before his death, so we are forever out of luck for the modern versions.
This is currently the only game in town for the updated NASB so, if you need an audio bible of this version, this would be the one. It's listenable, just not all I'd like it to be.
At first I just wanted to listen to the Bible in the car, but this turned out to be a very effective way to memorize scripture as well. Also, you will get a much better picture of what God is saying, because you tend to listen to several chapters at once (because Ephesians is only 20 minutes, Romans is 60 minutes, etc).
So in summary, this is great for
1) memorization
2) comprehension
3) "getting the context"
There's nothing like listening to the pure word of God!
I heartily recommend listening over and over and over. My CD's are on order. My other wish---package both CDS and DVDS together. Good idea, no?!!
Thank you Lockman or whoever is behind this!!
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Martin takes us up some of the major peaks, from gentle Ruth Mountain to gorgeous Mt. Shuksan and from massive Glacier Peak to the rugged ridges of the Pickets. In between, he devotes a chapter (the best in the book) to poets Kenneth Rexroth, Jack Kerouac, Gary Snyder, and Allen Ginsburg (one of the only major Beat poets not to cultivate a life-long relationship with the Cascades). There's also a chapter on mountain wildlife.
All in all a great book not to be missed.
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Don't bother reading any of their other books, as they all seem to reiterate these first 200 pages
By far the best OO book on the market.
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Given Chatterjee's tremendous breadth on such issues as gender, class, and ethnicity, one would hope for future research by her about academic sinecures for bourgeois mothers of color.
Many people are unaware of this phenomenon. Recently, women of color are being exploited as diversified pawns in the playing field of white male academia. After culminating their rights to motherhood, they are, in effect, phased out of the academy. They are still paid a solid middle class income, of coure, but are petered into nominal positions, teaching, say, one course per semester, thus minimizing their significance within the department's political landscape. (They are permitted to work only about ten to fifteen hours per week.)
This is just another disgraceful example of the dominant white male hierarchy imposing its oppressions upon middle-class mothers of color.
Once again, this is an excellent book. I highly recommend it.
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Without the enlightning read of 'The OO Foundation' (Martin, Odell) the buyer might encounter difficulties to follow the discussions.
As the title clearly states, the authors discuss the applications, mostly pragmatic, of oo concepts and methods. This includes the realization of oo concepts in programming languages, their limitations, best practices.
The book is structured as a cook-book with powerfull how-tos not only for the application design but also for tasks of a software development process.
Please note that this book does not define any methods nor does it specify a software development process. It gives you a pragmatic view based on the rich experience of the authors - even today, six years after the book was first published.
A must read for every serious software developer.
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This is a great book for general fitness. It covers weight training sufficiently, but it is not a body building guide.
Interesting to me is that he spends three weeks discussing Chaplin's MONSIEUR VERDOUX, which is a most unusual movie and mostly forgotten today. This might be because he saw it as his only chance to write a poignant piece on the greatest living film artist, or it may be because he identified with the plight of mankind theme that Chaplin was reaching for. You can pick another reason, yourself, but it was a bold decision, because most critics panned the film (according to him) and most readers probably couldn't even see the movie in their small towns. It was as if he knew he would be writing for posterity. Like all critics, he cultivated his darlings. He saw much in the work of John Huston and was very skillful in his sizing up of TREASURE OF THE SIERRA MADRE. I was impressed that he predicted the all-time classic nature of the film, but also understood the studio system gimmicks that took away from the genius.
You don't have to be literary minded like W. H. Auden to enjoy this book. You'll like it, if you like movies.