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However, for all that I liked the plot, I simply couldn't warm up to the characters, especially Ellie. I felt she was much too passive; she'd never stopped being a victim.
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I've read all the Pern books over and over since I first discovered them in eighth grade -- _Dragonquest_ was the first book I bought with my own money. In the main, I really enjoy them. Anne McCaffrey writes well and her ideas are very original, particularly in the earlier books in the series. Some of the later volumes have not thrilled me, however. _Renegades_ I found particularly unmoving, so I picked up ATW with some trepidation the first time. But this is the Dragonriders series at its best, with all the characters the reader has come to know and love facing challenges with fortitude and even humour.
I don't argue that McCaffrey is a great storyteller. She is at her best in situationally-driven stories (rather than character-driven), particularly those where her charcters are put in a new, alien and/or hostile environment where they must develop the skills to succeed in various tasks. This is part of what makes her Dragonrider series appealing to fans of straight science fiction as well as fans of fantasy. And as the basic theme of ATW, it makes for an absorbing read.
McCaffrey needs a continuity editor, however. As her world becomes more and more complex it seems she has trouble keeping track of the details. Unfortunately, I am the kind of person who is bothered by this.
Is Jancis a Mastersmith or a journeyman smith? She seems to be both, often in the same paragraph. And how did she come to be Fandarel's granddaughter when he formerly stated he had no wife, only his work? How did Sharra appear at landing to exchange a significant glance with Jancis, when before and after that single incident it was clearly stated she wasn't there at all? Why is Menolly telling AIVAS about her three children when in _Dolphins_ at a later date she is shown to be pregnant with only the second? How did Lord Oterel appear in _Dolphins_, long after the close of ATW, when he died before ATW ended? These are just some of the details that distracted me.
But, well, this is still a great book and one that really ties up the Pern series. I could only wish that Anne McCaffrey had ended here.
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However, Demetri's attempts to dig beneath Joanna's coolly beautiful exterior reveal few clues as to the nature of her relationship with his father. She's giving nothing away...except an unwitting sexual attractiveness that Demetri finds hard to resist....
Well-done story with good sexual tension between Joanna and Demetri. Two subplots thrown in; one about the father's health, and the other about Joanna' ex-husband. Joanna seems to have the upper hand-by that I mean she is not a doormat doing whatever Demetri wants. Her relationship with his father is nicely done and respectful. Try it.
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Curled up in my reading chair, having put my daughter to sleep, I felt ready to enjoy a sweet romance with Anne McAllister's July release, "Nathan's Child." Unprepared and definitely uninformed, I began a starkly realistic story of a single mother's struggle to include the long absent father of her child. As the characterization of Carin Campbell blossomed, McAllister deftly handled the reactions of Nathan Wolfe and Lacey Campbell as their own relationship develops. The depth of this book is impressive with its intuitive revelations and ability to make you care about the individuals.
Nathan Wolfe, thirteen years missing, from Carin Campbell's now in control life, suddenly appears wanting to be a part of his daughter's life. Lacey Campbell couldn't be more pleased. Carin on the other hand, has decided duty be hanged and Nathan with it. As Carin consciously begins mending the relationship between Nathan and Lacey, she and Nathan find family ties are not always the ones that bind. And that love can be the strongest bond of all.
Overall, "Nathan's Child" was well worth the wait for those who have been begging for completion of the "Wolfe Brothers' Trilogy." Check out the the Inconvenient Bride and Rhys' Redemption for the other Wolfe Brother's stories.
McAllister deserves high kudos for making this story so likable and in a short amount of time. She reels you in quickly and keeps her story believable the entire way through this book. It's hard to believe she manages it with so little time and with one of the oldest plots of all time. It's a remarkable talent!
You may resent the quickie remark, but if you are looking for a sexy but touching story, "Nathan's Child" delivers. Emotionally deep and stirring, it deserves all your attention (whether you read it before lunch or not)!
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Geyer presents a sweeping biography of Castro, from childhood all the way up to September 11. She offers real insight on Castro's psychology and crisply recounts events leading up the revolution. It is primarily a political history.
To me the most fascinating aspect of Castro's story is how easily he comes to power after starting out with such pathetically meager resources. His "liberation" of Cuba begins with a tragi-comic marine landing by a handful of hungry and confused rebels. Incredibly, by virtue of his irresistible personality, brilliant, bold, and ruthless tactics, and a hopelessly incompetent Batista regime, Castro takes control of Cuba. The story is remarkably similar to that of Pizarro's conquest of the Incas.
Two problems with the book. First, I think Geyer's narrative becomes quite sketchy after Castro reaches power. There's a lot going on, and she needs more detail to tie together all the political, psychological, and social threads of her story. Second, the writing is uneven: her descriptions of characters and events are passionate and dramatic, but her analysis is sometimes vague and hard to follow.
All in all, Geyer paints a pretty good picture of the Castro phenomenon. If you have never delved into this subject, you might be astonished at what's been going on 90 miles from the United States. Clearly, Geyer knows her material, since she personally knows many, many of the key political figures in Cuba and the United States. I think she is a very reliable source of information on a subject where reliable reporting is hard to find.
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In Jarrett's story, Sara Blake, brought up in India, has been reduced to being the governess to an eight year old child (Clarissa) who is an incredulous character to say the least! She behaves neither like an eight year old nor like a child of the early 19th century. Yeech! Lord Revell Claremont, younger son of a Duke, had the Great Misunderstanding with Sara many years ago and, over a Christmas house party, everything is sorted out. Sorry - I could not bring myself to care about the characters or their dilemma; they did not attract me at all and the story line was tired and not especially interesting.
Lyn Stone's story of a marraige of convenience, mystery children, mistaken identities, etc (every trite and well used theme you can think of) was played out in a stiff and what appeared to me to be a hastily written format. The prose never seemed to lift or sparkle as one might reasonably expect in a Regency Christmas story. Again, Bethany and Jack are not people I could get interested in; too one-dimensional for me.
Anne Gracie's story was at least better written. Again, a case of mistaken identity through the means of amnesia, this is the story of a man set upon and near death rescued by a penurious widow and her small daughter. Although the story was simplistic and credulous at times, at least Gracie has the manifest talent of writing prose that holds one's attention. I didn't think this was her best effort but at least one could care about the characters and one can at least be cheered when poor Ellie snags her Lord Rothbury.
I think Harlequin failed with this anthology. I love Christmas Regency short stories but this volume was flat, sometimes turgid and sadly filled with uninteresting characters trapped in uninspiring stories. Don't bother.
For Erin it was the last thing she expected but could she and her first love Deke really have a future together, was it a second chance for Erin's kids Gabriel, Sophie and Nicolas to have a dad and for Deke's adorable son Zack to have a mum and what about Deke's dad, stubborn John Malone, would it be to late for him to have a second chance to reach out to the son he had driven away.
We also get to catch up on some of the characters from Anne's previous books, so if you like reading about lone wolf cowboys, and warm loving families, then this is definitely a book for you.