I have been aware of this book with its' familiar title since childhood but I only recently read it. I feared it would be a dull dry-as-dirt retelling of war stories of forgotten dead men. I was pleasantly surprised. The book is not at all dull but
presents Graves war experience in an exciting fast pased way. I had to skim the first part about his childhood. Every biography has a dull childhood section dealing with the subject's juvenile trails and tribulations and conflicts with family members. I find these universally uninteresting.

Graves was 17 when the war started and volunteered for officer candidate school within days. He became a lieutenant in the Royal Welch Guards and eventually was promoted to captain in charge of his own company of infantry by age 21. Unlike
our present system where college is mandatory prerequisite for a young man seeking to become an officer, social standing determined that Graves would become an officer rather than an enlisted man.

Graves participates in several trench warfare battles. Trench warfare as Graves describes is a monotonous and dirty business. Rats are everywhere. Groundwater seeps relentlessly into living and fighting spaces. The men live in warrens of chambers cut into ground branching away from the main trenches. To break up
the monotony and to show that he's not a coward, Graves often volunteers for scout duty. He sneaks into no mans land at night to assess the enemy. On occasion the senior officers order suicidal attacks in which every man of the company must go over the top and charge fortified machine gun positions. Graves
tells of one attack in which his company was ordered to take part. Three companies go before his and each is destroyed with 100% casualties wounded or killed. Graves and his men are crouching poised at the top step of their trench waiting for their turn to attack when the attack is suddenly called off. In a later attack Graves is wounded by shrapnel and left for dead for over 24 hours before receiving medical attention. He recovers fully from these wounds but is assigned to training duty after his recovery.

Later parts of the book deal with Graves' first marriage, his education at Oxford, a failed attempt at shopkeeping and a post war teaching position in Cairo. I found these of less interest than the war scenes. Graves lived to age 90 and went on the write the immensely entertaining I, Claudius and over a hundred other books.

A sad commentary on our society that only the audio versions of this book are available. With the increase of interest in the First World War recently it is to this book that many people should turn for a gripping, factual account of life before, during and after the Great War. Mr Graves documents the pastoral quiet of England in the early part of the twentieth century and abruptly descends to recounting, in cold detail, the dreadful slaughter of the trenches. Through some of the most famous battles in history he survives, physically more or less intact but from the dry words; modest, English, reserved, we glimpse the true weight of the burden that such memories impose on their carriers and understand better the terrible toll that the War levied on all the nations of Europe.

Along with Sigfried Sassoon's "Memoirs of an Infantry Soldier" and Erich Maria Remarque's "All Quiet on the Western Front", Graves' personal account of poetic inspiration in a background of horror is World War I's best first-hand chronicle ever compiled. The realism and power behind this book are electrical. Graves' coolness in the trenches while composing sonnets and seeking a blissful state of mind is almost disturbing when contrasting it with the demonic state of destruction and death. His unnerving pace and tranquil descriptions seem to underline an innocence lost in years past.

If you've come from the Oracle mainstream like me, you're probably not even aware of the breadth of open source apps and tools that can be used with the database. You may have had an inkling from the porting of Oracle to Linux, and Oracle's adoption of Apache and modules such as mod_perl, but that's only the surface.

When I first spied "Oracle and Open Source" by Andy Duncan and Sean Hull, I was so intrigued that I had to buy it. I couldn't believe that there was enough out there to write a book on. How wrong I was.

The two authors have done an excellent job of collecting information on:

* Programming environments, tools, languages (Python, Perl, Tcl, Tk)
* Database maintenance tools - including Orac, Oddis (Tk);
* Web-based monitoring tools for Oracle (such as Karma, Oracletool) and the network too (Big Brother)
* Plus Open Source Java apps (even the Java isn't open source itself), Gnome/GTK+ and more.

The book's aim is to introduce you to the rich range of technologies rather than being the definitive reference. It provides enough to get the tools installed and to set you on your way. And once you're up and running, the authors list the web pages and books that will take you to the next level. I never knew so much was available, but with the groundswell of support from the Open Source community as evidenced on the Internet and in this excellent book, I'm learning fast.

I find the content exciting and very educational. I am a developer in the corporate enviroenment and mainly use mainstreem software. But this book opens a new world of knowledge and experties. The URL's are up to date and you can learn and explore what ever you like in the book extensively. It is useful stuff and can bring new skills to your CV.

