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But the second reason is perhaps more important. Johnson makes persuasive arguements for integrating the act of writing with the making of books. The book structures provide creative points of departure that tap into visual and spatial modes of learning. Johnson gives sound reasons to employ such strategies in "publishing centers" found in many elementary classrooms. He gives many practical tips about what one can expect from various age-groups of kids and the degree of facilitation required by the adults in charge.
For a day to day reference and useful tool for unit and larger curriculum planning this is a gem. Johnson's second book, Literacy Through the Book Arts expands the theory dimension of A Book of One's Own. For teachers who truely want to pursue integrated curriculum strategies I highly recommend both of Johnson's books.
I have used Johnson's book to explore possibilities for both my kids' book-making projects (and facilitating projects in their elementary school classrooms) and those of my college students (I teach printmaking and book arts at the University of North Carolina at Chapel Hill)
Read Johnson's books and you'll be hooked!
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The content is divided up into subjects that are relevant for all writers. Even though it may not capture every new advance in technology (for that it would have to be revised yearly) it still provides content that is useful to writers today.
... I still use this book as a reference while I am work.
I think it would also make an excellent reference for technical people who find themselves writing documents and want a writing reference to turn to that isn't as long or as confusing as a style guide.
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Mr. Hochswender is, arguably, the best living writer on this subject. Besides an encyclopedic knowledge of the field, his style, witty and easy to comprehend, makes for a great read.
If you can acquire this book somehow, please do it. You will have deeper insight not only into fashion but also into male behavior in general.
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for apprentices. Ive been doing HVAC for 20 years and found
techniques that could be used as a refresher for journeymen or a begginner. Its not as in dept as a Roy Dossat Principles of Refrigeration but works well for people who are in the service end of the bussiness.
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The best part is a discussion early on about how to pack all the materials so you don't keel over from exhaustion, hauling too much art gear, along with the usual standard hiking goodies. (I especially needed help with that, given my childlike adoration of way too many pretty colors.)
The emphasis is on SKETCHING, not doing the Mona Lisa. This is important in outdoor work as light changes and speed can be of the essence. I sometimes pick up this book so that I can just relax my techniques a bit.
The examples in the book, in many media and in monochrome or color are a delight to view. Sometimes, it's just fun to sit down with a cuppa and flip through the nice drawings of objects and scenes in nature.
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The writer gave examples of 'loose drawing' in various themes, a good start for drawing from life.
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