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It's been a long time since I've enjoyed a cast of such well-developed, interesting characters, and I literally couldn't put this one down.
Few knew the Duke had been murdered. Those few, which included Olivia, felt the Duke had gotten what he deserved. So the murder was covered up and kept quiet. The title fell to Andrew Thorpe, an American. Until he could settle his affairs and get to England, Livia was to be in charge.
Neville Thorpe, second in line for the title, was jealous. He stayed by his Aunt Olivia's side and took charge of everything in her for her. He used his time to plot and scheme ways of obtaining the title he so coveted. He was aided by Quinton's wicked valet, Antonio. Neville found Olivia to be easily controlled until ...
Clara Peabody was an advocate with the Ladies' National Association. She approached Olivia, a year after the Duke's death, about helping fight to help the suffering of the match factory ladies. Olivia's eyes opened to possibilities and she developed a backbone.
Willoughby Barnes was an unknown artist. Since his deceased father had worked in the Duke's garden, Will had grown up learning the trade. He was asked to design the garden around the Duke's burial plot. Out of money for paints, he agreed. There, Olivia and Will met and fell in love. Olivia felt true love for the first time. However, Livie was forty and a duchess while Will was in his twenties and a gardner. It could never work.
***** The author, Julie Beard, keeps the reader guessing as to who really murdered the Duke. At the same time, she succeeds in keeping romance, betrayal, compassion, and several wonderful sub-plots going in the story. Normally this would not work. However, Julie Beard MADE it work! It all blends smoothly together and becomes as beautiful as Will's painting of Olivia! An enlightening and graceful story that I highly recommend to one and all! *****
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Is there anyone who can get you into trouble more than a sister? That is the premise of Good Girls Do. At the University in Southern Florida (sorry, Julie did not use New Orleans again for she give such a texture to her works with that as a background!) Dr. Miranda Carpenter's sister pushed the CISS - Campus Institute for Safe Sex and Dr. Noah Yeager into nominating Miranda as woman of the year role model. Teri makes sure the papers pick up on it, and next thing Miranda is label "practically a virgin" - and as the late Robert Mitchum would tell you, there's nothing worse than a semi-virgin!!
Miranda is humiliated by this all, and Noah understands this, and had no idea Teri would shout it everywhere. Added to Miranda's humiliation is an attraction to Noah, but she has started away from the Party Animal that was known for his one night stands and love them and leave them attitude. Noah has been attracted to her for some time, but stayed his distance because he has had two bad relationships, one which ended in divorce.
However, Miranda is just ticked enough to take out her anger and frustration on Noah by winding up his clock and then teaching him a lesson as she decided to go after and win the CISS virtuous award.
As with all Leto's work, the banter is rapier sharp, warm and light, yet this story still manages to get the safe sex message worked in there.
Now, WE NEED Teri's Tale, Julie!!!
I LOVED this book! I'd never read one of Ms. Leto's stories, but I intend to correct that oversight. She has drawn very likeable, sympathetic characters to whom I was drawn immediately. Her dialogue is true and snappy. And the 'thunderstorm' love scene is guaranteed to leave your pulse pounding. [It was my favorite in the whole book].
This is a great book to tuck into your beach tote this summer. If you think it's steamy at the beach, just wait until you read Good Girls Do!
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Shields is an innovator. She has changed the paternity leave policies in the State Department. In the book, she gets readers to think about the importance of where your ideal partner stands on work and family issues before meeting him/her or where your current partner stands on such issues before making the making the final commitment.
I am a full-time stay at home mom and I love my job. It is the hardest yet most rewarding job I have ever had and I wouldn't trade it for anything. But I had begun to lose my identity in my mommyness and this book is a guide on how mothers can "let go" without guilt. Julie Shields is helping me get my sense of self back and she doesn't even know me!
Just read the Table of Contents and you'll be hooked too!
Amy Beal
The book is well written and interesting; the research very detailed. The author presents many couples who have designed manners of living that avoid the pitfalls of being wife, mother, career woman and doing it all badly.
There is a long section on the frightening results of studies on substitute care and an enlightening one on how other countries have far mnore advanced solutions to the working parent.
This is a must for all women who are planning to get married and have children or have children and are unhappy with their lives. Men either love it or hate it but I haven't met a women yet who doesn't find more in this book that is very helpful.
A must read!!!
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Well, no, actually..and this book will tell you why.
Written just before NATO's 1999 air campaign over Kosovo, Julie Mertus illuminates the process by which trust between Serbs and Kosovars became impossible. It hints at Phillip Gourevitch's reflection that "power comes when you convince your enemy to inhabit YOUR version of HIS story".
That struggle, each wanting the "correct" version of history to stand, lies at the heart of all Balkan conflicts of the last ten years.
Through innumerable interviews with the ordinary people of Kosovo, Serbian and Albanian, Julie Mertus reveals how competing myths came to be, and how they then contributed to an environment where terrorism and atrocity became - ultimately - a logical choice.