Found this book very useful and a real eye opener for those who like myself believed that all your Oracle goodies coming from Oracle Corp. A set of Open Source tools and applications described in this book is amazing. In particular, DB Prism/Cocoon is something that I jumped in right away. Whether you are DBA, developer or just a plain user of Oracle databases, you will find something that will benefit you/your business. Money well spent.

Now, I'll admit, I was skeptical about a the new role playing game, Agent X, when I first heard of it. A table top game with a system that flawlessly translates into live action game play, that sounds too good to be true, right? Too good or not, its the truth. Agent X's simple and realistic mechanics made all the games I've played in run smoothly and only aided in establishing a mood of mystery and suspicion that kept players coming back for more. If you're looking for a new kind of game with all the right stuff look no further than Agent X.

Finally a game that allows players to step into the world of Agents like Scully and Mulder. A must buy for all X-Files fans. Why only watch the show when you can experience the world of the X-Files through this game "Agent X"? I am surprised that Fox hasn't approached these folks about licensing it as the Official X-Files Role Playing Game. I had a great time playing it at ConQuest and will be looking for Agent X games at all the cons I go to.

Agent X has a great new system that differs from all current roleplaying games on the market. It a must buy for any serious gamemaster looking for a new genre for their group, and an even more important buy for the first time and long time roleplayer looking for a new style devoid of fantasy world play. The content addresses the more realistic side of roleplaying giving you the rules you need to play a real government agent. A must try.

This book won both the 2001 Ruth Schwartz Award for Excellence in Canadian Children's Literature and The Mr. Christie Award for best Canadian Children's book for children ages 7 and under published in 2000.

This is a lovely story about the power, energy and wonder that love can create. It has been shortlisted for the 2001 Ruth Schwartz Award for Excellence in Canadian Children's Literature.

The Chicken Cat is a delightful fantasy picturebook tale about an old hen adopting a lost kitten. Stephanie McLellan's charming, entertaining story is wonderfully showcased by Sean Cassidy's lively and realistic artwork. The Chicken Cat will prove a welcome and popular addition to any school or community library picturebook collection for young readers!

The Herpetocultural Library is a series of small, inexpensive books dedicated to educating the public on the proper care and reproduction of selected reptiles and amphibians in captivity. The series founder is Phillippe de Vosjoli, and he has authored many in the series, and has recruited the services of other distinguished authors who have particular experience with particular animals. This book is an example of his utilization of two knowledgeable gecko enthuisiasts. The book is small, with 60 pages in total, but richly illustrated and full of useful and fascinating information, on selected members of the Gekkonidae, specifically the members of the genus Gekko, Ptychozoon, and Cyrtodactylus that are commonly imported via the pet trade in the USA. Specifically, the tokay gecko, Gekko gecko, is covered in great detail. The authors do a fantastic job in circumlocuting the information on care, feeding, housing, medecine, reproduction, natural history, and even folklore on these fascinating lizards. It is a must for any gecko pet keeper and enthuisiast. These wonderful animals deserve the best care in captivity, and this book gives a step by step guide to achieving this goal.

All to often, people buy reptiles without the slightest idea regarding how to care for them. That is where books like this one come into the picture. It tells the reader everything needed to properly house and maintain a healthy tokay gecko (or similar spp.), such as; proper size enclosure, how to heat the animal's home, what and how to feed it, and humidity requirments. An added bonus for me is the information provided on the flying geckos, which are my favorite species.

Good book for beginners. Loaded with information pics and much more. Good illustrations.

BUY IT :-)

I really enjoyed reading this book it was very interesting and adventurious. It was an average reading book and the words were not that hard to understand. I wuold recomand this book for sixth grade and up. I hope William Durbin writes more books like this I really enjoy reading them.

This fictional journal centers around 15 year old Sean Sullivan. Coming from Chicago, he meets his father. His father works for the Union Pacific Railroad in Nebraska. Soon, Sean encounters Old West Towns, mean workers, and prejudice towards Chinese and Irishmen. You'll also learn about the Transcontinental Railroad, one of our history's interesting subjects. This book takes you from Omaha to the meeting of the Central Pacific at Promontory Summit. Hop on board and enjoy for yourself, The Journal of Sean Sullivan. I assure you, you won't be disappointed!

