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Everything is clear and practical. Weak arches? Here's how to tape your feet to support them. Need heel cushioning? Use makeup sponges.
This is a must for anyone who runs hard. By learning to diagnose and treat yourself, you'll prevent injuries and improve as a runner.
--Pat / zippy@cs.brandeis.edu
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This book belongs in every distance runner's library, together with Coe's Better Training for Distance Runners.
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This book is an excellent addition to reading Etienne Gilson's "Unity of the Philosophical Experience" as Pieper gives further explanantions as to the behavior of the Augastinians and Latin Averroists. It could explain also why modern Muslims are so singularly textually dogmatic - it is in reaction to Averroist's attempting to rid religion of faith altogether - and thus the violent reaction in nixing reason and rationalism. It tells how Aquinas circumvented this problem. The last essay also compliments Gilson's book in that it shows what Existentialism has in common with Aquinas, some interesting things, despite some gapping fundimental differences at their very root and conclusion.
The first essay vividly descibes what an attitude of accademic pursuit and teaching should look like. Too many teachers are dogmatic and are only interested in pursuing and supporting an idea that is presently clear in their minds and propogating it, rather than treating the moment as an active pursuit of truth. Thomas was a model teacher and the book is an active discripition of his method.
The book also argues, with supporting evidence and reason, that Thomas' main work The "Summa Theologica" was intentionally left unfinished. Why it was left unfinished is at the root of what Aquinas was all about concerning philosophy and metaphysics - it is a process not a conclusion. Gilson's book describes what a conclusion is, as sometimes philosophers have rejected the idea that they have reached a conclusion, when in fact they have. Gilson effectively defines what a conclusion looks like.
Both are highly recommended books for Teachers, Historians, and Philosophers.
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This book is primarily concerned with St. Thomas' epistemological assumptions (which were taken for granted, hence the "silence"), what knowledge meant for the saint, and how and to what extent it can be achieved. Pieper tackles Thomas' seemingly paradoxical stance on essences, and whether or not they can be known, for Thomas maintains both that we cannot know God in His essence and that God's essence is His existence.
Pieper shows St. Thomas' beautiful conviction that "it is part of the very nature of things that their knowability cannot be wholy exhausted by any finite intellect, because these things are creatures, which means that the very element which makes them capable of being known must necessarily be at the same time the reason why things are unfathomable" (p.60).
All in all, this book is a fine look at Thomas' profound epistemology, so rarely discussed in philosophical courses today. If you have an interest in the philosophy of St. Thomas, don't pass this one up!
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For me, this book ended a long struggle to discover what St. Thomas Aquinas really taught about our knowledge of things. Pieper succeeds in reconciling Thomas's frequent statements that we cannot know the essence of any created thing with his repeated claims elsewhere that our minds are receptive of the forms (i.e., essences) of things.
While my attitude toward Pieper's understanding of St. Thomas's thought is not uncritical, I must concede that he is one of the best and most original (the two are not the same) of twentieth century Thomist philosophers. Unfortunately, he is sometimes (unjustly) put down by scholars as a mere popularizer. Let them read this book and be disabused; Pieper has much to teach them.
My ratings of other books by Josef Pieper: Guide to Thomas Aquinas ****; Leisure the Basis of Culture *****; Scholasticism *****
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This book talks about the different ways the blues were being stomped - driven away. Murray objects to the "purists" who limit their definition of blues to those played by rural - unsophisticated musicians (such as Blind lemon Jefferson or Leadbelly). While Murray acknowledges their value, his personal taste leans much more to the Louis Armstrong - Charlie Parker lineage. He concentrates on Armstrong, Bessie Smith, Morton, Young, Ellington, Basie and Parker.
Murray seldom uses the word "Jazz" when relating to the music or the musicians. For him they are all "blues drivers", who provide their public with a stomping ritual that is totally functional. Their innovations are a result of the attempt to fulfill their role, to swing harder, and not necessarilly a result of a personal desire, detached from their public role.
Murray differs from most writers who have written on the subject. He comments on the mainstream critics - criticizing their glorification and condescending tendencies. He does not emphasize the inner divisions among the African Americans, as does Amiri Baraka in "Blues People".
This is a remarkable book, recommanded to all "Blues and Jazz" lovers.
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he treats jazz as a classic art form, but an art form whose terms aren't the same as, say, european classical music's, or pop's. and he does a great job of spelling out what jazz's elements are. if you respond to his writing, you're likely to find the whole art form of jazz opening up before you, even if you dug it before.
bizarrely, albert murray is sometimes accused of having a "racial agenda" -- see other comments here. i don't understand why. i find his vision of race the most generous and noble i've ever run across, avoiding both antagonism and romanticism. (try his great collection of essays "the omni-americans," and see if it doesn't remind you of whitman in its breadth, humor and beauty.) in his vision, america is and always has been multiracial. that's its glory and strength, not its weakness. you'd be crazy not to dig duke ellington, and crazy not to dig thomas eakins. he's a great teacher, and can get you excited about art, performance, and ideas in the way only the great critics can -- pauline kael, for instance, or kenneth tynan, or matthew arnold.
the title "stomping the blues" refers to murray's contention that the blues -- and that african-american music generally -- isn't simply about moaning low or expressing your despair. it's about being honest about "what a low-down, dirty shame" life is -- and then setting that fact to a beat, moving to that beat, and shaking the blues off, if only for a while. that's the heroism of the blues and of jazz -- they aren't about giving in to the blues, they're about "stomping the blues." charlie parker? it's "dance music for the mind."
fyi, murray was a good friend of ralph ellison's, and fans of "invisible man" and of ellison's essays are almost certain to enjoy murray too. murray is often, and accurately, referred to as the intellectual godfather of the recent neotraditional movement in jazz. he has had a tremendous influence on stanley crouch and wynton marsalis, and his ideas are behind the founding of lincoln center's jazz program.
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Additionally, the plot elements weren't the same as most works that have a sports theme - which tend to be extremely predictable. DM continually surprised you and kept you guessing what was going to happen next.
One of the other reviewers questioned the ending. My first reaction was simply "wow", but then as I thought about it, the ending really fit - don't cheat and skip to the end, you'll kick yourself. The buildup makes the end even better.
I also agree with the other reviews on DM's character development, they were believable (which is so refreshing) and interesting - everyone seems to have their own "hero" after reading the book - the one character they were either rooting for or most interested in following.
A great read.
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My wife gave this book to me for Christmas. She stumbled accross it while searching for Lupica's new football book. Being a big sports fiction reader I was a little annoyed that my wife handed me something that; a-I never heard of the book and b-I've never heard of the author. I mean, I'm the expert! She makes her football picks based on who has the prettiest uniform(that technique, by the way, has made her some nice pocket change ;-)).
Well Mr. Murray is an extremely enjoyable read. His characters act like real people, all of them; the fans, the front office personal and of course, the athletes. The landscape, also, is well developed and the pace of the book flies at you. I was going to give it 4 stars because I wasn't sure how believable the ending was. But, that made me think about how very believable and enjoyable the book actually was. And after what has happened over the last couple of years: The ending may still be a little out there for some, others, like myself see it more as a something that will eventually happen.
Grab it and devour it!
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One of the most difficult lessons of the Christian life is how to patiently wait on God. In 1993 I devoted 30 minutes a day for one month to studying this book. This altered my life. Since then waiting on God has been one of the greatest joys in my life! It doesn't get any better than this!
Thank you, Andrew Murray and thank you, Jesus.