She does not go back to the mythology surrounding the 1389 defeat of the Serbian Prince Lazar at Kosovo Polje - the rallying point for Milosevic. (Covered already in Noel Malcolm's "Kosovo: A Short History). Mertus shows how events within our generation created defining national stories.
Two quick examples.
In 1990, thousands of schoolchildren fell ill. The ethnic Albanian understanding: they were deliberately poisoned, probably with Sarin gas, by Serbian authorities. It was proof of the evil Serbs would be willing to do to Albanians. The UCK (Kosovo Liberation Army) recruited youths with the argument that without resistance, they would all be poisoned again.
The Serb response to the same event was that it was mass hysteria at best, or at worst a deliberate plot by ethnic Albanians to generate international sympathy against them, the Serbs. It proved the extent of the Kosovars' untrustworthiness, their deviousness.
There could be no common ground between those views. Which story you believed, defined you.
Similarly, there is the case of Djordje Martinovic, a Serbian peasant who turned up at hospital with a bottle in his rectum and a story about being assaulted in his field by "masked men". Although later apparently recanting his story, and confessing his "assault" had been a botched act of self-gratification, for Serbs it became a rallying point. Dismissing the recantation as an Albanian plot, Serbs were only too happy to believe that this, the violation of an honest peasant in an act with echoes of the old Turkish practice of impaling, was the extent to which ethnic Albanians would not hesitate to stoop. Martinovic quickly returned to his original story. He remains on the list of Serb martyrs to this day.
Today, Kosovo remains in an effective state of partition, nearly all its former Serb population living above the divided city of Mitrovica. Without the presence of KFOR troops, armed conflict would be inevitable. It is not their religion, or even their language, that divides Serb from Kosovar. It is the incompatability of the stories they tell. Since this book was written, both sides have volumes of fresh grievances, accentuating their enemy's inhumanity and highlighting their own victimhood. These stories, nearly all with some grain of truth, are now being woven themselves into the complex fabric of national myth.
Brilliantly, painstakingly and without taking sides, Prof. Mertus has given us a vivid account of how events become remembered. She gives us the template to understand better all the intractable conflicts of our times.
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Jo Beverley - A Gift of Light Kitty Mayhew was alone working on a tapestry trying to figure out what was wrong with her mother's cat who was making the strangest sounds and putting her body through some very strange contortions. It was her maid Polly that let her know that the problem was that the cat was in heat and hadn't she heard the 'tom cats' making all kinds of racket at night. The very worst of the 'tom cats' was a big black one that she found out belonged to a neighbor. Armed with all the dignity she could muster Kitty went to the neighbor insisting they control their 'tom' cat from courting her female. What she discovered was a very impudent owner who didn't seem to see that this was as much of a problem as she did. In fact, this rascally 'Lord Chatterton' thought that this little spitfire needed to be taught the finer points of courting - human style. Through a ruse using the servants courtship as an excuse, he talked Kitty into the two of them acting as chaperones to find out if the servants budding courtship would last if it didn't have to be kept clandestine and would be brought into the open.
This was a cute, lovely story with some sweet and sassy dialog. Lord Chatterton was the initiator of trying to teach a lesson in courtship, but it was Kitty who finally taught Tom, Lord Chatterton, what it really meant to let in the 'light of the Christmas season' and truly love.
Barbara Bretton - Home for the Holidays This was a darling story told partly from Sebastian, a Maine Coon cat's perspective and partly from his human owners, Jill and David. It is Christmas Eve and David and Jill are divorcing. Jill and David had been together since college; loving each other thru the hard times then slowly falling apart as David's need to advance his career and make more and more money was more important than spending time with his family. It would take Sebastian, the cat they both loved, on a journey that they could follow - to make David remember that the most important thing he needed was Jill and that they were partners - and that they were once happiest when all they had was a little money but whole lot of love. Sweet story.
Lynn Kurland - The Gift of Christmas Past I really liked this offering from Lynn Kurland. Sir Sweetums, Abigail Garrett's cat, has been missing, and her life feels as though it has gone down the drain, no job, no cat, no unemployment insurance, and no boyfriend just a couple of days before Christmas - she felt like George Bailey and was ready to jump off a bridge into the river. Well, she didn't exactly jump but she did fall in and when she came up for air she found herself in a cesspool of a moat. Not only a moat, but she was no longer in Wisconsin, but England and it wasn't 1998 anymore but 1238! She dragged herself out of the moat, and made her way to the gate at the top of the drawbridge - only to find a surly man dressed up like a medieval knight holding a sword and he didn't quite know what to make of her either! This was a really darling story with Sir Sweetums, who had passed by his ninth life, and was now a guardian angel cat who had one last human he had to find a suitable mate for. Very nice and romantic as these two people from different times had to come to grips with each other and the truth of who they were! Very humorous as well!
If you want to carry on reading about Miles and Abby's life together read THE MORE I SEE YOU, it is set about 20yrs. after this story. You won't be dissapointed.