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now recent obesession with gender "differences" and you will
see the world around you in a new light.
The book is pleasant and does not talk down to the reader
as many of the "gender difference" books do.It isn't
preachy or arrogant,instead it makes the reader think about
how the world around them has been so manipulated to keep
status quo thinking going.
This is not a gender differences book,it's a book which
let's us know we are all complex and not actually
limited by gender specific behavior,as the "researchers"
call "appropriate" behavior or apptitudes which people have
been labeled.
This time she takes on her own scientific field, exposing how blindered, sexist, heterosexist, and flat out stuck and harm-inducing it has become. Given that she presents her arguments in the body of the text in a very reader-friendly language and style, and has nearly a separate text of endnotes of hard-core feminist critical analyses ta boot, we've got in this great work of hers a text reminiscent of Virginia Woolf's "Three Guinneas."
Anne Fausto-Sterling's special interest this go around is science's primary complicity in the (hetero) sexing of psycho-medically dominated and controlled bodies. She provides one of the best feminist analyses of Gender Systematicity as the key politically shaped, shaping, and biased torture device for transsexual and intersex people today.
This is a very important text for sexology, feminist, gender, queer, US, cultural, and transgender studies, history of science, and anthropology of medicine and science. It's a brave read, if not deadly on point. Probably best for graduate scholars, but should be required for any professional in sexology, gender specialist, or medical personnel before they lay one hand or idea of treatment on transsexual or intersex people!
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Clear, well-directed photography shows you exactly what to do and what your ingredients should look like. The focus is on methods and techniques, not recipes, though there are some recipes too. The skills described range from boiling an egg to making the most sophisticated souffle, so there is useful information for really plain cooking to fancy gastronomie and everything in between.
The only area this book falls short on is the nitty-gritty basics like how to measure flour or bake a potato or calculate how many tablespoons in a quart. For that, get yourself a copy of the Joy of Cooking (1962, 1963, 1964 or 1975 edition much better than modern "improvements"). With these two you'll have virtually all the info on how to cook (aside from specific ethnic cooking techniques), and can focus on collecting recipes to your liking.
I believe that this book is the perfect book for the beginning cook with step-by-step instructions for making omeletts, peeling shrimp, chopping onions, etc...
I also believe that this is the perfect book for even the most experienced cooks as it demonstrates complex techniques in very straight-forward, illustrated terms. Topics like making aspics, pastries, cleaning monkfish, piping chocolate decorations...
This is the book I go back to time and time again. Pretty enough to be on the coffee table as long as your living room is close to the kitchen!
There is no doubt that this is a "magical" love story, on several levels. A book that anyone who enjoys romance novels would enjoy. More specifically though, this is a book that any dog lover will really relish, and any Basenji owner will be unable to put down. It is easy to identify so much Basenji behavior!
All in all a delightful read that will make you think, warm your heart, and wet your eye.
I really didn't want the story to end so soon!
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Unfortunately, unless a person is willing to spend countless shopping hours and a couple of thousand dollars building up collection of Brazilian records, he or she will gain almost no insight from this book into what the music feels like. The authors describe individual works and artists in only vague terms - terms often identical to those previously used to describe others. They beat the term "syncopation" into irrelevance - it's clear only that all Brazilian music is syncopated. The authors habitually refer to folk music genres and song forms ala "Composer X's work is all based on the Y song form..." But they provide no practical examples or definitions of those genres or forms.
The authors stridently dumb-down their text, accepting as axiom that one has to "hear it to believe it" and that it is meaningless to describe Brazilian music in technical terms. They generally refrain from even using common musical terms - bar, measure, pulse, key, etc. - to give the reader a clearer understanding of Brazilian rhythmic and harmonic structures. They use few effective musical comparisons or verbal metaphors. It is understandably difficult to describe music in writing. But it is possible. Judicious use of metaphor, comparisions, and technical descriptions would have greatly fleshed out what in the end comes off as a skeletal text.
This 1998 edition serves as the update to the first, apparently published in 1990 or 1991. However, the amendments appear to have been quite minor - embodied by an isolated paragraph here and there, and four meager pages in the final "More Brazilian Sounds" chapter. It's as if nothing has really happened in the evolution of Brazilian music since 1990 - an impression that must be wrong.
The Brazilian Sound catalogs decent research, but is neither good writing nor effective music history.
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"Sleep Tight" is about a serial killer who kills young beautiful girls in some place of USA. The killer doesn't leave behind a single piece of evidence, no trace whatsoever. The local police doesn't have a clue of who the killer is or what his motives might be. In view of this lack of knowledge, the local police calls in an FBI profiler (Mary) to help catch the killer. Mary's sister happens to be a local police officer and the two sisters, putting aside their old mutual resentments, join forces to stop the killer and restore peace to the little town.
The psychology and personality of the characters are coherently and reasonably well described, with one exception: THE KILLER!!! A real serial killer is, otherwise, a normal person who doesn't talk to dead rotten bodies thinking of them as alive. A serial killer as methodic and intelligent as the one described in the book (that never leaves behind any trace and fools the FBI profiler), doesn't turn himself in and then blow his brains out!! In summary, the serial killer portrayed in "Sleep Tight" is unreal and ridiculous, in the sense that serial killers don't behave like that. (If you want to know about the psychology of serial killers, I recommend the book "Dark Dreams", by Roy Hazelwood.) In an attempt to describe a really twisted guy, Anne Frasier screwd up and ended up with an absurd character devoid of realism: a methodical serial killer who doesn't distinguish between reality and delusions. Psychopaths and psychotics are two very different kinds of animals and Anne Frasier doesn't seem to have it clear.
Another thing that I didn't like is that the profile written by the FBI profiler (Mary) is useless to catch the killer. The killer wasn't even in the list of suspects that the local police elaborated based on that profile. Many pages in the book are dedicated to the killer's profile which is never used later in the story. So, the killer is finally catched due to a fortuitous event rather than to the police's investigative work. In this respect the story is a disaster.
Additionally, "Sleep tight" and "Hush" (the previous mistery book of Anne Frasier) have many parallels, too many in fact. It seems that "Sleep Tight" is just a (bad) variation of "Hush". By the way, "Hush" is a much better book. "Hush" is perfect, it has the right dose of everything. "Hush" keeps you guessing and chilled all the way through the ending, which is marvellous. "Sleep Tight" is just a rehash of "Hush".
I give two stars to this book though because the relationship between Mary and her sister is very entertaining.