The book was really interesting. Sean Sullivan like everyone else had to start as a water boy and work his way up: he worked as a butcher, then he shot rattlesnakes, then he laid down the rails, then finally he became a spiker. This way the reader could see what it was like to work at each job. Sean wrote in detail, but not so much as to be unrealistic. I liked the letters he got from his brother in Chicago as well.

Ahhh Paris. As a graduate student fortunate to be studying in Paris, I found myself falling into the dull routine of class and studying. I was failing to appreciate one of the prettiest cities on earth. This book opened my eyes to the multitude of interesting "trucs" around me in the Latin Quarter. Although some of the stories are more interesting than others, there is genuinely something for everyone's taste in this book. I now often study at the "Deux Magots" cafe due to its history and popularity with Jean Paul Sartres and Simone de Beauvoir that I read about. This book is wonderful for anyone interested in Paris, wanting to take a mental journey there, or a seasoned traveller who thinks they already know Paris. Anyone armed with "Paris Traveler's Tales" can discover the "Joie de Vivre" en Paris!

You can read this book before going to Paris, after going to Paris, or just to dream about Paris. Of the 5 different Travelers' Tales Guides I have read, this is the best. The writing quality is good, and there is a surprising diversity in viewpoints and experiences represented. It is as if the magic of Pairs inspired the editor's best effort. The essays/excerpts/stories cover such a variety of topics, from carousels to strippers to Napoleon to the French historical angst, that one really gets an insight into French mind and culture. If you have any interest in Paris, you will find this book entertaining and enlightening.

"çà, c'est paris"! is a popular french song from WWII period. Parisians sang it when Paris was delivered by US and french troops. This is the song I started whislting when I read the first pages and table of contents of this book. It's good to read paris guide books where you're not obliged to go through 50 pages of historical descriptions before you understand what paris is all about. This book is not dull. It is well documented even if this documentation has nothing to do with "classical" culture. It belongs to a tradition in French publishing business: collection of essays written by famous writers about a specific place. In this case, I do not know the writers (I am french)and am not influenced by their past works. One could imagine to publish the same kind of books with texts from Victor Hugo, Ernst Hemmingway and other famous writers.

The final book of the Galway Chronicles is a masterfully woven tale. Joseph Connor Burke is finally reunited with his wife and family after learning that he has been pardoned for treason.

Shortly after his return the potato famine begins. Joseph and Kate are faced with anguish and dispair as they try to keep their family and their people from starving. Their unfailing trust in God is what keeps them hopeful in this tormented time.
The addition of the Grogan family only adds to the story.

As you read this book you will learn more about the people of Ireland in the 1840's then you have ever before. The treatment of the Irish people by the English is deplorable. I was surprised that as the people of Ireland are starving ships are being sent to England full of grain and livestock to feed the English. Always new that the famine was horrible to Ireland but now I know the whole history of why it was so horrible.

I think I now have some insight as to why my Great-great-grandparents came to America.

As you read the books in the Galway chronicle you feel like you are witnessing first hand their joys and sorrows and their steadfast faith in God.

If you have not read the three previous entries in "The Galway Chronicles" series, you simply must read them first. But if you who have read them, you will not want to miss "All Rivers to the Sea", the immensely satisfying conclusion to the series. The novel commences where volume three left off, with newlyweds Joseph and Kate separated by adversity, and Kate expecting their first child. But there is hardship on both fronts. Away in London, Joseph finds his life threatened by murderers. At home in Ireland, Kate suffers the agony of the death of her own child. When Joseph and Kate are finally reunited, their suffering continues in the form of a potato blight which destroys the food supply of their staple produce, results in more suffering, pain and death. Even Joseph and Kate's marriage relationship is strained by sorrow and misunderstanding.

In "All Rivers to the Sea" the Thoenes not only portray the suffering of Joseph and Kate Burke, but also that of another family told in a sub-plot - the Grogan family. Suffering is epitomized in the Grogan family when they are cast out of their home, totally destitute. Daniel Grogan first suffers the loss of his wife, and then is forced to place his children in a workhouse. The horror of the workhouses is painted with stark reality, demonstrating the heartbreak of impoverished parents faced with death, and forced to part with their children by placing them in workhouses, where they suffered under the "charity" of a corrupt state church (p.117). The only light in the darkness is that one child of the Grogan family enters the Burke home. But even this is shadowed with darkness, because it occurs in a manner that has overtones of the birth of Moses (with the older sister watching the cast out child) and the birth of Jesus (with the family not finding room in the "inn" - in this case, shepherds). This is no coincidence, because the Thoenes make a strong connection between the suffering of believers and the suffering of Christ. Kate reminds herself that the scars of suffering "make you more like Him" (p.185), and some hungry children with simple childlike faith state that they must eat "The bread of Christ ... the bread of suffering." (p.199). And when the suffering are cast out of their homeland, they are reminded by angels "Remember Christ the Savior, the child for whom there was no room!" (p.302). The only flaw here is that Kate incorrectly insists that suffering must not be accepted as God's will (p.163), although what she means by this is correct: Don't be passive in suffering, but "Pray instead for a clear eye and a firm plan to bring your people relief. Work hard to make this hard life better for as many as you can." (p.163).

