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Seven-year-old Anna Zabrocky is excited about her first day in the second grade. She is also very curious about her new teacher, Sister Anne, an African-American nun. Anna has never encountered a black person up close and personal before. Therefore, she feels a little uncertain and nervous as she avoids Sister Anne's gentle touch of welcome on the first day of school. Soon all of Anna's apprehensions vanish as her classroom comes alive. Sister Anne's warmth and gentleness engages them in learning new things, sharing wonderful stories and telling hearty jokes. Just when everything feels perfect for the new school year, someone hurls a paper airplane that sails by Sister Anne's head and hits the blackboard. On its wings were written some very hurtful things. Not only did this cruel act bring a great deal of pain to Sister Anne's eyes, but a sense of guilt comes upon Anna as though she had crafted the paper airplane herself. It is how Sister Anne chooses to take this painful moment and turn it into a teachable moment that makes this book so great. By the close of the school year, it is obvious that the strength and courage of this teacher changes the lives of her students forever.
The lyrical movement of the text along with the dream like illustrations of a classroom and library from the 1960's enhances this story that much more. This is truly a beautiful book!
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Mother Love
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On the way home from a party fueled by alcohol, the car carrying Leonarda Baye, a musician, and her boyfriend, Harvard hockey star, Danny McPhee, plunges into the depths of the Charles River.
What follows in this beautifully written and moving novel is an exploration of death and the affirmation of life, mental illness and class struggles.
Pierce skillfully weaves themes of self-esteem, survivor's guilt, physical and mental abuse, and single parenthood all into one satisfying and haunting story with beautiful prose and a deep understanding and empathy for her characters.
While RAIN LINE may never receive the kind of attention that books on a best-seller's list will, it should definitely not escape the attention of any reader of fine, literary fiction.
Brillat-Savarin, among other roles, was the basis of Marcell Rouff's _The Passionate Epicure,_ a fictional book gently combining food and sex (naturally, as a friend of mine remarked, since it's French), which was widely read in English when the translation appeared in 1962. Marcella Hazan and (I believe) Julia Child cited it in their cookbooks. In his preface to the 1962 Rouff, Lawrence Durrell (himself a fashionable author at that time) explained that many in the Brillat-Savarin family "died at the dinner table, fork in hand" and that Brillat's sister Pierrette, two months before her hundredth birthday, spoke at table what are to food fanatics easily the most famous last words ever: "Vite! Apportez-moi le dessert -- je sens que je vais passer!"
Fisher's translation and notes are a lively part of this edition of Brillat-Savarin (happily reprinted recently). Some booksellers offer newer editions by different English translators; I don't know why. This semi-scholarly translation and editing, executed in France during the post-war period described in her autobiographical _Two Towns in Provence,_ was the work that established Mary Frances Kennedy Fisher among US gastronomic writers. Her later status as Official Food Celebrity encouraged journalists to cite her automatically (whether they had read her work or not), but at least this time, publicity and merit coincide.