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Manent's project is to try to understand "modern man." But to do so confronts us immediately with a riddle. To understand modern man, we would seem first to need to understand man's NATURE; but then, if man has a nature, HISTORY should not matter, and there could be no deep difference between modern man and ancient man. Yet we intuitively know that there is a very real modern "difference." "Modern man" seems to be both a natural being and an historical being. How can we understand this paradox?
In pursuing this question with formidable dialectical subtlety, Manent has opened genuinely new ground in political philosophy -- or at least retrieved a possibility which has been eclipsed for several centuries. Manent has learned much from Leo Strauss, and it is perhaps readers of Strauss who will find this book most extraordinary. For Manent in effect takes issue with a central tenet of Strauss's political philosophy: the alternatives we face are NOT exhausted by those offered by "ancients" and "moderns." For such a structuring of the history of political philosophy fails to do justice to what is unique in Christianity.
Manent's singular contribution, then, is to recover the genuinely philosophical implications of Grace.
Anyone who has any health issues to monitor should have one of these every year. It would also be a great place to get centered and record personal thoughts or goals on a regular basis.
I can't recommend it highly enough.
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I worked through "A Course in Arithmetic" over a decade back. As I recall I covered Riemann's zeta function and the Prime Number Theorem, the proof of Dirichlet's theorem on primes in arithmetical progressions using group characters in the context of arithmetical functions, and some of the basic theory of modular functions. All of this material is also covered in Apostol's two books on analytic number theory ("Introduction to Analytic Number Theory", and "Dirichlet Series and Modular Functions in Number Theory"); Apostol goes further than Serre in the analytic part -- which is only to be expected since he is devoting two whole texts to the subject.
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Jimmy and Sally Oliver had been married just three months, and Sally couldn't figure out what had gone wrong. Before they were married, Jimmy had courted her with roses, and had been so gentle. But after they had said their "I do's" things started to go so wrong. He became totally controlling, and hit her for things that she didn't understand. And it was getting worse. But she still loved him, and thought that things would get better.
That was until she received a phone call from a woman who professed to be Jimmy's third wife. Third wife! Sally didn't even know that there had been one previous wife, much less three of them. It seems, according to the woman who called, that two of the previous wives had both died in "accidents". Accidents in which Jimmy collected rather large insurance proceeds. The "wife" on the phone said that she had found an insurance policy taken out on her, while married to Jimmy, and had run away, changing her name, in order to protect her life. She suggested that Sally do the same before it was too late.
Sally searched the house, and found an insurance policy, taken out on her. She didn't waste any time running. She ran to her brother, and he in turn let her close friend, and colleague, Julia Evans, know where Sally was. Sally decided to go to Seattle and inform the insurance company about what was going on, and perhaps find out about the previous wives. Fortunately, Julia insists on going along.
What happens from this point on is so scary. The reason being is that this can, and does happen across America every day. It will keep you on the edge of your seat.
Ms. La Pierre has done a wonderful job in bringing you into the world of domestic violence. A world that most of us cannot comprehend, as we have not lived it. She has shown why a woman would not leave the situation, and stay to be hurt, physically, and/or mentally, and even perhaps killed.
Ms. La Pierre also shows that there is help for women caught up in this cycle of violence. But mostly she shows how important it is to have support, and help, from both family and friends. With this support, the cycle can be broken.
I cannot recommend this book too highly. It is one that has an awesome story, one that will keep you up all night reading it. You will not be able to put this book down even for a minute. The characters are so real. From greasy, egotistical, sick Jimmy, to Eva Lindsay, who has found the strength to help Sally, and perhaps find out what really happened to the first two wives.
Ms. La Pierre does an excellent job exploring what happens to abuse victims, both emotionally and physically. She has woven this very important subject into a gripping story that is both very spellbinding, and at the same time very educational. One that you just have to read.
My only problem with THE DEADLY THORN is the fact that Ms. Sullivan hasn't come up with a new book yet. So I will just have to wait until she does, because believe me I will not miss any book she writes. She is one awesome, talented, author.
The narrative presupposes some acquaintance with Chopin's life and music, so those who are uninformed about the basic details might wish to consult a standard biography before turning to this volume. A superb bibliography and index are included, and Azoury gives ample information in his introduction and extensive notes about further sources to turn to. While one does not learn about Chopin's music from this volume, Azoury indicates that the book concerns Chopin's life, not his music, and that the compositions "are not, as sometimes suggested, a chronicle of his life." Chopin's work, career, and associations are rich enough to warrant still further treatments of these matters; we can be thankful that this volume takes us far as it does.