The significance of the title "All Rivers to the Sea" also has to do with suffering. Mad Molly says prophetically "We'll none of us survive! The river flows, don't ye know? It carried off man and beast, grass and flower, to the sea. Always to the sea! It's over for us." (p.153) Joseph later explains: "Life is about people, and not about things or places or land. A river that rises in the mountains only to die in a bog is a sad, useless thing, Martin. We must be like the stream that bursts through all dams and finds its way to the sea. To a new life in a new way." (p.270-1) And the angels admonish at the end: "Remember the River from whence you came! Remember the Sea which all are bound to cross one day!" (p.302) At the end of the novel there is some taste of justice and redemption. Yet the bitter taste of suffering remains, forcing Joseph and Kate and the people of Ballynockanor to take drastic measures to ensure their ongoing survival. With the last chapter of "All Rivers to the Sea", one chapter of their lives is at an end. The characters must move on to a new chapter, even if it is clouded with adversity and suffering.

Yet it is precisely this that makes "The Galway Chronicles" so appealing. Unlike many contemporary Christian writers, the Thoenes' do not offer us a "feel-good" pill with a "they all lived happily ever after" ending. In the "Galway Chronicles" they are not afraid to make their readers journey through the depths of tragedy and despair, nor to leave them with a bitter taste in their mouth. Some readers might prefer a fairy tale ending, but this is real life, not a fairy tale. And in real life, the presence of sin and suffering is ongoing, even at the end of a book. The solution is not found in a pretend perfect life, but the solution is found in the work of Jesus Christ who gives hope in the midst of a life of sin and suffering. The happy ending comes only when this last chapter of history comes to an end, and when He returns. In this sense the Thoenes' boldness in presenting a harsh picture of a life of suffering, and their refusal to provide a "happy" ending, is heartily refreshing. They do not do the gospel a disservice - as so many other writers do - by suggesting that believers on earth can expect happy endings here on earth, before heaven. These novels show that there is no heaven here on earth, but that the hope of heaven offers real encouragement in a life of earthly suffering. And that certainly makes them worth reading.

All Rivers to the Sea was a wonderful way to end the Galway Chronicles. Once more I was moved to laughter and tears as I followed the lives of the people of Ballyknockanor. Martin's character was fleshed out nicely, Corrie and Ceili's story made a heart wringing sub-plot, and Mad Molly was as wise, humorous, and prophetic as ever.

Though it's nice to think of Kate and Joseph living "happily ever after," I would love it if the authors would continue this story in a different series as they have done with their Zion sagas.

Williams and Dix are back on form in "Orphans of Earth" after the slow start of "Echoes of Earth". It's an action-packed book, full of secret plots and counter-plots, double crosses, mighty battles, and astonishing revelations. What makes it significantly better than the previous books is the developing depth to the characters (and they have become more likeable as well), plus a greater depth of context to the setting they operate in. There are also a number of hints of something big brewing and revelations to come.
To recap, the engram (computer program) explorers/colonists from Earth are spread around space, struggling to hide and survive as the miraculous technological Gifts of the Spinners are followed by the awesome destructive power of the Starfish. Caryl and Peter are trying to organise the colonists and build something for the future, in alternating conflict and concert with Frank, another engram who left Earth before it all went downhill, and a very alien fleet of aliens. Meanwhile, Rob is starting to find evidence that the Gifts might not be all they're supposed to be, while Lucia is making discoveries of her own all alone in space.
Yes, the writing/editing is a bit sloppy at times, and you can only hope that the series as a whole will be worth it in the end. But if "Orphans of Earth" is any guide, this series is definitely worth your time.

The Evergence series blew me away. Then, Echoes of Earth came along and surprised me with a different yet still very captivating story, leaving me just as anxious for the next installment as I had been at the end of each Evergence book. Orphans raises the bar on the storyline and takes unexpected turns.
I am not going to talk about the specifics of the story (You can certainly get plenty from the previous reviews) I just want to share my feelings on how much I enjoyed it. Dix and Williams may be my favorite authors. The characters are a joy to spend time with. The interactions between them are fantastic and realistic and I found myself voiceing my own opinions out loud as if I were in the room with the characters and needed to add my 2 cents to their conversations. Anytime I can get pulled into a story like that, I know I have found masters of weaving a great story. The perils that our group of humans are faced with are quite troublesome and yet their curiosity (and mine) remains strong even when faced with the possibility of thier extinction.

The worse part of this book was finishing it and knowing that I have to wait another year to conitnue the story. Fortunately, I knew that they were releasing a Star Wars trilogy (of which there is only about a month wait between books). I am about half way through the first of the Force Heretic series and the Dix/Williams style is shining through.
Now, if we can just convince them to bring us another trilogy in the Evergence Universe...I'd love to know more about the Dato Bloc and the High Humans!
If you haven't read the Evergence Series...buy them today! It's a rollercoaster ride you are sure to enjoy with an ending that caused great debate in my circle of readers.

Having felt a little nonplussed with the way the ending of the first book of the Orphan Trilogy, "Echoes of Earth" I was bowled over by this sequel- absolutely brilliant from start to finish! Just when I think it is getting harder for SF writers to come up with something gripping and original, Williams and Dix have done it in this book. There are numerous plot twists throughout, and many, many, MANY great ideas and 'didn't think that would happen' twists.

Probably the thing I liked best about this book though were the characters - they were real. Too many authors nowadays seem to have 'flawed' characters who obsess endlessly about their neuroses and you just want to smack some common sense into them. Instead, Williams and Dix have characters with some doozy of problems, and they way they deal with them are probably no different to the way the average person would deal with them. It makes it so much easier to relate to the characters!

Having stuck with Williams and Dix through the Evergence series (felt a little rough around the edges, although still an extremely good and novel series) I am so glad to see this partnership seriously hitting its stride now. These guys are great and I look forward to reading the final book and any new stuff, especially as so many of my other favourite authors are not producing so much anymore... Thank goodness there are still some excellent SF writers popping up!

This lovely short novel was written in 1939, and made into a movie with Joseph Cotten and Jennifer (appropriate name!) Jones in 1948. It's an odd, very haunting book. At times it is extremely beautiful and moving, though I don't think Nathan quite manages the ending: which isn't to say I can see a better answer. It's about a young struggling artist who meets a mysterious little girl playing by herself in a park. He befriends her and learns that her parents are high wire jugglers. Then she disappears, but reappears a few more times, always a few years older. After a while the artist realizes how strange things are (Jennie always seems to know). Basically, she seems disconnected from time. The artist's sketches of Jennie give him the break he needs to make his career, but before long Jennie is all he cares about. The book moves quickly to the inevitable ending. Parts of it, as I said, are haunting: the images of the lonely girl in the park bring tears to my eyes as I type. And there are some very fine lines as well. Really a very good book.

I first came across Portrait of Jennie in a BBC "Boy Meets Girl" play in about 1969, with the utterly wonderful Anna Calder-Marshall playing Jennie, and fell in love with both her and the story on the spot. (I found out later from the BBC that "the recording of this play is no longer in existence" -- vandals!)

I found a second-hand copy of the book in 1970. I foolishly lent it (complete with pasted-in treasured press pix of Anna Calder-Marshall as Jennie) to someone a year or two later, and didn't find a replacement till twelve years later. NO ONE borrows that. The author Robert Nathan (1894-1985) normally churned out (I'm told) undistinguished romantic novels; Portrait of Jennie (published 1940) was a one-off in its strangeness, wonder and beauty.

...

Do yourself a favour: read the book, and be haunted for the rest of your life.

This is one of the most wonderful love stories ever written. I first read this in 7th grade, and since then Robert Nathan has become my most favorite writer and "Portrait of Jennie" has become my most beloved book of all time. This is a timeless classic novelette. I am usually able to read this in one sitting, because the haunting story keeps me so hooked. The climatic, yet tearful ending only proves that love endures all things. If you ever feel depressed or hopeless, read "Portait of Jennie" and let it be your muse for inspiration as Jennie Appleton was Eben's muse during his time of hopelessness.